Author: Trudy V. Hansen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
The years from 1960 to 1990 witnessed an extraordinary outburst of creative activity among American printmakers. A number of important new workshops were founded, from such influential studios as Universal Limited Art Editions as Long Island and the Tamarind Lithography Workshop in Los Angeles to small presses throughout the country. In contrast to traditional European ateliers, where professional printers reproduced artists' designs for commercial edition printing, the new American workshops stressed collaboration, and emphasized radical experimentation with medium and process. The work produced in these studios often owed as much to the imaginative gifts of the printer as the conception of the artist.
Printmaking in America
Author: Trudy V. Hansen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
The years from 1960 to 1990 witnessed an extraordinary outburst of creative activity among American printmakers. A number of important new workshops were founded, from such influential studios as Universal Limited Art Editions as Long Island and the Tamarind Lithography Workshop in Los Angeles to small presses throughout the country. In contrast to traditional European ateliers, where professional printers reproduced artists' designs for commercial edition printing, the new American workshops stressed collaboration, and emphasized radical experimentation with medium and process. The work produced in these studios often owed as much to the imaginative gifts of the printer as the conception of the artist.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
The years from 1960 to 1990 witnessed an extraordinary outburst of creative activity among American printmakers. A number of important new workshops were founded, from such influential studios as Universal Limited Art Editions as Long Island and the Tamarind Lithography Workshop in Los Angeles to small presses throughout the country. In contrast to traditional European ateliers, where professional printers reproduced artists' designs for commercial edition printing, the new American workshops stressed collaboration, and emphasized radical experimentation with medium and process. The work produced in these studios often owed as much to the imaginative gifts of the printer as the conception of the artist.
¡Printing the Revolution!
Author: E. Carmen Ramos
Publisher: Princeton University Press
ISBN: 0691210802
Category : Art
Languages : en
Pages : 326
Book Description
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
Publisher: Princeton University Press
ISBN: 0691210802
Category : Art
Languages : en
Pages : 326
Book Description
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
Prints & People
Author: Alpheus Hyatt Mayor
Publisher: Metropolitan Museum of Art
ISBN: 0870991086
Category : Art and society
Languages : en
Pages : 497
Book Description
Discusses the significance and history of printmaking and evaluates 700 prints.
Publisher: Metropolitan Museum of Art
ISBN: 0870991086
Category : Art and society
Languages : en
Pages : 497
Book Description
Discusses the significance and history of printmaking and evaluates 700 prints.
The Contemporary Print
Author: Susan Tallman
Publisher: Thames & Hudson
ISBN: 9780500236840
Category : Art
Languages : en
Pages : 304
Book Description
Today, not only do the best artists of our time frequently make prints, some of the most highly regarded artworks are prints. More editions are being produced by more artists in greater diversity than at any point in history. This book provides for the first time an authoritative critical survey of printed art over the last four decades - an indispensable reference for students, scholars, art professionals, artists, collectors and would-be collectors, examining and illustrating the work of more than 170 artists from 11 countries. Starting from the foundation of Universal Limited Art Editions in 1957, The Contemporary Print explores thoroughly the differing traditions of postwar Europe and America: the brilliant experiments of Johns and Rauschenberg; the Pop explosion; the Multiple; Op art, Minimalism and Serialism; Conceptual artists exploiting the language of photography; the rejection of mechanical slickness in the 1970s; the revival of Expressionism and figuration in the 1980s; and the new energies with which the print continues to influence and intrigue us today, expanding the ways in which we think about art. With a fully detailed catalogue, workshop histories, biographies of all the most prominent artists, and a glossary of print terms, this is a unique and invaluable guide - one of the few essential books for anyone concerned with contemporary art.
Publisher: Thames & Hudson
ISBN: 9780500236840
Category : Art
Languages : en
Pages : 304
Book Description
Today, not only do the best artists of our time frequently make prints, some of the most highly regarded artworks are prints. More editions are being produced by more artists in greater diversity than at any point in history. This book provides for the first time an authoritative critical survey of printed art over the last four decades - an indispensable reference for students, scholars, art professionals, artists, collectors and would-be collectors, examining and illustrating the work of more than 170 artists from 11 countries. Starting from the foundation of Universal Limited Art Editions in 1957, The Contemporary Print explores thoroughly the differing traditions of postwar Europe and America: the brilliant experiments of Johns and Rauschenberg; the Pop explosion; the Multiple; Op art, Minimalism and Serialism; Conceptual artists exploiting the language of photography; the rejection of mechanical slickness in the 1970s; the revival of Expressionism and figuration in the 1980s; and the new energies with which the print continues to influence and intrigue us today, expanding the ways in which we think about art. With a fully detailed catalogue, workshop histories, biographies of all the most prominent artists, and a glossary of print terms, this is a unique and invaluable guide - one of the few essential books for anyone concerned with contemporary art.
The Doctrina Breve
Author: Juan de Zumárraga
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 208
Book Description
Hatch Show Print
Author: Jim Sherrarden
Publisher: Chronicle Books
ISBN: 9780811828567
Category : Antiques & Collectibles
Languages : en
Pages : 176
Book Description
"For more than a century, Nashville's Hatch Show Print has produced show-posters for entertainers of all stripes, from country musicians to magicians, professional wrestlers to rock stars. Hatch Show Print: The History of a Great American Poster Shop is the fully illustrated tour of this iconic institution, offering a glimpse into the history of American entertainment through dynamic and distinctive posters from the 1800s to today." "In this day of new media dominance, the hand-carved, hand-set, hand-inked, and hand-cranked ethic and aesthetic of a Hatch Show Print poster is beyond compare. Complete with over 175 illustrations, including historical photographs and scores of beautiful posters, Hatch Show Print is a dazzling document of this legendary print shop." --Book Jacket.
Publisher: Chronicle Books
ISBN: 9780811828567
Category : Antiques & Collectibles
Languages : en
Pages : 176
Book Description
"For more than a century, Nashville's Hatch Show Print has produced show-posters for entertainers of all stripes, from country musicians to magicians, professional wrestlers to rock stars. Hatch Show Print: The History of a Great American Poster Shop is the fully illustrated tour of this iconic institution, offering a glimpse into the history of American entertainment through dynamic and distinctive posters from the 1800s to today." "In this day of new media dominance, the hand-carved, hand-set, hand-inked, and hand-cranked ethic and aesthetic of a Hatch Show Print poster is beyond compare. Complete with over 175 illustrations, including historical photographs and scores of beautiful posters, Hatch Show Print is a dazzling document of this legendary print shop." --Book Jacket.
The Printed Picture
Author: Richard Benson
Publisher: The Museum of Modern Art
ISBN: 9780870707216
Category : Art
Languages : en
Pages : 352
Book Description
Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future
Publisher: The Museum of Modern Art
ISBN: 9780870707216
Category : Art
Languages : en
Pages : 352
Book Description
Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future
Graphic Revolution
Author: Elizabeth Wyckoff
Publisher:
ISBN: 9780891780021
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780891780021
Category :
Languages : en
Pages :
Book Description
Personal Impressions
Author: Elizabeth M. Harris
Publisher: David R. Godine Publisher
ISBN: 9781567922684
Category : History
Languages : en
Pages : 212
Book Description
"This complete, definitive, and illustrated survey of small nineteenth-century printing presses, written by a former curator at the Smithsonian Institution, is the first history of these lovely, useful, and varied machines. For there were, in those days, small printing presses created for every purpose. And there were, as well, innumerable boys and countless men eager to make their fortunes by investing in one, buying a few fonts of type, printing for a local clientele, and, with luck, building a printing or publishing empire." "What the desktop computer is to today, these small iron workhorses were to the nineteenth century. This book catalogues, describes, and illustrates over a hundred, with their makers, giving machine specifications as well as patent information. It provides a mine of previously undocumented printing information. No one seriously interested in the history of printing technology can afford to be without it."--BOOK JACKET.
Publisher: David R. Godine Publisher
ISBN: 9781567922684
Category : History
Languages : en
Pages : 212
Book Description
"This complete, definitive, and illustrated survey of small nineteenth-century printing presses, written by a former curator at the Smithsonian Institution, is the first history of these lovely, useful, and varied machines. For there were, in those days, small printing presses created for every purpose. And there were, as well, innumerable boys and countless men eager to make their fortunes by investing in one, buying a few fonts of type, printing for a local clientele, and, with luck, building a printing or publishing empire." "What the desktop computer is to today, these small iron workhorses were to the nineteenth century. This book catalogues, describes, and illustrates over a hundred, with their makers, giving machine specifications as well as patent information. It provides a mine of previously undocumented printing information. No one seriously interested in the history of printing technology can afford to be without it."--BOOK JACKET.
Perspectives on contemporary printmaking
Author: Ruth Pelzer-Montada
Publisher: Manchester University Press
ISBN: 1526125765
Category : Art
Languages : en
Pages : 388
Book Description
This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.
Publisher: Manchester University Press
ISBN: 1526125765
Category : Art
Languages : en
Pages : 388
Book Description
This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.