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Author: Greg M. Colón Semenza
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
A focused study on Michael Powell and Emeric Pressburger's cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists. Michael Powell and Emeric Pressburger are widely hailed as two of the greatest filmmakers in British cinema history. The release of their first movie, The Spy in Black, barely preceded the beginning of World War Two, and a number of their early masterworks, including The Life and Death of Colonel Blimp, A Canterbury Tale, and A Matter of Life and Death, were produced in the service of the war effort. Through exploring the relationship between art and propaganda, this book shows that Powell and Pressburger saw no contradiction between their aesthetic ambitions and their cinematic war work: propaganda imperatives were highly conducive to their objectives as both commercial cinema practitioners and artists. Drawing on production materials from the archives of the British Film Institute, this book charts three phases in Powell and Pressburger's wartime career: from first-time collaborators who strive to reconcile popular cinematic forms with developing notions of what constitutes effective propaganda; to accomplished, and sometimes controversial, propagandists whose movies center upon Britain's relations with its enemies and allies; to filmmakers whose responsiveness to the propaganda requirements of the late war is matched by a focus, shared by the Ministry of Information, on what the post-war future would bring.
Author: Greg M. Colón Semenza
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
A focused study on Michael Powell and Emeric Pressburger's cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists. Michael Powell and Emeric Pressburger are widely hailed as two of the greatest filmmakers in British cinema history. The release of their first movie, The Spy in Black, barely preceded the beginning of World War Two, and a number of their early masterworks, including The Life and Death of Colonel Blimp, A Canterbury Tale, and A Matter of Life and Death, were produced in the service of the war effort. Through exploring the relationship between art and propaganda, this book shows that Powell and Pressburger saw no contradiction between their aesthetic ambitions and their cinematic war work: propaganda imperatives were highly conducive to their objectives as both commercial cinema practitioners and artists. Drawing on production materials from the archives of the British Film Institute, this book charts three phases in Powell and Pressburger's wartime career: from first-time collaborators who strive to reconcile popular cinematic forms with developing notions of what constitutes effective propaganda; to accomplished, and sometimes controversial, propagandists whose movies center upon Britain's relations with its enemies and allies; to filmmakers whose responsiveness to the propaganda requirements of the late war is matched by a focus, shared by the Ministry of Information, on what the post-war future would bring.
Author: Andrew Moor
Publisher: Bloomsbury Publishing
ISBN: 0857733443
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
The film-making partnership of Michael Powell and Emeric Pressburger was one of the most remarkable and visionary in cinema. They made an extraordinary range of films, from The Spy in Black and The Life and Death of Colonel Blimp to A Canterbury Tale and The Red Shoes. With champions like Martin Scorsese and Francis Ford Coppola, and revived critical interest worldwide, they now find new generations of admirers. This illuminating new book looks closely at these classic films to explore their complex relationship to national identity, and their interest in exile, borderlands, utopias, escapism, art and fantasy. Moor reveals for example how the visual imagery of the films of the Second World War question current cinematic styles and how post war films like The Red Shoes and The Tales of Hoffman are in their highly expressive use of design, music and dance utterly international in character.
Author: Ian Christie
Publisher:
ISBN: 9780571162710
Category : Performing Arts
Languages : en
Pages : 163
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Book Description
Michael Powell and Emeric Pressburger formed one of the greatest creative partnerships in the history of British cinema - The Archers. Their films were often controversial - Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form amd music. However, in the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters. This book is a comprehensive analysis of their films and is a useful guide to their work.
Author: Andrew Moor
Publisher: Bloomsbury Publishing
ISBN: 0857721895
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
The film-making partnership of Michael Powell and Emeric Pressburger was one of the most remarkable and visionary in cinema. They made an extraordinary range of films, from The Spy in Black and The Life and Death of Colonel Blimp to A Canterbury Tale and The Red Shoes. With champions like Martin Scorsese and Francis Ford Coppola, and revived critical interest worldwide, they now find new generations of admirers. This illuminating new book looks closely at these classic films to explore their complex relationship to national identity, and their interest in exile, borderlands, utopias, escapism, art and fantasy. Moor reveals for example how the visual imagery of the films of the Second World War question current cinematic styles and how post war films like The Red Shoes and The Tales of Hoffman are in their highly expressive use of design, music and dance utterly international in character.
Author: Emeric Pressburger
Publisher: Faber & Faber
ISBN: 0571324959
Category : Fiction
Languages : en
Pages : 207
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Book Description
Karl Braun is a slight, grey-haired man who lodges in West London and works as a tuner for a firm of piano makers who know little or nothing about him. His fellow lodgers believe that he, like them, came to England to flee Hitler. But the outwardly poised Herr Braun is inwardly a very anxious man, wracked especially by newspaper reports of the ongoing hunt for Nazi war criminals. The Glass Pearls (1966) was the second novel by Emeric Pressburger, who, with Michael Powell, created such cinematic masterworks as A Matter of Life and Death and The Red Shoes. Likely inspired by the capture of Adolf Eichmann, it is a gripping psychological study of a cultured man, guilty of unspeakable crimes, trying to hide in plain sight. This new edition includes two new introductions, by cinema scholar Caitlin McDonald and by Pressburger's grandson, the Oscar-winning film director Kevin Macdonald.
Author: Nathalie Morris
Publisher: Bloomsbury Publishing
ISBN: 1838719164
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Michael Powell and Emeric Pressburger were true visionaries of British cinema, creating glorious Technicolor masterpieces including A Matter of Life and Death (1946), Black Narcissus (1947) and The Red Shoes (1948). Delving into their magical and obsessive worlds, this lavishly-illustrated publication presents fresh perspectives on the filmmaking duo, shining the spotlight not only on them, but also on their circle of talented collaborators. Thelma Schoonmaker, Caitlin McDonald, Alexandra Harris, Mahesh Rao, Sarah Street, Ian Christie and Marina Warner write about the key figures who shared Powell and Pressburger's creative journey, and Tilda Swinton, Tim Walker, Sarah Greenwood, Michelle Williams Gamaker, Sandy Powell, Joanna Hogg and Stephen Jones reflect on the ways in which Powell and Pressburger's stories and images have haunted and inspired them in their own work. The Cinema of Powell and Pressburger draws on the BFI's stunning design and archive collections, as well as key objects held in other public and private collections.
Author: W. Stanley Moss
Publisher: Weidenfeld & Nicolson
ISBN: 1780228805
Category : Biography & Autobiography
Languages : en
Pages : 223
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Book Description
NOW WITH AN INTRODUCTION BY W. STANLEY MOSS'S DAUGHTER GABRIELLA BULLOCK AND AN AFTERWORD BY PATRICK LEIGH FERMOR Ill Met By Moonlight is the true story of one of the most hazardous missions of the Second World War. W. Stanley Moss is a young British officer who, along with Major Patrick Leigh Fermor, sets out in Nazi-occupied Crete to kidnap General Kreipe, Commander of the Sevastopool Division, and narrowly escaping the German manhunt, bring him off the island - a vital prisoner for British intelligence. As an account of derring-do and wartime adventure, made into a classic film starring Dirk Bogarde, Ill Met By Moonlight is one of the most brilliantly written, exciting and compelling stories to come out of the Second World War.
Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231507186
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.
Author: International John Bunyan Society. Conference
Publisher: Peter Lang
ISBN: 9783039107209
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
"Papers delivered at the fourth triennial conference of the International John Bunyan Society held at Bedford, 1-5 September 2004"--Acknowledgements.
Author: Lucy Noakes
Publisher: A&C Black
ISBN: 1441104976
Category : History
Languages : en
Pages : 241
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Book Description
Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.
