Author: Wenner-Gren Foundation for Anthropological Research
Publisher: London ; New York : Oxford University Press, for Wenner-Gren Foundation for Anthropological Research
ISBN:
Category : Art
Languages : en
Pages : 332
Book Description
Based on a conference held at Burg Wartenstein from 27 June to 5 July 1967.
Primitive Art & Society
Author: Wenner-Gren Foundation for Anthropological Research
Publisher: London ; New York : Oxford University Press, for Wenner-Gren Foundation for Anthropological Research
ISBN:
Category : Art
Languages : en
Pages : 332
Book Description
Based on a conference held at Burg Wartenstein from 27 June to 5 July 1967.
Publisher: London ; New York : Oxford University Press, for Wenner-Gren Foundation for Anthropological Research
ISBN:
Category : Art
Languages : en
Pages : 332
Book Description
Based on a conference held at Burg Wartenstein from 27 June to 5 July 1967.
Primitive Art in Civilized Places
Author: Sally Price
Publisher: University of Chicago Press
ISBN: 9780226680675
Category : Art
Languages : en
Pages : 178
Book Description
AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.
Publisher: University of Chicago Press
ISBN: 9780226680675
Category : Art
Languages : en
Pages : 178
Book Description
AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.
Metropolitan Fetish
Author: John Warne Monroe
Publisher: Cornell University Press
ISBN: 1501736361
Category : History
Languages : en
Pages : 375
Book Description
From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.
Publisher: Cornell University Press
ISBN: 1501736361
Category : History
Languages : en
Pages : 375
Book Description
From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.
Paris Primitive
Author: Sally Price
Publisher: University of Chicago Press
ISBN: 0226680703
Category : Art
Languages : en
Pages : 251
Book Description
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Publisher: University of Chicago Press
ISBN: 0226680703
Category : Art
Languages : en
Pages : 251
Book Description
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
The Cambridge History of Modernism
Author: Vincent Sherry
Publisher: Cambridge University Press
ISBN: 1316720535
Category : Literary Criticism
Languages : en
Pages : 1579
Book Description
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
Publisher: Cambridge University Press
ISBN: 1316720535
Category : Literary Criticism
Languages : en
Pages : 1579
Book Description
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
"Primitivism" in 20th century art
Author: William Rubin
Publisher: ABRAMS
ISBN: 9780810960671
Category :
Languages : en
Pages : 706
Book Description
Publisher: ABRAMS
ISBN: 9780810960671
Category :
Languages : en
Pages : 706
Book Description
Primitive Art
Author: Franz Boas
Publisher: Amberg Press
ISBN: 9781473310414
Category : Art
Languages : en
Pages : 414
Book Description
This early work by Franz Boas was originally published in 1927 and we are now republishing it with a brand new introductory biography. 'Primitive Art' is an attempt to give an analytical description of the fundamental traits of primitive art. Franz Boas was born on July 9th 1958, in Minden, Germany. Boas enrolled at the University at Kiel as an undergraduate in Physics. He completed his degree with a dissertation on the optical properties of water, before continuing his studies and receiving his doctorate in 1881. He became a professor of Anthropology at Columbia University in 1899 and founded the first Ph.D program in anthropology in America. He was also a leading figure in the creation of the American Anthropological Association
Publisher: Amberg Press
ISBN: 9781473310414
Category : Art
Languages : en
Pages : 414
Book Description
This early work by Franz Boas was originally published in 1927 and we are now republishing it with a brand new introductory biography. 'Primitive Art' is an attempt to give an analytical description of the fundamental traits of primitive art. Franz Boas was born on July 9th 1958, in Minden, Germany. Boas enrolled at the University at Kiel as an undergraduate in Physics. He completed his degree with a dissertation on the optical properties of water, before continuing his studies and receiving his doctorate in 1881. He became a professor of Anthropology at Columbia University in 1899 and founded the first Ph.D program in anthropology in America. He was also a leading figure in the creation of the American Anthropological Association
Indonesian Primitive Art
Author: Jean Paul Barbier-Mueller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
Outsider Art
Author: Colin Rhodes
Publisher:
ISBN: 9780500203347
Category : Art
Languages : en
Pages : 224
Book Description
Colin Rhodes surveys the history and reception of Outsider Art, first championed by Dubuffet and the Surrealists, and provides fresh critical insights into the achievements of both major figures and newly discovered artists.
Publisher:
ISBN: 9780500203347
Category : Art
Languages : en
Pages : 224
Book Description
Colin Rhodes surveys the history and reception of Outsider Art, first championed by Dubuffet and the Surrealists, and provides fresh critical insights into the achievements of both major figures and newly discovered artists.
The Reinvention of Primitive Society
Author: Adam Kuper
Publisher: Routledge
ISBN: 1351852965
Category : Social Science
Languages : en
Pages : 357
Book Description
Adam Kuper’s iconoclastic intellectual history argues that the idea of “primitive society” is a western myth. The “primitive” is imagined as the opposite of the “civilised”. But this is a protean myth. As ideas about civilisation change, so the image of primitive society must be adjusted. By way of fascinating account of classic texts in anthropology, ancient history and law, Kuper reveals how this myth underpinned academic research and inspired political programmes. Its ancestry is traced back to classical western beliefs about barbarians and savages, and Kuper also tackles the latest version of the myth, the idea of a global identity of “indigenous peoples”. The Reinvention of Primitive Society is a key text in the history of anthropology, and will interest anyone who has puzzled about the very idea of “primitive society” – and so, by implication, about “civilisation”.
Publisher: Routledge
ISBN: 1351852965
Category : Social Science
Languages : en
Pages : 357
Book Description
Adam Kuper’s iconoclastic intellectual history argues that the idea of “primitive society” is a western myth. The “primitive” is imagined as the opposite of the “civilised”. But this is a protean myth. As ideas about civilisation change, so the image of primitive society must be adjusted. By way of fascinating account of classic texts in anthropology, ancient history and law, Kuper reveals how this myth underpinned academic research and inspired political programmes. Its ancestry is traced back to classical western beliefs about barbarians and savages, and Kuper also tackles the latest version of the myth, the idea of a global identity of “indigenous peoples”. The Reinvention of Primitive Society is a key text in the history of anthropology, and will interest anyone who has puzzled about the very idea of “primitive society” – and so, by implication, about “civilisation”.