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Author: P. Gabrielle Foreman
Publisher:
ISBN: 9780820362496
Category : Art
Languages : en
Pages : 0
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Book Description
David Drake is recognized as one of the United States' most accomplished nineteenth-century potters. Yet, though his pots-many inscribed with original verse-sit in museums across the nation, he is too often passed over when considering the early foundations of African American poetry. Born in South Carolina at the beginning of the nineteenth century, Drake produced hundreds of pieces while under the surveillance of the enslavers who claimed him and his work as their property. Still, asserts P. Gabrielle Foreman, he is perhaps the only Black person in all of the free or slave states whose literary work was preserved in neither books nor pamphlets nor newspapers. His pots and jars served as pages as well as ceramic vessels. This book examines how Drake's pottery and poetry have inspired visual artists and poets who claim him as an artistic ancestor. It features the Sir Dave (1998) series by artist Jonathan Green, including thirteen paintings that have never been exhibited or published together before. Accompanying and in dialogue with Green's paintings is a twenty-poem cycle called All My Relation (2015) by Glenis Redmond. Praise Songs includes the editor's interview of Redmond and Green and essays by Redmond, Foreman, and Lynnette Young Overby, the artistic director of a 2014 collaboration and performance featuring both Green's and Redmond's work. As one of the first volumes to focus on David Drake's legacy as a writer, it also includes an updated compilation of all of his poetic inscriptions. This volume presents the artistic legacy of one of the most well-known Black potters, and one of the most innovative and underappreciated enslaved poets, of the nineteenth century.
Author: P. Gabrielle Foreman
Publisher:
ISBN: 9780820362496
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
David Drake is recognized as one of the United States' most accomplished nineteenth-century potters. Yet, though his pots-many inscribed with original verse-sit in museums across the nation, he is too often passed over when considering the early foundations of African American poetry. Born in South Carolina at the beginning of the nineteenth century, Drake produced hundreds of pieces while under the surveillance of the enslavers who claimed him and his work as their property. Still, asserts P. Gabrielle Foreman, he is perhaps the only Black person in all of the free or slave states whose literary work was preserved in neither books nor pamphlets nor newspapers. His pots and jars served as pages as well as ceramic vessels. This book examines how Drake's pottery and poetry have inspired visual artists and poets who claim him as an artistic ancestor. It features the Sir Dave (1998) series by artist Jonathan Green, including thirteen paintings that have never been exhibited or published together before. Accompanying and in dialogue with Green's paintings is a twenty-poem cycle called All My Relation (2015) by Glenis Redmond. Praise Songs includes the editor's interview of Redmond and Green and essays by Redmond, Foreman, and Lynnette Young Overby, the artistic director of a 2014 collaboration and performance featuring both Green's and Redmond's work. As one of the first volumes to focus on David Drake's legacy as a writer, it also includes an updated compilation of all of his poetic inscriptions. This volume presents the artistic legacy of one of the most well-known Black potters, and one of the most innovative and underappreciated enslaved poets, of the nineteenth century.
Author: Cinda K. Baldwin
Publisher: University of Georgia Press
ISBN: 0820346160
Category : Art
Languages : en
Pages : 259
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Book Description
First published in 1993, this was the first authoritative study of South Carolina stoneware and its history, including he methods used to throw, glaze, decorate, and fire the vessels. Illustrated with nearly two hundred photographs (including fifteen color plates), maps, and drawings, plus an index of potters.
Author: Kwame Alexander
Publisher: Little, Brown
ISBN: 0316417785
Category : Poetry
Languages : en
Pages : 290
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Book Description
A breathtaking poetry collection on hope, heart, and heritage from the most prominent and promising Black poets and writers of our time, edited by #1 New York Times bestselling author Kwame Alexander. In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of contemporary anthems at turns tender and piercing and deeply inspiring throughout. Featuring work from well-loved poets such as Rita Dove, Jericho Brown, Warsan Shire, Ross Gay, Tracy K. Smith, Terrance Hayes, Morgan Parker, and Nikki Giovanni, This Is the Honey is a rich and abundant offering of language from the poets giving voice to generations of resilient joy, “each incantation,” as Mahogany L. Browne puts it in her titular poem, is “a jubilee of a people dreaming wildly.” This essential collection, in the tradition of Dudley Randall’s The Black Poets and E. Ethelbert Miller’s In Search of Color Everywhere, contains poems exploring joy, love, origin, race, resistance, and praise. Jacqueline A.Trimble likens “Black woman joy” to indigo, tassels, foxes, and peacock plumes. Tyree Daye, Nate Marshall, and Elizabeth Acevedo reflect on the meaning of “home” through food, from Cuban rice and beans to fried chicken gizzards. Clint Smith and Cameron Awkward-Rich enfold us in their intimate musings on love and devotion. From a “jewel in the hand” (Patricia Spears Jones) to “butter melting in small pools” (Elizabeth Alexander), This Is the Honey drips with poignant and delightful imagery, music, and raised fists. Fresh, memorable, and deeply moving, this definitive collection a must-have for any lover of language and a gift for our time.
Author: Mary Frances Early
Publisher: University of Georgia Press
ISBN: 0820369519
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
The Quiet Trailblazer recounts Mary Frances Early’s life from her childhood in Atlanta, her growing interest in music, and her awakening to the injustices of racism in the Jim Crow South. Early carefully maps the road to her 1961 decision to apply to the master’s program in music education at the University of Georgia, becoming one of only three African American students. With this personal journey we are privy to her prolonged and difficult admission process; her experiences both troubling and hopeful while on the Athens campus; and her historic graduation in 1962. Early shares fascinating new details of her regular conversations with civil rights icon Dr. Martin Luther King Jr. at Ebenezer Baptist Church in Atlanta. She also recounts her forty-eight years as a music educator in the state of Georgia, the Southeast, and at the national level. She continued to blaze trails within the field and across professional associations. After Early earned her master’s and specialist’s degrees, she became an acclaimed Atlanta music educator, teaching music at segregated schools and later being promoted to music director of the entire school system. In 1981 Early became the first African American elected president of the Georgia Music Educators Association. After she retired from working in public schools in 1994, Early taught at Morehouse College and Spelman College and served as chair of the music department at Clark Atlanta University. Early details her welcome reconciliation with UGA, which had failed for decades to publicly recognize its first Black graduate. In 2018 she received the President’s Medal, and her portrait is one of only two women’s to hang in the Administration Building. Most recently, Early was honored by the naming of the College of Education in her honor.
Author: Susan Neal Mayberry
Publisher: University of Georgia Press
ISBN: 0820336513
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Taking a close look at all the key male figures in Toni Morrison’s eight novels, this book explores Morrison’s admitted, but critically neglected, interest in the relationships between African American men and women and the “axes” on which these relationships turn. Most Morrison scholarship deals with her female characters.Can’t I Love What I Criticize?offers a response to this imbalance and to Morrison’s call for more work on men, who remain, in her words, “outside of that little community value thing.” The book also considers the barriers between black men and women thrown up by their participation in a larger, historically racist culture of competition, ownership, sexual repression, and fixed ideals about physical beauty and romantic love. Black women, Morrison says, bear their crosses “extremely well,” and black men, although they have been routinely emasculated by “white men, period,” have managed to maintain a feisty “magic” that everybody wants but nobody else has. Understanding Morrison’s treatment of her male characters, says Susan Mayberry, becomes crucial to grasping her success in “countering the damage done by a spectrum of sometimes misguided isms”--including white American feminism. Morrison’s version of masculinity suggests that black men have “successfully retained their special vitality in spite of white male resistance” and that “their connections to black women have saved their lives.” To single out her men is not to negate the preeminence of her women; rather, it is to recognize the interconnectedness and balance between them.
Author: Brigitte Fielder
Publisher: University of Wisconsin Press
ISBN: 0299321509
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limiting as they are enabling. Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; “post-Black” art, the role of black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. Against a Sharp White Background covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. This collection challenges mainstream book history and print culture to understand that race and racialization are inseparable from the study of texts and their technologies.
Author: Kimberly Blockett
Publisher: Taylor & Francis
ISBN: 104010651X
Category : Biography & Autobiography
Languages : en
Pages : 186
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Book Description
Spanning three centuries, this book demonstrates a variety of archival practices to tell more expansive stories about Black women. It examines the life writing, records, and ephemera of Black women such as political reformer Sydna E. R. Francis, educators Edmonia Highgate and Lucy F. Simms, travel writer Nancy Prince, poet June Jordan, novelist Jesmyn Ward, and self-liberator Matilda Hawkins Tyler, enslaved by her own Jesuit church at St. Louis University. The contributors use oral histories, data visualization, and biographical documents and narratives to map these and countless anonymized stories across geographic locations. Tracking the voluntary and forced movement of Black women alongside the places and spaces they inhabit gives us richer, more contextualized histories. The authors probe and answer how these women moved through and beyond systemic barriers and physical dangers while placing themselves at the center of change. The stories crystalize the joys, horrors, quotidian experiences, and endurance of marginalized lives. Each chapter illustrates ways to build archival and theoretical spaces that interrogate the many ways that Black women have navigated formidable and dangerous lands. This interdisciplinary volume will be of interest to students and researchers of comparative literature, gender studies, and Black studies. The chapters in this book were originally published as a special issue of a/b: Auto/Biography Studies.
Author: Cedrick May
Publisher: University of Georgia Press
ISBN: 0820336335
Category : Social Science
Languages : en
Pages : 168
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Book Description
This study focuses on the role of early African American Christianity in the formation of American egalitarian religion and politics. It also provides a new context for understanding how black Christianity and evangelism developed, spread, and interacted with transatlantic religious cultures of the eighteenth and early nineteenth centuries. Cedrick May looks at the work of a group of pivotal African American writers who helped set the stage for the popularization of African American evangelical texts and the introduction of black intellectualism into American political culture: Jupiter Hammon, Phillis Wheatley, John Marrant, Prince Hall, Richard Allen, and Maria Stewart. Religion gave these writers agency and credibility, says May, and they appropriated the language of Christianity to establish a common ground on which to speak about social and political rights. In the process, these writers spread the principles that enabled slaves and free blacks to form communities, a fundamental step in resisting oppression. Moreover, says May, this institution building was overtly political, leading to a liberal shift in mainstream Christianity and secular politics as black churches and the organizations they launched became central to local communities and increasingly influenced public welfare and policy. This important new study restores a sense of the complex challenges faced by early black intellectuals as they sought a path to freedom through Christianity.
Author: Andrea Cheng
Publisher:
ISBN: 9781600608933
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
A biography of Dave the Potter, an enslaved man and talented potter who carved poetry on his pottery.
Author: Ronald Angelo Johnson
Publisher: University of Georgia Press
ISBN: 0820368105
Category : History
Languages : en
Pages : 327
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Book Description
In Search of Liberty explores how African Americans, since the founding of the United States, have understood their struggles for freedom as part of the larger Atlantic world. The essays in this volume capture the pursuits of equality and justice by African Americans across the Atlantic World through the end of the nineteenth century, as their fights for emancipation and enfranchisement in the United States continued. This book illuminates stories of individual Black people striving to escape slavery in places like Nova Scotia, Louisiana, and Mexico and connects their eff orts to emigration movements from the United States to Africa and the Caribbean, as well as to Black abolitionist campaigns in Europe. By placing these diverse stories in conversation, editors Ronald Angelo Johnson and Ousmane K. Power-Greene have curated a larger story that is only beginning to be told. By focusing on Black internationalism in the eighteenth and nineteenth centuries, In Search of Liberty reveals that Black freedom struggles in the United States were rooted in transnational networks much earlier than the better-known movements of the twentieth century.
