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Author: Dibyakusum Ray
Publisher: Routledge
ISBN: 1000563278
Category : Literary Criticism
Languages : en
Pages : 122
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Book Description
How is the city represented through literature from the post-colonies? This book searches for an answer to this question, by keeping its focus on India—from after Independence to the millennia. How does the urban space and the literature depicting it form a dialogue within? How have Indian cities grown in the past six decades, as well as the literature focused on it? How does the city-lit depart from organic realism to dissonant themes of “reclamation”? Most importantly—who does the city (and its narratives) belong to? Through the juxtaposition of critical theories, sociological data, urban studies and variant literary works by a wide range of Indian authors, this book is divided into four temporal phases: the nation-building of the 50–60s, the dictatorial 70s, the neoliberalization of the 80–90s and the early 2000s. Each section covers the dominant socio-political thematics of the time and its effect on urbanism along with historical data from various resources, followed by an analysis of contemporaneously significant literary works—novel, short stories, plays, poetry and graphic novel. Each chapter comments on how literature, perceived as a historical phenomenon, frames real and imagined constructs and experiences of cities. To give the reader a more expansive idea of the complex nature of city-lit, the literary examples abound not only “Indian Writings in English,” but vernacular, cult-works as well with suitable translations. With its focus on philosophy, urban studies and a unique canon of literature, this book offers elements of critical discussion to researchers, emergent university disciplines and curious readers alike.
Author: Dibyakusum Ray
Publisher: Routledge
ISBN: 1000563278
Category : Literary Criticism
Languages : en
Pages : 122
Get Book Here
Book Description
How is the city represented through literature from the post-colonies? This book searches for an answer to this question, by keeping its focus on India—from after Independence to the millennia. How does the urban space and the literature depicting it form a dialogue within? How have Indian cities grown in the past six decades, as well as the literature focused on it? How does the city-lit depart from organic realism to dissonant themes of “reclamation”? Most importantly—who does the city (and its narratives) belong to? Through the juxtaposition of critical theories, sociological data, urban studies and variant literary works by a wide range of Indian authors, this book is divided into four temporal phases: the nation-building of the 50–60s, the dictatorial 70s, the neoliberalization of the 80–90s and the early 2000s. Each section covers the dominant socio-political thematics of the time and its effect on urbanism along with historical data from various resources, followed by an analysis of contemporaneously significant literary works—novel, short stories, plays, poetry and graphic novel. Each chapter comments on how literature, perceived as a historical phenomenon, frames real and imagined constructs and experiences of cities. To give the reader a more expansive idea of the complex nature of city-lit, the literary examples abound not only “Indian Writings in English,” but vernacular, cult-works as well with suitable translations. With its focus on philosophy, urban studies and a unique canon of literature, this book offers elements of critical discussion to researchers, emergent university disciplines and curious readers alike.
Author:
Publisher: Routledge
ISBN: 1136819576
Category :
Languages : en
Pages : 385
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Book Description
Author: Amy L. Friedman
Publisher: Rowman & Littlefield
ISBN: 1498571972
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
Author: Alex Tickell
Publisher: Routledge
ISBN: 9781032838885
Category : Computers
Languages : en
Pages : 0
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Book Description
This book charts emerging and pressing issues and new forms of literature of Delhi by critics and scholars working on urban South Asia. It was originally published as a special issue of the Journal of Postcolonial Writing.
Author: Nalini Natarajan
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 144
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Book Description
Drawing from the large body of criticism on non-European modernities in recent years, this study targets what seems to be a discernable ambivalence in these studies. The author seeks to investigate Twentieth-Century India?s complex negotiations with modernity, with its usefulness as well as its threat, at one of the most vulnerable points of definition, the position of women. Focusing on the disciplines or genres within which modernity is introduced, the study uses the modern literary genre, as well as intellectual disciplines. Using these two domains of study, an interdisciplinary framework is developed by looking at how narratives may be read in the light of other disciplines constructing the modern subject-ideologies of manners and ?refinement?, prohibition, ethnography, ethnopsychology, film, property law and urban history.The book argues that the possibilities in modernity are subject to a constant negotiation and become domesticated through the century, especially in the area of gendering. Gendering is revealed as a historically contingent process operating differently at different historical moments. The analysis enables us to see the ideological gender constructions and contradictions behind modern versions of caste, modern daughterhood, modern citizenhood, and modern proprietorship.
Author: Ulka Anjaria
Publisher: Temple University Press
ISBN: 9781439916643
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
In an age of social media and reality television, reading and consumption habits in India now demand homegrown pulp fictions. Ulka Anjaria categorizes post-2000 Indian literature and popular culture as constituting “the contemporary,” a movement defined by new and experimental forms—where high- and low-brow meet, and genres break down. Reading India Now studies the implications of this developing trend as both the right-wing resurges and marginalized voices find expression. Anjaria explores the fiction of Chetan Bhagat and Anuja Chauhan as well as Aamir Khan’s television talk show, Satyamev Jayate, plus the work of documentarian Paromita Vohra, to argue how different kinds of texts are involved in imagining new political futures for an India in transition. Contemporary literature and popular culture in India might seem artless and capitalistic, but it is precisely its openness to the world outside that allows these new works to offer significant insight into the experiences and sensibilities of contemporary India.
Author: E. Dawson Varughese
Publisher: Bloomsbury Publishing
ISBN: 1441105565
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Reading New India is an insightful exploration of contemporary Indian writing in English. Exploring the work of such writers as Aravind Adiga (author of the Man-Booker Prize winning White Tiger), Usha K.R. and Taseer, the book looks at how the 'new' India has been recreated and defined in an English Language literature that is now reaching a global audience. The book describes how Indian fiction has moved beyond notions of 'postcolonial' writing to reflect an increasingly confident and diverse cultures. Reading New India covers such topics as: - Representation of the city: Mumbai and Bangalore - Chick Lit to Crick Lit - Call centre dramas and corporate lives - Crime novels and Bharati narratives - Graphic novels Including a chronological time-line of major social, cultural and political reforms, biographies of the major authors covered, further reading and a glossary of Hindi terms, this book is an essential guide for students of contemporary world literature and postcolonial writing.
Author: Priya Joshi
Publisher: Columbia University Press
ISBN: 0231125844
Category : History
Languages : en
Pages : 393
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Book Description
Asking what Indian readers chose to read and why, In Another Country shows how readers of the English novel transformed the literary and cultural influences of empire. She further demonstrates how Indian novelists writing in English, from Krupa Satthianadhan to Salman Rushdie, took an alien form in an alien language and used it to address local needs. Taken together in this manner, reading and writing reveal the complex ways in which culture is continually translated and transformed in a colonial and postcolonial context.
Author: Sukhdev Sandhu
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 540
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Book Description
Black authors of the 18th century were powerful figures: out walking near Charing Cross with one of his artist friends, Ignatius Sancho was accosted by a young fop who cried out to his friend, Smoke Othello. Sancho placed himself across the path and exclaimed in booming tones, Aye, Sir, such Othellos you meet with but once in a century. Such Iagos as you, we meet with in every dirty passage. Proceed, Sir
Author: Elleke Boehmer
Publisher: Springer
ISBN: 3319913883
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
This book brings the insights of social geographers and cultural historians into a critical dialogue with literary narratives of urban culture and theories of literary cultural production. In so doing, it explores new ways of conceptualizing the relationship between urban planning, its often violent effects, and literature. Comparing the spatial pasts and presents of the post-imperial and post/colonial cities of London, Delhi and Johannesburg, but also including case studies of other cities, such as Chicago, Belfast, Jerusalem and Mumbai, Planned Violence investigates how that iconic site of modernity, the colonial city, was imagined by its planners — and how this urban imagination, and the cultural and social interventions that arose in response to it, made violence a part of the everyday social life of its subjects. Throughout, however, the collection also explores the extent to which literary and cultural productions might actively resist infrastructures of planned violence, and imagine alternative ways of inhabiting post/colonial city spaces.
