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Author: José Sarmento de Matos
Publisher:
ISBN:
Category : History
Languages : en
Pages : 250
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Book Description
This survey of Portuguese photography consists of technical rarities from the 19th century, historical and journalistic images, landscape photography, and the works of the most important modern and contemporary Portuguese photographers. The spectrum is wide, from street scenes of Lisbon to artistically stylized portraits, and all points between. Central to the book are those themes of Portugal's history, including the travel inherent in a once colonial power. The book includes many photographs from locales far outside of the country's actual borders.
Author: José Sarmento de Matos
Publisher:
ISBN:
Category : History
Languages : en
Pages : 250
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Book Description
This survey of Portuguese photography consists of technical rarities from the 19th century, historical and journalistic images, landscape photography, and the works of the most important modern and contemporary Portuguese photographers. The spectrum is wide, from street scenes of Lisbon to artistically stylized portraits, and all points between. Central to the book are those themes of Portugal's history, including the travel inherent in a once colonial power. The book includes many photographs from locales far outside of the country's actual borders.
Author: Maria Tereza Siza
Publisher:
ISBN: 9783908161035
Category :
Languages : en
Pages : 235
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Book Description
Author: John Laidlar
Publisher: Oxford, England : Clio Press
ISBN:
Category : Reference
Languages : en
Pages : 376
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Book Description
Annotation. A bibliography citing and annotating over 750 publications on Portugal for English readers. They range across disciplines such as history, archaeology, biography, emigrants and overseas colonies, finance and banking, labor, science and technology, sport, periodicals, literature, transport, science, flora, religion, and politics. The emphasis is on works published during or since the 1980s, but a number of earlier titles are also included. A substantial introduction outlines the country's history. Laidlar (Portuguese, U. of Manchester) updates P.T.H. Unwin's 1987 first edition. Annotation copyright by Book News, Inc., Portland, OR.
Author: Filipa Lowndes Vicente
Publisher: Springer Nature
ISBN: 3031277953
Category : History
Languages : en
Pages : 494
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Book Description
This edited collection presents the first critical and historical overview of photography in Portuguese colonial Africa to an English-speaking audience. Photography in Portuguese Colonial Africa, 1860–1975 brings together sixteen scholars from interdisciplinary fields as varied as history, anthropology, art history, visual culture and museum studies, to consider some of the key aspects in the visual representation of the longest-lasting European colonial empire in the African continent. The chapters span over two centuries and cover five formerly colonial territories – Angola, Cabo Verde, Guinea-Bissau, Mozambique, and São Tomé and Príncipe – deploying a range of methodologies to explore the multiple meanings and the contested uses of the photographic image across the realms of politics, science, culture and war. This book responds to a marked surge of international interest in the relationship between photography and colonialism, which has hitherto largely overlooked the Portuguese imperial context, by delivering the most recent scholarly findings to a broad readership.
Author: Emília Tavares
Publisher:
ISBN: 9789727764631
Category :
Languages : en
Pages : 240
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Book Description
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: Miguel Amado
Publisher:
ISBN: 9789723709575
Category : Photograph collections
Languages : en
Pages : 255
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Book Description
Fundação PLMJ, instituída pela sociedade de advogados PLMJ AM Pereira, Sáragga Leal, Oliveira Martins, Júdice e Associados, protagoniza uma actividade regular na área do coleccionismo artístico Nos últimos anos, a atenção da Fundação PLMJ centrou-se na
Author: Association for Spanish and Portuguese Historical Studies
Publisher:
ISBN:
Category : Hispanists
Languages : en
Pages : 520
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Book Description
Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
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Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Author: Grace Seiberling
Publisher: University of Chicago Press
ISBN: 9780226744988
Category : Art
Languages : en
Pages : 320
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Book Description
"This book results from research which was begun with all the casualness, but inherent seriousness, of the nineteenth-century amateur. I had the privilege of frequent access to the archives of the International Museum of Photography at George Eastman House and began to go through the nineteenth-century photographs in a systematic way. I wanted to go beyond the clichés of the history of photography as a series of often-reproduced masterworks and to find out something about the history of seeing, or at least of thinking about, images in the nineteenth century."--Préface.
