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Author: Paul Goldberger
Publisher: Random House Digital, Inc.
ISBN: 1580932649
Category : Architecture
Languages : en
Pages : 317
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Book Description
PAUL GOLDBERGER ON THE AGE OF ARCHITECTURE The Guggenheim Museum Bilbao by Frank Gehry, the CCTV Headquarters by Rem Koolhaas, the Getty Center by Richard Meier, the Times Building by Renzo Piano: Pulitzer Prize–winning critic Paul Goldberger’s tenure atThe New Yorkerhas documented a captivating era in the world of architecture, one in which larger-than-life buildings, urban schemes, historic preservation battles, and personalities have commanded an international stage. Goldberger’s keen observations and sharp wit make him one of the most insightful and passionate architectural voices of our time. In this collection of fifty-seven essays, the critic Tracy Kidder called “America’s foremost interpreter of public architecture” ranges from Havana to Beijing, from Chicago to Las Vegas, dissecting everything from skyscrapers by Norman Foster and museums by Tadao Ando to airports, monuments, suburban shopping malls, and white-brick apartment houses. This is a comprehensive account of the best—and the worst—of the “age of architecture.” On Norman Foster: Norman Foster is the Mozart of modernism. He is nimble and prolific, and his buildings are marked by lightness and grace. He works very hard, but his designs don’t show the effort. He brings an air of unnerving aplomb to everything he creates—from skyscrapers to airports, research laboratories to art galleries, chairs to doorknobs. His ability to produce surprising work that doesn’t feel labored must drive his competitors crazy. On the Westin Hotel: The forty-five-story Westin is the most garish tall building that has gone up in New York in as long as I can remember. It is fascinating, if only because it makes Times Square vulgar in a whole new way, extending up into the sky. It is not easy, these days, to go beyond the bounds of taste. If the architects, the Miami-based firm Arquitectonica, had been trying to allude to bad taste, one could perhaps respect what they came up with. But they simply wanted, like most architects today, to entertain us. On Mies van der Rohe: Mies’s buildings look like the simplest things you could imagine, yet they are among the richest works of architecture ever created. Modern architecture was supposed to remake the world, and Mies was at the center of the revolution, but he was also a counterrevolutionary who designed beautiful things. His spare, minimalist objects are exquisite. He is the only modernist who created a language that ranks with the architectural languages of the past, and while this has sometimes been troubling for his reputation . . . his architectural forms become more astonishing as time goes on.
Author: Paul Goldberger
Publisher: Random House Digital, Inc.
ISBN: 1580932649
Category : Architecture
Languages : en
Pages : 317
Get Book Here
Book Description
PAUL GOLDBERGER ON THE AGE OF ARCHITECTURE The Guggenheim Museum Bilbao by Frank Gehry, the CCTV Headquarters by Rem Koolhaas, the Getty Center by Richard Meier, the Times Building by Renzo Piano: Pulitzer Prize–winning critic Paul Goldberger’s tenure atThe New Yorkerhas documented a captivating era in the world of architecture, one in which larger-than-life buildings, urban schemes, historic preservation battles, and personalities have commanded an international stage. Goldberger’s keen observations and sharp wit make him one of the most insightful and passionate architectural voices of our time. In this collection of fifty-seven essays, the critic Tracy Kidder called “America’s foremost interpreter of public architecture” ranges from Havana to Beijing, from Chicago to Las Vegas, dissecting everything from skyscrapers by Norman Foster and museums by Tadao Ando to airports, monuments, suburban shopping malls, and white-brick apartment houses. This is a comprehensive account of the best—and the worst—of the “age of architecture.” On Norman Foster: Norman Foster is the Mozart of modernism. He is nimble and prolific, and his buildings are marked by lightness and grace. He works very hard, but his designs don’t show the effort. He brings an air of unnerving aplomb to everything he creates—from skyscrapers to airports, research laboratories to art galleries, chairs to doorknobs. His ability to produce surprising work that doesn’t feel labored must drive his competitors crazy. On the Westin Hotel: The forty-five-story Westin is the most garish tall building that has gone up in New York in as long as I can remember. It is fascinating, if only because it makes Times Square vulgar in a whole new way, extending up into the sky. It is not easy, these days, to go beyond the bounds of taste. If the architects, the Miami-based firm Arquitectonica, had been trying to allude to bad taste, one could perhaps respect what they came up with. But they simply wanted, like most architects today, to entertain us. On Mies van der Rohe: Mies’s buildings look like the simplest things you could imagine, yet they are among the richest works of architecture ever created. Modern architecture was supposed to remake the world, and Mies was at the center of the revolution, but he was also a counterrevolutionary who designed beautiful things. His spare, minimalist objects are exquisite. He is the only modernist who created a language that ranks with the architectural languages of the past, and while this has sometimes been troubling for his reputation . . . his architectural forms become more astonishing as time goes on.
Author: Herbert Muschamp
Publisher: Knopf
ISBN: 0307273245
Category : Architecture
Languages : en
Pages : 913
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Book Description
From the late Herbert Muschamp, the former architecture critic of The New York Times and one of the most outspoken and influential voices in architectural criticism, a collection of his best work. The pieces here—from The New Republic, Artforum, and The New York Times—reveal how Muschamp’s views were both ahead of their time and timeless. He often wrote about how the right architecture could be inspiring and uplifting, and he uniquely drew on film, literature, and popular culture to write pieces that were passionate and often personal, changing the landscape of architectural criticism in the process. These columns made architecture a subject accessible to everyone at a moment when, because of the heated debate between modernists and postmodernists, architecture had become part of a larger public dialogue. One of the most courageous and engaged voices in his field, he devoted many columns at the Times to the lack of serious new architecture in this country, and particularly in New York, and spoke out against the agenda of developers. He departed from the usual dry, didactic style of much architectural writing to playfully, for example, compare Frank Gehry’s Guggenheim Bilbao to the body of Marilyn Monroe or to wax poetic about a new design for Manhattan’s manhole covers. One sees in this collection that Muschamp championed early on the work of Frank Gehry, Rem Koolhaas, Zaha Hadid, Thom Payne, Frank Israel, Jean Nouvel, and Santiago Calatrava, among others, and was drawn to the theoretical writings of such architects as Peter Eisenman. Published here for the first time is the uncut version of his brilliant and poignant essay about gay culture and Edward Durrell Stone’s museum at 2 Columbus Circle. Fragments from the book he left unfinished, whose title we took for this collection—“A Dozen Years,” “Metroscope,” and “Atomic Secrets”—are also included. Hearts of the City is dazzling writing from a humanistic thinker whose work changed forever the way we think about our cities—and the buildings in them.
Author: Philip Jodidio
Publisher: Rizzoli Publications
ISBN: 0847848728
Category : Architecture
Languages : en
Pages : 0
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Book Description
At the pinnacle of his profession and powers, Christian de Portzamparc is a shining star in the firmament of high design. Pritzker Prize–winning architect Christian de Portzamparc is renowned for bold yet artful architecture that is at once sensitive to its context while at the same time being novel, adventurous, and frequently exciting. One57, the soaring residential skyscraper in New York, with unparalleled views of Central Park, is perhaps his most famous building in the United States, but his work ranges widely across the globe, from an extraordinary handkerchief puff–shaped boutique for Christian Dior in Seoul to a low-winged arabesque of a building for the wine producer Cheval Blanc to a mysterious temple of the modern for Casarts in Casablanca. This volume, the first major comprehensive book on Portzamparc’s work in more than three decades, is a revelation and a comprehensive survey of the work of one of the world’s most innovative and exciting architects at the height of his powers.
Author: Derek Fraser
Publisher: Manchester University Press
ISBN: 9780719040221
Category : Architecture
Languages : en
Pages : 164
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Book Description
This informative guide gathers together an essential collection of Berlin's most significant buildings drawn from the widest historical background with a bias towards modern architecture. Each entry has a photograph, name, date, address and architect.
Author: Andrew Ayers
Publisher: Edition Axel Menges
ISBN: 9783930698967
Category : Architecture
Languages : en
Pages : 422
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Book Description
The author here presents an architectural history of Paris, stretching from the 3rd century BC up until the end of the 20th century.
Author: Kathy Borrus
Publisher: Black Dog & Leventhal
ISBN: 1603762671
Category : Architecture
Languages : en
Pages : 642
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Book Description
Five hundred stunning duotone photographs showcase the finest, most majestic, and interesting examples of architecture in one of the world's most beloved cities. This inspiring photographic journey through the City of Lights features the greatest buildings, monuments, and structures of Paris, organized by neighborhood. Each building is featured in a rich, fine-resolution duotone photograph. Information including the building's name, its address and location, and year of completion or renovation is included underneath the image. A brief description of each building, which highlights its distinctive features and places it in historical context, is included at the back of the book.
Author: Kester Rattenbury
Publisher: Laurence King Publishing
ISBN: 9781856694926
Category : Architecture
Languages : en
Pages : 248
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Book Description
This volume offers both an introduction to and an insight into key contemporary architects as well as giving a snapshot of the varied nature of architecture today. For each architect there are details of their life and work and illustrations of their most representative and iconic buildings.
Author: Hilary French
Publisher: W. W. Norton & Company
ISBN: 9780393732467
Category : Architecture
Languages : en
Pages : 246
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Book Description
A collection of housing designs built over the last hundred years, illustrating innovative approaches. Fourth in the Key series, with newly drawn plans suitable for study in architecture schools, this volume will appeal to students of urban design and planning as well as architecture. Key developments covered include early apartment blocks, the projects of European modernism, high-rise and large-scale schemes, and postmodernism. Exterior and interior photographs show materials, massing, and context. 150 color photographs, 500 line drawings.
Author: Eugene Clute
Publisher:
ISBN:
Category : Architectural drawing
Languages : en
Pages : 492
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Book Description
Author: Ada Louise Huxtable
Publisher: Bloomsbury Publishing USA
ISBN: 0802777600
Category : Architecture
Languages : en
Pages : 497
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Book Description
Known for her well-reasoned and passionately held beliefs about architecture, Ada Louise Huxtable has captivated readers across the country for decades, in the process becoming one of the best known critics in the United States. Her brilliance over so many years is unmatched, and her range has always been vast-from a plea to save a particular architectural treasure to an ongoing discussion about whether modern architecture is dead. Her keen eye and vivid writing have reinforced to readers how important architecture is and why it continues to be both controversial and fascinating. Since so much of her writing has been in newspapers, it has quickly become unavailable to her many fans. On Architecture will bring together her best work from the New York Times, New York Review of Books, her more recent essays in the Wall Street Journal, and her various books. She is personally selecting and organizing the pieces into sections like "Art and Culture" and "The Art of Architecture," and is revising them as needed to bring them up to date. Whether you love modern architecture or desire a return to Beaux Arts design, this book will give you insight into the mind and heart of a critic who has artfully brought the discussion of architecture, architects and our environment to readers for five decades.
