Author: Eldridge Cleaver
Publisher:
ISBN:
Category : African American political activists
Languages : en
Pages : 264
Book Description
Eldridge Cleaver: Post-prison Writings and Speeches
Author: Eldridge Cleaver
Publisher:
ISBN:
Category : African American political activists
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : African American political activists
Languages : en
Pages : 264
Book Description
Post-prison Writings and Speeches
Author: Eldridge Cleaver
Publisher:
ISBN:
Category :
Languages : en
Pages : 211
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 211
Book Description
Post-prison Writings and Speeches
Author: Eldridge Cleaver
Publisher: Jonathan Cape
ISBN: 9780224617451
Category : African Americans
Languages : en
Pages : 211
Book Description
Om raceproblemer i U.S.A.
Publisher: Jonathan Cape
ISBN: 9780224617451
Category : African Americans
Languages : en
Pages : 211
Book Description
Om raceproblemer i U.S.A.
Radical Theatrics
Author: Craig J. Peariso
Publisher: University of Washington Press
ISBN: 0295805579
Category : History
Languages : en
Pages : 246
Book Description
From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective “tolerance” masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the “put-on” — the signature activist performance of the radical left — ended up becoming a valuable American political practice, one that continues to influence contemporary radical movements such as Occupy Wall Street.
Publisher: University of Washington Press
ISBN: 0295805579
Category : History
Languages : en
Pages : 246
Book Description
From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective “tolerance” masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the “put-on” — the signature activist performance of the radical left — ended up becoming a valuable American political practice, one that continues to influence contemporary radical movements such as Occupy Wall Street.
The Revolution Has Come
Author: Robyn C. Spencer
Publisher: Duke University Press
ISBN: 082237353X
Category : History
Languages : en
Pages : 270
Book Description
In The Revolution Has Come Robyn C. Spencer traces the Black Panther Party's organizational evolution in Oakland, California, where hundreds of young people came to political awareness and journeyed to adulthood as members. Challenging the belief that the Panthers were a projection of the leadership, Spencer draws on interviews with rank-and-file members, FBI files, and archival materials to examine the impact the organization's internal politics and COINTELPRO's political repression had on its evolution and dissolution. She shows how the Panthers' members interpreted, implemented, and influenced party ideology and programs; initiated dialogues about gender politics; highlighted ambiguities in the Panthers' armed stance; and criticized organizational priorities. Spencer also centers gender politics and the experiences of women and their contributions to the Panthers and the Black Power movement as a whole. Providing a panoramic view of the party's organization over its sixteen-year history, The Revolution Has Come shows how the Black Panthers embodied Black Power through the party's international activism, interracial alliances, commitment to address state violence, and desire to foster self-determination in Oakland's black communities.
Publisher: Duke University Press
ISBN: 082237353X
Category : History
Languages : en
Pages : 270
Book Description
In The Revolution Has Come Robyn C. Spencer traces the Black Panther Party's organizational evolution in Oakland, California, where hundreds of young people came to political awareness and journeyed to adulthood as members. Challenging the belief that the Panthers were a projection of the leadership, Spencer draws on interviews with rank-and-file members, FBI files, and archival materials to examine the impact the organization's internal politics and COINTELPRO's political repression had on its evolution and dissolution. She shows how the Panthers' members interpreted, implemented, and influenced party ideology and programs; initiated dialogues about gender politics; highlighted ambiguities in the Panthers' armed stance; and criticized organizational priorities. Spencer also centers gender politics and the experiences of women and their contributions to the Panthers and the Black Power movement as a whole. Providing a panoramic view of the party's organization over its sixteen-year history, The Revolution Has Come shows how the Black Panthers embodied Black Power through the party's international activism, interracial alliances, commitment to address state violence, and desire to foster self-determination in Oakland's black communities.
All Those Strangers
Author: Douglas Field
Publisher:
ISBN: 0199384150
Category : Biography & Autobiography
Languages : en
Pages : 243
Book Description
Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwin's personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwin's geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themes-the Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalism-to bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.
Publisher:
ISBN: 0199384150
Category : Biography & Autobiography
Languages : en
Pages : 243
Book Description
Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwin's personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwin's geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themes-the Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalism-to bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.
Target Zero
Author: Eldridge Cleaver
Publisher: Macmillan + ORM
ISBN: 1250091535
Category : Biography & Autobiography
Languages : en
Pages : 439
Book Description
Former Black Panther information minister Eldridge Cleaver was a complex man who inspired profound adulation, love, rage, and, among many, fear. Target Zero brings Cleaver's controversial story into focus through his own words. This books charts Cleaver's life through his writings: his quiet childhood, his youth spent in prison, his startling emergence as a Black Panther leader who became a "fugitive from justice" by the end of 1968, his seven-year exile, and his religious and political conversion following his return to the U.S. Target Zero, which brings together previously unpublished essays, short stories, letters, interviews, and poems, is the most significant collection of Eldridge Cleaver's writing since his bestselling book Soul on Ice (1968).
Publisher: Macmillan + ORM
ISBN: 1250091535
Category : Biography & Autobiography
Languages : en
Pages : 439
Book Description
Former Black Panther information minister Eldridge Cleaver was a complex man who inspired profound adulation, love, rage, and, among many, fear. Target Zero brings Cleaver's controversial story into focus through his own words. This books charts Cleaver's life through his writings: his quiet childhood, his youth spent in prison, his startling emergence as a Black Panther leader who became a "fugitive from justice" by the end of 1968, his seven-year exile, and his religious and political conversion following his return to the U.S. Target Zero, which brings together previously unpublished essays, short stories, letters, interviews, and poems, is the most significant collection of Eldridge Cleaver's writing since his bestselling book Soul on Ice (1968).
Living for the City
Author: Donna Jean Murch
Publisher: Univ of North Carolina Press
ISBN: 0807833762
Category : Political Science
Languages : en
Pages : 328
Book Description
In this nuanced and groundbreaking history, Donna Murch argues that the Black Panther Party (BPP) started with a study group. Drawing on oral history and untapped archival sources, she explains how a relatively small city with a recent history of African
Publisher: Univ of North Carolina Press
ISBN: 0807833762
Category : Political Science
Languages : en
Pages : 328
Book Description
In this nuanced and groundbreaking history, Donna Murch argues that the Black Panther Party (BPP) started with a study group. Drawing on oral history and untapped archival sources, she explains how a relatively small city with a recent history of African
Radical and Marxist Theories of Crime
Author: Paul B. Stretesky
Publisher: Routledge
ISBN: 1351906976
Category : Social Science
Languages : en
Pages : 616
Book Description
The essays selected for this volume show how radical and Marxist criminology has established itself as an influential critique since it emerged in the late 1960s. Unlike orthodox criminology which emphasizes individual level explanations of criminal behavior, radical and Marxist criminology emphasizes power inequality and structures, especially those related to class, as key factors in crime, law and justice. This collection of essays draws attention to the way in which structural forces shape and influence both individual and institutional (for example, governmental) behavior; highlights neglected crime (corporate, governmental, state-corporate and environmental) which causes more extensive damage than the street crimes examined by orthodox criminology; and discusses the ways in which law and criminal justice processes reinforce power structures and contribute to class control.
Publisher: Routledge
ISBN: 1351906976
Category : Social Science
Languages : en
Pages : 616
Book Description
The essays selected for this volume show how radical and Marxist criminology has established itself as an influential critique since it emerged in the late 1960s. Unlike orthodox criminology which emphasizes individual level explanations of criminal behavior, radical and Marxist criminology emphasizes power inequality and structures, especially those related to class, as key factors in crime, law and justice. This collection of essays draws attention to the way in which structural forces shape and influence both individual and institutional (for example, governmental) behavior; highlights neglected crime (corporate, governmental, state-corporate and environmental) which causes more extensive damage than the street crimes examined by orthodox criminology; and discusses the ways in which law and criminal justice processes reinforce power structures and contribute to class control.
Black Feelings
Author: Lisa M. Corrigan
Publisher: Univ. Press of Mississippi
ISBN: 1496827988
Category : Social Science
Languages : en
Pages : 231
Book Description
Honorable Mention Recipient of the 2021 Marie Hochmuth Nichols Award for Outstanding Scholarship in Public Address by the National Communication Association In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published “We Are Our Feeling: The Black Aesthetic.” Baraka’s emphasis on the importance of feelings in Black selfhood expressed a touchstone for how the Black liberation movement grappled with emotions in response to the politics and racial violence of the era. In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely Black pessimism, to resist the constant physical violence against Black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of Black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping midcentury discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America. By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling Black feelings in the service of Black political action, Corrigan traces how Black liberation activists mobilized new emotional repertoires
Publisher: Univ. Press of Mississippi
ISBN: 1496827988
Category : Social Science
Languages : en
Pages : 231
Book Description
Honorable Mention Recipient of the 2021 Marie Hochmuth Nichols Award for Outstanding Scholarship in Public Address by the National Communication Association In the 1969 issue of Negro Digest, a young Black Arts Movement poet then-named Ameer (Amiri) Baraka published “We Are Our Feeling: The Black Aesthetic.” Baraka’s emphasis on the importance of feelings in Black selfhood expressed a touchstone for how the Black liberation movement grappled with emotions in response to the politics and racial violence of the era. In her latest book, award-winning author Lisa M. Corrigan suggests that Black Power provided a significant repository for negative feelings, largely Black pessimism, to resist the constant physical violence against Black activists and the psychological strain of political disappointment. Corrigan asserts the emergence of Black Power as a discourse of Black emotional invention in opposition to Kennedy-era white hope. As integration became the prevailing discourse of racial liberalism shaping midcentury discursive structures, so too, did racial feelings mold the biopolitical order of postmodern life in America. By examining the discourses produced by Martin Luther King, Malcolm X, Stokely Carmichael, Huey Newton, Eldridge Cleaver, and other Black Power icons who were marshaling Black feelings in the service of Black political action, Corrigan traces how Black liberation activists mobilized new emotional repertoires