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Author: Michael Mohn
Publisher: M. Mohn Publishing
ISBN:
Category : Music
Languages : en
Pages : 186
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Book Description
Author: Michael Mohn
Publisher: M. Mohn Publishing
ISBN:
Category : Music
Languages : en
Pages : 186
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Book Description
Author: Anthony Donato
Publisher: Forgotten Books
ISBN: 9780282917586
Category :
Languages : en
Pages : 198
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Book Description
Excerpt from Preparing Music Manuscript It is assumed that anyone using this guide will be familiar with ele mentary musical principles. It should also be understood that the guide deals only with notation and layout procedures and is not intended to be a method or course in copying. Elementary notation, theory, orchestra tion, and other technical factors are mentioned in the text only when it is necessary to clear up a pointpertaining to writing of music manuscript. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Mona Mender
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 228
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Book Description
From this concise textbook, a student may learn, step by step, how to prepare any kind of music manuscript; composers and copyists can use it for reference. Mender includes a large section on contemporary music, both classical and popular; a section on cueing; abundant illustrations; and an extensive index. The book is divided into sections on material and equipment; notation; general preparation; cueing; instruments (special notation and preparation); contemporary music ('serious' and popular); proofreading by way of counting measures; and duplication of manuscripts. The appendix excerpts music manuscripts and comments by several contemporary composers.
Author: Gayle Giese
Publisher: Alfred Music
ISBN: 9781457459443
Category : Music
Languages : en
Pages : 92
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Book Description
A 64-page concise handbook for professional and student writers, arrangers, copyists, editors or proofreaders -- anyone working with music manuscripts. Included are sections on general music notation, shorthand notation, proofreading, terms and type, choral/vocal music, instrumental scores and parts, pop and keyboard music, plus a special section with specifics for engravers.
Author: Music Notebook
Publisher:
ISBN: 9781678808181
Category :
Languages : en
Pages : 102
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Book Description
Music is Art & Making Watches is Art Blank Sheet Music Manuscript Paper/ Notebook for Musicians / Composition Book / Staff Paper - Lovely Designed Interior (8.5" x 11"), 100 Pages (Gift For Music Lovers, Musicians, Students & Songwriting ) This music manuscript paper notebook is for school kids & children in grade school, high school teens & teenagers, college kids, uni students and adults to handwritten music notation & music notes. You can use it on music college or university, high school music theory classes, in the studio, at home or anywhere for songwriting, piano, guitar, violin, and other musical instruments, practice lessons, or transcribing music. This musician's notebook contains: 100 pages of Lined and Staff Paper, 13 staves per page with thin lines, Simple, classic, traditional, stylish, elegant cover paperback, Enough space between staves for lyrics, No clefs written and no measures are included to allow maximal flexibility when composing. Book Format---------------------------------------------------------------- Interior & paper type: Black & white interior with white paper Bleed Settings: No Bleed Paperback cover finish: Glossy Trim Size: 8.5 x 11 in Page Count: 100
Author: Matthew Nicholl
Publisher: Berklee Press Publications
ISBN: 9780876390740
Category : Music
Languages : en
Pages : 0
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Book Description
(Berklee Guide). Whether you notate music by hand or use computer software, this practical reference will show you today's best practices rendering the details of your scores and parts. Improve your music's legibility and express your ideas clearly to get the best possible representation of your music. You will learn to: create scores that are easy to conduct and parts that are easy to perform; understand the unique practices and standards for handwritten vs. computer-generated scores, such as those by Finale and Sibelius; lay out scores with proper instrument order, measures per page, and common alignment practices; understand the publication standards for orchestral, big-band, vocal, and rhythm-section-based scores; use appropriate practices for different styles, such as pop, commercial, classical, and jazz; and more. Music Notation Preparing Scores and Parts is used as a notation textbook by Berklee College of Music's Contemporary Writing and Production Department. It presents the definitive word in score and part preparation, based on contemporary publishing-industry practice.
Author: Helen O'Shea
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 244
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Book Description
The book challenges the notion that Irish Traditional music expresses an essential Irish identity, arguing that it was an ideological construction of cultural nationalists in the nineteenth century, later commodified by the music and tourism industries. As a social process, musical performance is complicated by the varying experiences of musicians and listeners. The question of an Irish identity expressed musically is further explored through the experiences of both 'local' and 'foreign' musicians, including the author. The conclusion that a radicalised ideal of national culture and an assimilative model of cultural contact are compatible has important implications for Irish society today. Irish traditional music is now performed and consumed world-wide. The Making of Irish Traditional Music considers the implications of this for the way we understand music's relationship to individual and collective identities such as ethnicity and nationality. The core of this book is its analysis of the experiences of 'foreigners' playing Irish music, both in Australia and in the heart of Ireland's traditional music empire, County Clare, as 'pilgrims' to summer schools.
Author: Michaela Mross
Publisher: University of Hawaii Press
ISBN: 0824892879
Category : Religion
Languages : en
Pages : 393
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Book Description
Kōshiki (Buddhist ceremonials) belong to a shared ritual repertoire of Japanese Buddhism that began with Tendai Pure Land belief in the late tenth century and spread to all Buddhist schools, including Sōtō Zen in the thirteenth century. In Memory, Music, Manuscripts, Michaela Mross elegantly combines the study of premodern manuscripts and woodblock prints with ethnographic fieldwork to illuminate the historical development of the highly musical kōshiki rituals performed by Sōtō Zen clerics. She demonstrates how ritual change is often shaped by factors outside the ritual context per se—by, for example, institutional interests, evolving biographic images of eminent monks, or changes in the cultural memory of a particular lineage. Her close study of the fascinating world of kōshiki in Sōtō Zen sheds light on Buddhism as a lived religion and the interplay of ritual, doctrine, literature, collective memory, material culture, and music. Mross highlights in particular the sonic dimension in rituals. Scholars of Buddhist and ritual studies have largely overlooked the soundscapes of rituals despite the importance of music for many ritual specialists and the close connection between the acquisition of ritual expertise and learning to vocalize sacred texts or play musical instruments. Indeed, Sōtō clerics strive to perfect their vocal skills and view kōshiki and the singing of liturgical texts as vital Zen practices and an expression of buddhahood—similar to seated meditation. Innovative and groundbreaking, Memory, Music, Manuscripts is the first in-depth study of kōshiki in Zen Buddhism and the first monograph in English on this influential liturgical genre. A companion website featuring video recordings of selected kōshiki performances is available at https://searchworks.stanford.edu/view/dq109wp7548.
Author: Mária Eckhardt (musicologue)
Publisher: Pendragon Press
ISBN: 9789630541770
Category : Music
Languages : en
Pages : 264
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Book Description
The Music Division of the National Széchényi Library (Budapest) houses 78 music manuscripts and scores, with all or part of each penned in the hand of Franz Liszt, one of Hungary's most prominent native sons. The library is the primary Hungarian public collection of Liszt's works and is among the world's most comprehensive. This book details the collection, classifying the works as (i) Liszt's compositions-autograph manuscripts, manuscript copies, proof-sheets or printed copies with additions and corrections in Liszt's hand (62 items); (ii) Liszt's compositions-printed or manuscript copies with autograph dedications (10 items); and (iii) Liszt's corrections and manuscript notes in and to works by other composers (6 items). Seventy-three music examples and 20 facsimile illustrations are also included. While other catalogues have been devoted to these Liszt compositions, this is the first to take full and accurate account of the collection to date. Thorough philological data of the documents, and descriptions and evaluations among the sources of the given composition are supplied. Maria Eckhardt's insightful additions concerning performance history and Liszt's relationships with dedicatees and fellow composers, based upon her previously published research, provide an enriched understanding of the compositions and their creator.
Author: Kenneth E. Miller
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 248
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Book Description
