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Author: Parīsā Damandān Nafīsī
Publisher:
ISBN: 9780863562143
Category : Iranians
Languages : en
Pages :
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Book Description
Author: Parīsā Damandān Nafīsī
Publisher:
ISBN: 9780863562143
Category : Iranians
Languages : en
Pages :
Get Book
Book Description
Author: Parīsā Damandān Nafīsī
Publisher: Saqi Books
ISBN:
Category : Photography
Languages : en
Pages : 268
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Book Description
Following the establishment of the Islamic Republic of Iran in 1979, photographs of women uncovered were forbidden, resulting in the burning down of many photographers' studios. This work is a collection of pioneering photographs from the early twentieth century, which offers a window on the changing face of Iranian society during that period.
Author: Parīsā Damandān Nafīsī̄
Publisher:
ISBN: 9786005191028
Category : Iranians
Languages : en
Pages : 292
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Book Description
With its large format and superb collection of archival material, Faces of Esfahan presents an incredible amount of research into the proliferation and perception of portrait photography in Iran. During the Qajar dynasty, the production of photographic images was restricted to the nobility, but with the rise of the Pahlavi regime in the early 20th century and its vision of linking traditional Iranian society to the modern world, film portraiture became accessible to the general public. The product of a decade of research, the book documents this fascinating cultural phenomenon, and is devoted to promoting awareness and preservation of these invaluable images.
Author: Staci Gem Scheiwiller
Publisher: Routledge
ISBN: 1315512114
Category : Art
Languages : en
Pages : 444
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Book Description
Nineteenth-century Iran was an ocularcentered society predicated on visuality and what was seen and unseen, and photographs became liminal sites of desire that maneuvered "betwixt and between" various social spaces—public, private, seen, unseen, accessible, and forbidden—thus mapping, graphing, and even transgressing those spaces, especially in light of increasing modernization and global contact during the nineteenth and early twentieth centuries. Of primary interest is how photographs negotiated and coded gender, sexuality, and desire, becoming strategies of empowerment, of domination, of expression, and of being seen. Hence, the photograph became a vehicle to traverse multiple locations that various gendered physical bodies could not, and it was also the social and political relations that had preceded the photograph that determined those ideological spaces of (im)mobility. In identifying these notions in photographs, one may glean information about how modern Iran metamorphosed throughout its own long durée or resisted those societal transformations as a result of modernization.
Author: Oliver Hartung
Publisher:
ISBN: 9783959050760
Category : Iran
Languages : en
Pages : 0
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Book Description
Since the revolution in 1979, Iran has developed an image culture projecting statesanctioned religious ideology in public spaces that serve as transit zones. Between 2011 and 2014, German artist and former freelance photographer for the New York Times Oliver Hartung produced a body of work on Iran comprised of images which, upon first glance, depict colorful street paraphernalia, posters, graffiti, murals, monuments, and war cemeteries, but upon a closer inspection reveal a much deeper psychology engineered to bolster the myth of the Islamic Republic. Hartungs unique view of the Middle Eastoften lost amid images of war and conflictcreates a portrait of a country still largely unknown to the West. Part of a long-term project exploring the contemporary cultures of the Middle East, Hartungs thoughtful monograph is packed with over 300 color images. Hartungs last publication with Spector was Syria Al-Assad.
Author: Parīsā Damandān Nafīsī
Publisher:
ISBN: 9786005191394
Category : Iṣfahān (Iran)
Languages : en
Pages : 287
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Book Description
Author: David J. Roxburgh
Publisher: Yale University Press
ISBN: 0300229194
Category : Art
Languages : en
Pages : 193
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Book Description
-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-
Author: Alice Taylor
Publisher: Getty Publications
ISBN: 089236338X
Category : Art
Languages : en
Pages : 102
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Book Description
In the seventeenth century, the Persian city of Isfahan was a crossroads of international trade and diplomacy. Manuscript paintings produced within the city’s various cultural, religious, and ethnic groups reveal the vibrant artistic legacy of the Safavid Empire. Published to coincide with an exhibition at the Getty Museum, Book Arts of Isfahan offers a fascinating account of the ways in which the artists of Isfahan used their art to record the life around them and at the same time define their own identities within a complex society.
Author: Ali Behdad
Publisher: University of Chicago Press
ISBN: 022635640X
Category : History
Languages : en
Pages : 229
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Book Description
From the time of its invention in 1839, photography had a crucial link to the Middle East. When Daguerre s invention was introduced, it was immediately hailed as a boon to Egyptologists and Orientalists wanting to document their archeological findings. The Middle East also beckoned European experimenters in this new medium for a simple technological reason: early photographs were more quickly and easily made in the intense light of the desert than in gloomy Paris or London. In Camera Orientalis, Ali Behdad examines the cultural and political implications of the emergence of photography in the Middle East. He shows that the camera proved useful to Orientalism, but so too was Orientalism useful to photographers, because it gave them a set of conventions by which to frame these exotic cultures in images for Western audiences. Behdad breaks with standard postcolonial approaches by showing that Orientalist photography was the product of contacts between the West and the East. Indeed, local photographers participated enthusiastically in exoticist representations of the region, adapting Orientalism to the taste of the local elite. Orientalist photography, we learn, was not a one-way street but rather the product of ideas and conventions that circulated between the West and the East."
Author: Markus Ritter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110590875
Category : Photography
Languages : en
Pages : 374
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Book Description
The historiography of early photography has scarcely examined Islamic countries in the Near and Middle East, although the new technique was adopted very quickly there by the 1840s. Which regional, local, and global aspects can be made evident? What role did autochthonous image and art traditions have, and which specific functions did photography meet since its introduction? This collective volume deals with examples from Iran, the Ottoman Empire, and the Arab lands and with the question of local specifics, or an „indigenous lens." The contributions broach the issues of regional histories of photography, local photographers, specific themes and practices, and historical collections in these countries. They offer, for the first time in book form, a cross-section through a developing field of the history of photography.
