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Author: Henri de Toulouse-Lautrec
Publisher: Queensland Government Publications
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
This comprehensive catalogue, demonstrating the unique graphic talents of Henri Toulouse-Lautrec, was the result of collaboration between the Queensland Art Gallery and Bibliothéque Nationale in Paris. Colour reproductions bring to life the illustrations of Toulouse-Lautrec and French scholars weave a history of the artist's turbulent career. The book includes both the original French text and the translated English. Editors: Susanne Grano, Caroline Turner, Michel Sourgnes, Christine Clark. Features over 280 colour and black-and-white illustrations.
Author: Henri de Toulouse-Lautrec
Publisher: Queensland Government Publications
ISBN:
Category : Art
Languages : en
Pages : 236
Get Book Here
Book Description
This comprehensive catalogue, demonstrating the unique graphic talents of Henri Toulouse-Lautrec, was the result of collaboration between the Queensland Art Gallery and Bibliothéque Nationale in Paris. Colour reproductions bring to life the illustrations of Toulouse-Lautrec and French scholars weave a history of the artist's turbulent career. The book includes both the original French text and the translated English. Editors: Susanne Grano, Caroline Turner, Michel Sourgnes, Christine Clark. Features over 280 colour and black-and-white illustrations.
Author: Henri de Toulouse-Lautrec
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Claude Bouret
Publisher:
ISBN: 9780815000303
Category :
Languages : en
Pages : 224
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Book Description
Author: Bibliothèque nationale (France)
Publisher:
ISBN: 9782717718553
Category :
Languages : en
Pages : 224
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Book Description
Author: David Burnett
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ruth E. Iskin
Publisher: Dartmouth College Press
ISBN: 1611686172
Category : Art
Languages : en
Pages : 431
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Book Description
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
Author: David Burnett
Publisher:
ISBN:
Category : Lithography, French
Languages : en
Pages : 16
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Book Description
Author: Ruth E. Iskin
Publisher: Bloomsbury Publishing USA
ISBN: 1501338501
Category : Art
Languages : en
Pages : 308
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Book Description
Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.
Author: Antony Griffiths
Publisher: Univ of California Press
ISBN: 9780520207141
Category : Art
Languages : en
Pages : 172
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Book Description
Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.
Author: Elizabeth E. Guffey
Publisher: Reaktion Books
ISBN: 1780234112
Category : Art
Languages : en
Pages : 321
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Book Description
From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere—but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster’s roots in the nineteenth century and explores the relevance they still possess in the age of digital media. Even in our world of social media and electronic devices, she argues, few forms of graphic design can rival posters for sheer spatial presence, and they provide new opportunities to communicate across public spaces in cities around the globe. Guffey charts the rise of the poster from the revolutionary lithographs that papered nineteenth-century London and Paris to twentieth-century works of propaganda, advertising, pop culture, and protest. Examining contemporary examples, she discusses Palestinian martyr posters and West African posters that describe voodoo activities or Internet con men, stopping along the way to uncover a rich variety of posters from the Soviet Union, China, the United States, and more. Featuring 150 stunning images, this illuminating book delivers a fresh look at the poster and offers revealing insights into the designs and practices of our twenty-first-century world.
