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Author: T. G. Aravamuthan
Publisher: Asian Educational Services
ISBN: 9788120608009
Category : History
Languages : en
Pages : 186
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Book Description
Author: T. G. Aravamuthan
Publisher: Asian Educational Services
ISBN: 9788120608009
Category : History
Languages : en
Pages : 186
Get Book Here
Book Description
![Portrait Sculpture in South India. By T. G. Aravamuthan, etc. [With plates.]. PDF](https://books.google.com/books/content/images/frontcover/E98LMwEACAAJ?fife=w80-h100)
Author: Royal India and Pakistan Society
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
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Book Description
Author: T. G. Aravamuthan
Publisher:
ISBN: 9789390697496
Category : Art
Languages : en
Pages : 0
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Book Description
South Indian Portraits deals extensively with the different types of sculptures and portraits found in various temples and how they found a significant place in the monuments and temples of India. Written by T.G. Aravamuthan, this book is a notable contribution to the art and history of south Indian archaeology. Portrait sculptures have been found in various parts of India. Even in the nooks and corners of south India and in its earliest monuments we come across sculptures which are indubitably portraits. Nowhere else in India, has the art been so persistent or drawn more freely from the people as in South India. A few references in Sanskrit literature are utilised later in discussing the evolution of portrait sculpture. The earliest Tamil literature now available contains indications of the popularity of sculptures portraying human beings. Fully illustrated with samples from various sources, the instinct for portraiture was persistent in the south than in the north.
Author: T. G. Aravamuthan
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 100
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Book Description
Author: Tg Aravamuthan
Publisher: Hassell Street Press
ISBN: 9781014343574
Category :
Languages : en
Pages : 146
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Anjali Sircar
Publisher:
ISBN:
Category : Sculpture, Indic
Languages : en
Pages : 74
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Book Description
Life and art of S. Dhanapal, b. 1919.
Author:
Publisher:
ISBN: 9788121245432
Category :
Languages : en
Pages : 100
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Book Description
Author: Padma Audrey Kaimal
Publisher:
ISBN:
Category :
Languages : en
Pages : 578
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Book Description
Author: Vincent Lefèvre
Publisher: BRILL
ISBN: 9004207368
Category : Art
Languages : en
Pages : 289
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Book Description
This book highlights the specificities of Indian portraiture in sculpted and painted images, its relationship with divine images and aims, with the help of textual and epigraphical references, to understand the development of Indian imagery. It questions also the social and religious implications related to this issue.
Author: Crispin Branfoot
Publisher: Bloomsbury Publishing
ISBN: 1838608974
Category : History
Languages : en
Pages : 288
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Book Description
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended purpose of a range of portrait traditions in South Asia and how their style, setting and representation may have advanced a range of aesthetic, social and political functions. The chapters range across a wide historical period, exploring ideals of portraiture in Sanskrit and Persian literature, the emergence and political symbolism of Mughal portraiture, through to the paintings of the Rajput courts, sculpture in Tamil temples and the transformation of portraiture in colonial north India and post-independence Pakistan. This specially commissioned collection of studies from a strong list of established scholars and rising stars makes a significant contribution to South Asian history, art and visual culture.
