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Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
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Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
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Author: UNKNOWN. AUTHOR
Publisher: Forgotten Books
ISBN: 9781331753162
Category :
Languages : en
Pages : 30
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Excerpt from Posthumous Fragments of Margaret Nicholson: Being Poems Found Amongst the Papers of That Noted Female Who Attempted the Life of the King in 1786 a full account of this Volume is to be found in Hogg's Life of Shelley, Vol. I, pp. '260 et seq. But it had already been inaccurately referred to by Medwin, both in The Shelley Papers and in his Life of Shelley. Too much reliance must not be placed on Hogg's account, because, writing from memory, he is certainly inaccurate in some points that can be checked by reference to the book itself; and this shews that his memory was not to be trusted implicitly. His talent for the picturesque, combined with this want of exactness, may easily have led him far from the facts, without any intention on his part to depart from them. Hogg's account is that the poems were originally written by Shelley bond fide, with the exception of the first, of which the ms. Was confided to Shelley by some rhymester of the day, -that Shelley shewed them to his future biographer in proof, and that the two friends eventually worked upon them to make them into burlesques. Ten this was efiectually done, the printer who was to have published the volume at Shelley's cost, offered to do so at his own, and it was issued under the name of the poor washerwoman who had attempted the life of George III., and who was still alive, confined as a lunatic. So success ful was the hoax, says Hogg, that we used to meet gownsmen in High street reading the goodly volume as they walked - pensive with a grave and sage delight. It was indeed a kind of fashion to be seen reading it in public, as a mark of a nice discernment, of a delicate and fastidious taste in poetry, and the very criterion of a choice spirit. Nobody suspected, or could suspect, who was the author the thing passed off as the genuine production of the would-be regicide.' I agree with Mr. Rossetti in thinking that the traces of this process of burlesquing are not at all obvious. The poems, with one exception, do not strike me as more extravagant than others written by Shelley as a youth. If the account is correct; the first poem should stand in its place for the sake of Shelley's share in burlesquing it: if incorrect, it is as likely to be his own as the rest; and I must say that I think it more likely Shelley produced the whole volume substantially, sub mitting to the process of burlesquing only to_ a very small extent, and probably in the Epithalamium of Ravaillac and Charlotte Corday alone. The volume, of which the title-page is reproduced in the present re print, is a quarto, consisting of fiy-title, title, a third leaf bearing the Advertisement, and text pp. 7 to 29. I suspect it was issued as a stabbed pamphlet, - as the copies I have seen bear the usual traces of such issue. I have not thought it worth while to make, notice, or suggest any revisions of text, but have given that of the quarto ?fcrbatim ct literatim, except in one case of a letter accidentally ch'opped. - h.b. F. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
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Author: Percy Bysshe Shelley
Publisher:
ISBN: 9780742671140
Category :
Languages : en
Pages :
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Author: Thomas Jefferson Hogg
Publisher: Palala Press
ISBN: 9781347372098
Category :
Languages : en
Pages : 52
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Geoffrey Matthews
Publisher: Routledge
ISBN: 1317872932
Category : Literary Criticism
Languages : en
Pages : 642
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Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the first volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes supply the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. The present volume includes the 'Esdaile' poems, which only entered the public domain in the 1950s, printed in chronological order and integrated with the rest of Shelley's early output, and Queen Mab, the first of Shelley’s major poems, together with its extensive prose notes. The seminal Alastor volume is placed in the detailed context of Shelley’s overall poetic development. The ‘Scrope Davies’ notebook, only discovered in 1976, furnishes two otherwise unknown sonnets as well as alternative versions of ‘Hymn to Intellectual Beauty’ and ‘Mont Blanc’, which significantly influence our understanding of these important poems. This first volume contains new datings, and makes numerous corrections to long-established errors and misunderstandings in the transmission of Shelley's work. Its annotations and headnotes provide new perspectives on Shelley's literary, philosophical and political development The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.
Author: Harry Buxton Forman
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Author: Harry Buxton Forman
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 128
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Author: Alan M. Weinberg
Publisher: Routledge
ISBN: 131702320X
Category : Literary Criticism
Languages : en
Pages : 368
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New editions and facsimiles of Percy Bysshe Shelley's works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb's 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley's oeuvre, including the poet's earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley's collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley's considerable corpus of fragments is well-represented in contributions on the later narrative fiction, 'Athanase'/'Prince Athanase', and the significant group of unfinished poems, including 'Mazenghi', 'Fiordispina', 'Ginevra' and 'The Boat on the Serchio', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet's apparently slighter works are important in their own right and are richly instructive as expressions of Shelley's developing art of composition and the diverse interests he pursued throughout his career.
Author: Donald H. Reiman
Publisher: JHU Press
ISBN: 0801877954
Category : Literary Criticism
Languages : en
Pages : 554
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Book Description
The first American edition of Shelley's complete poetry since 1892—with more poems, fragments, and collations than any previous collective edition. Winner of the Richard J. Finneran Award of the Society for Textual Scholarship, CHOICE Outstanding Academic Title of the Choice ACRL A milestone in literary scholarship, the publication of the Johns Hopkins edition of The Complete Poetry of Percy Bysshe Shelley makes available for the first time critically edited clear texts of all poems and translations that Shelley published or circulated among friends, as well as diplomatic texts of his significant incomplete poetic drafts and fragments. Edited upon historical principles by Donald H. Reiman and Neil Fraistat, the multi volume edition will offer more poems and fragments than any previous collective edition, arranged in the order of their first circulation. These texts are followed by the most extensive collations hitherto available and detailed commentaries that describe their contextual origins and subsequent reception. Rejected passages of released poems appear as supplements to those poems, while other poetic drafts that Shelley rejected or left incomplete at his death will be grouped according to either their publication histories or the notebooks in which they survive. Volume One includes Shelley's first four works containing poetry (all prepared for publication before his expulsion from Oxford), as well as "The Devil's Walk" (circulated in August 1812), and a series of short poems that he sent to friends between 1809 and 1814, including a bawdy satire on his parents and "Oh wretched mortal," a poem never before published. An appendix discusses poems lost or erroneously attributed to the young Shelley. "These early poems are important not only biographically but also aesthetically, for they provide detailed evidence of how Shelley went about learning his craft as a poet, and the differences between their tone and that of his mature short poetry index a radical change in his self-image . . . The poems in Volume I, then, demonstrate Shelley's capacity to write verse in a range of stylistic registers. This early verse, even in its most abandoned forays into Sensibility, the Gothic, political satire, and vulgarity—perhaps especially in these most apparently idiosyncratic gestures—provides telling access to its own cultural moment, as well as to Shelley's art and thought in general."—from the Editorial Overview
