A Tribute for the Negro PDF Download
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Author: Wilson Armistead
Publisher: Greenwood
ISBN:
Category : Social Science
Languages : en
Pages : 632
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Book Description
Author: Karel Schoeman
Publisher:
ISBN: 9781869197490
Category : History
Languages : en
Pages : 0
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Book Description
The available information on Cape slavery during the eighteenth century is placed in the wider context of Dutch colonial society during this period
Author: Wilson Armistead
Publisher: Greenwood
ISBN:
Category : Social Science
Languages : en
Pages : 632
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Book Description
Author: Agnes Lugo-Ortiz
Publisher: Cambridge University Press
ISBN: 1107354781
Category : History
Languages : en
Pages : 489
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Book Description
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Author: Anthony E. Kaye
Publisher: Univ of North Carolina Press
ISBN: 0807877603
Category : Social Science
Languages : en
Pages : 376
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Book Description
In this new interpretation of antebellum slavery, Anthony Kaye offers a vivid portrait of slaves transforming adjoining plantations into slave neighborhoods. He describes men and women opening paths from their owners' plantations to adjacent farms to go courting and take spouses, to work, to run away, and to otherwise contend with owners and their agents. In the course of cultivating family ties, forging alliances, working, socializing, and storytelling, slaves fashioned their neighborhoods into the locus of slave society. Joining Places is the first book about slavery to use the pension files of former soldiers in the Union army, a vast source of rich testimony by ex-slaves. From these detailed accounts, Kaye tells the stories of men and women in love, "sweethearting," "taking up," "living together," and marrying across plantation lines; striving to get right with God; carving out neighborhoods as a terrain of struggle; and working to overthrow the slaveholders' regime. Kaye's depiction of slaves' sense of place in the Natchez District of Mississippi reveals a slave society that comprised not a single, monolithic community but an archipelago of many neighborhoods. Demonstrating that such neighborhoods prevailed across the South, he reformulates ideas about slave marriage, resistance, independent production, paternalism, autonomy, and the slave community that have defined decades of scholarship.
Author: Noel Lenski
Publisher: Cambridge University Press
ISBN: 110863320X
Category : History
Languages : en
Pages : 528
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Book Description
The practice of slavery has been common across a variety of cultures around the globe and throughout history. Despite the multiplicity of slavery's manifestations, many scholars have used a simple binary to categorize slave-holding groups as either 'genuine slave societies' or 'societies with slaves'. This dichotomy, as originally proposed by ancient historian Moses Finley, assumes that there were just five 'genuine slave societies' in all of human history: ancient Greece and Rome, and the colonial Caribbean, Brazil, and the American South. This book interrogates this bedrock of comparative slave studies and tests its worth. Assembling contributions from top specialists, it demonstrates that the catalogue of five must be expanded and that the model may need to be replaced with a more flexible system that emphasizes the notion of intensification. The issue is approached as a question, allowing for debate between the seventeen contributors about how best to conceptualize the comparative study of human bondage.
Author: James H. Johnston
Publisher: Fordham Univ Press
ISBN: 0823239500
Category : Biography & Autobiography
Languages : en
Pages : 313
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Book Description
A true story of six generations of an African American family in Maryland. Based on paintings, photographs, books, diaries, court records, legal documents, and oral histories, the book traces Yarrow Mamout and his in-laws, the Turners, from the colonial period through the Civil War to Harvard and finally the present day.
Author: Matthew Fox-Amato
Publisher: Oxford University Press
ISBN: 0190663952
Category : History
Languages : en
Pages : 420
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Book Description
Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.
Author: Jennifer Van Horn
Publisher: Yale University Press
ISBN: 0300257635
Category : Art
Languages : en
Pages : 344
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Book Description
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
Author: Cécile Vidal
Publisher: UNC Press Books
ISBN: 146964519X
Category : History
Languages : en
Pages : 552
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Book Description
Combining Atlantic and imperial perspectives, Caribbean New Orleans offers a lively portrait of the city and a probing investigation of the French colonists who established racial slavery there as well as the African slaves who were forced to toil for them. Casting early New Orleans as a Caribbean outpost of the French Empire rather than as a North American frontier town, Cécile Vidal reveals the persistent influence of the Antilles, especially Saint-Domingue, which shaped the city’s development through the eighteenth century. In so doing, she urges us to rethink our usual divisions of racial systems into mainland and Caribbean categories. Drawing on New Orleans’s rich court records as a way to capture the words and actions of its inhabitants, Vidal takes us into the city’s streets, market, taverns, church, hospitals, barracks, and households. She explores the challenges that slow economic development, Native American proximity, imperial rivalry, and the urban environment posed to a social order that was predicated on slave labor and racial hierarchy. White domination, Vidal demonstrates, was woven into the fabric of New Orleans from its founding. This comprehensive history of urban slavery locates Louisiana’s capital on a spectrum of slave societies that stretched across the Americas and provides a magisterial overview of racial discourses and practices during the formative years of North America’s most intriguing city.
Author: Louis Hughes
Publisher: NewSouth Books
ISBN: 1603060782
Category : Biography & Autobiography
Languages : en
Pages : 162
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Book Description
Louis Hughes was born a slave in Virginia and at age 12 was sold away from his mother, whom he never saw again. After a few interim owners, he was sold to a wealthy slaveowner who had a home near Memphis and plantation nearby in Mississippi. Hughes lived there as a house servant until near the end of the Civil War, when he escaped to the Union lines and then, in a daring adventure with the paid help of two Union soldiers, returned to the plantation for his wife. The couple made their way to Canada and after the war to Chicago and Detroit, eventually settling in Milwaukee. There Hughes became relatively comfortable as a hotel attendant and as an entrepreneur laundry operator. Self-educated and eloquent, Hughes wrote and privately published this memoir in 1897. It is a compelling account, by turns searing and compassionate about slavery, slaves, and slaveowners. No reader can be unmoved as Hughes tells about his five attempts to escape, about having to stand by helplessly while watching his wife whipped, of the joy of finally meeting again the brother whom he had not seen since they were little children in Virginia. Yet he also writes knowingly about the economics of slavery and the day-to-day business of the plantation, and the glass-house relationships between slaves and masters. Hughes died in Milwaukee in 1913.
