The Cambridge History of Russia: Volume 2, Imperial Russia, 1689-1917 PDF Download
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Author: Maureen Perrie
Publisher: Cambridge University Press
ISBN: 9780521815291
Category : History
Languages : en
Pages : 824
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Book Description
A definitive new history of Russia from early Rus' to the collapse of the Soviet Union
Author: Maureen Perrie
Publisher: Cambridge University Press
ISBN: 9780521815291
Category : History
Languages : en
Pages : 824
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Book Description
A definitive new history of Russia from early Rus' to the collapse of the Soviet Union
Author: Marjorie Mandelstam Balzer
Publisher: M.E. Sharpe
ISBN: 9781563240393
Category : History
Languages : en
Pages : 346
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Book Description
This is an annotated collection of recent studies of Russian folk religion, village organization and family life, including the rituals associated with childbirth, and paying special attention to women's roles and to the specificity of Siberia in Russian culture.
Author: José Alaniz
Publisher: Univ. Press of Mississippi
ISBN: 1604733675
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
José Alaniz explores the problematic publication history of komiks—an art form much-maligned as “bourgeois” mass diversion before, during, and after the collapse of the USSR—with an emphasis on the last twenty years. Using archival research, interviews with major artists and publishers, and close readings of several works, Komiks: Comic Art in Russia provides heretofore unavailable access to the country's rich—but unknown—comics heritage. The study examines the dizzying experimental comics of the late Czarist and early revolutionary era, caricature from the satirical journal Krokodil, and the postwar series Petia Ryzhik (the “Russian Tintin”). Detailed case studies include the Perestroika-era KOM studio, the first devoted to comics in the Soviet Union; post-Soviet comics in contemporary art; autobiography and the work of Nikolai Maslov; and women's comics by such artists as Lena Uzhinova, Namida, and Re-I. Alaniz examines such issues as anti-Americanism, censorship, the rise of consumerism, globalization (e.g., in Russian manga), the impact of the internet, and the hard-won establishment of a comics subculture in Russia Komiks have often borne the brunt of ideological change—thriving in summers of relative freedom, freezing in hard winters of official disdain. This volume covers the art form's origins in religious icon-making and book illustration, and later the immensely popular lubok or woodblock print. Alaniz reveals comics' vilification and marginalization under the Communists, the art form's economic struggles, and its eventual internet “migration” in the post-Soviet era. This book shows that Russian comics, as with the people who made them, never had a “normal life.”
Author: Isabel De Madariaga
Publisher: Routledge
ISBN: 1317881893
Category : History
Languages : en
Pages : 368
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Book Description
This is a collection of thirteen major essays on eighteenth-century Russia by one of the most distinguished Western historians. They illustrate and explore three major themes: the development of the Russian state and Russian society, in the years when Russia was changing from a minor power on the European periphery to a major actor on the continental stage; the influence of western ideas and western thought on Russian politics and culture; and the impact of the Enlightenment on Russia. This is a substantial contribution not just to the history of Russia, but to early modern Europe generally.
Author: Stephen M. Norris
Publisher: Indiana University Press
ISBN: 025302790X
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
“Examines in a remarkably rich and varied way the construction of otherness and foreignness within this complexly ‘national’ cinema tradition.” —John MacKay, Yale University Identifying who was “inside” and who was “outside” the Soviet/Russian body politic has been a matter of intense and violent urgency, especially in the high Stalinist and post-Soviet periods. It is a theme encountered prominently in film. Employing a range of interpretive methods practiced in Russian/Soviet film studies, Insiders and Outsiders in Russian Cinema highlights the varied ways that Russian and Soviet cinema constructed otherness and foreignness. While the essays explore the “us versus them” binary well known to students of Russian culture and the ways in which Russian films depicted these distinctions, the book demonstrates just how impossible maintaining this binary proved to be. Contributors are Anthony Anemone, Julian Graffy, Peter Kenez, Joan Neuberger, Stephen M. Norris, Oleg Sulkin, Yuri Tsivian, Emma Widdis, and Josephine Woll. “An anthology that is the best I have ever had the pleasure of reading . . . Lucidly written, well researched, persuasively argued, lavishly illustrated, Insiders and Outsiders in Russian Cinema can be read with pleasure and profit by anyone from the general reader interested in Russian culture to the most seasoned Russian film specialist.” —Denise J. Youngblood, University of Vermont, Russian Review “In a word, the theoretical richness and sophistication of this collection parallel the complexity of its topics and serve as an excellent cross-section of how the theme of foreigners and outsiders is examined in contemporary studies in film.” —Slavonic & East European Journal
Author: Valerie Ann Kivelson
Publisher: Yale University Press
ISBN: 0300119615
Category : History
Languages : en
Pages : 304
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Book Description
What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.
Author: Yuri Slezkine
Publisher: Cornell University Press
ISBN: 1501703307
Category : History
Languages : en
Pages : 475
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Book Description
For over five hundred years the Russians wondered what kind of people their Arctic and sub-Arctic subjects were. "They have mouths between their shoulders and eyes in their chests," reported a fifteenth-century tale. "They rove around, live of their own free will, and beat the Russian people," complained a seventeenth-century Cossack. "Their actions are exceedingly rude. They do not take off their hats and do not bow to each other," huffed an eighteenth-century scholar. They are "children of nature" and "guardians of ecological balance," rhapsodized early nineteenth-century and late twentieth-century romantics. Even the Bolsheviks, who categorized the circumpolar foragers as "authentic proletarians," were repeatedly puzzled by the "peoples from the late Neolithic period who, by virtue of their extreme backwardness, cannot keep up either economically or culturally with the furious speed of the emerging socialist society."Whether described as brutes, aliens, or endangered indigenous populations, the so-called small peoples of the north have consistently remained a point of contrast for speculations on Russian identity and a convenient testing ground for policies and images that grew out of these speculations. In Arctic Mirrors, a vividly rendered history of circumpolar peoples in the Russian empire and the Russian mind, Yuri Slezkine offers the first in-depth interpretation of this relationship. No other book in any language links the history of a colonized non-Russian people to the full sweep of Russian intellectual and cultural history. Enhancing his account with vintage prints and photographs, Slezkine reenacts the procession of Russian fur traders, missionaries, tsarist bureaucrats, radical intellectuals, professional ethnographers, and commissars who struggled to reform and conceptualize this most "alien" of their subject populations.Slezkine reconstructs from a vast range of sources the successive official policies and prevailing attitudes toward the northern peoples, interweaving the resonant narratives of Russian and indigenous contemporaries with the extravagant images of popular Russian fiction. As he examines the many ironies and ambivalences involved in successive Russian attempts to overcome northern—and hence their own—otherness, Slezkine explores the wider issues of ethnic identity, cultural change, nationalist rhetoric, and not-so European colonialism.
Author:
Publisher: BRILL
ISBN: 9004346252
Category : History
Languages : en
Pages : 909
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Book Description
Selling Sex in the City offers a worldwide analysis of prostitution since 1600. It analyses more than 20 cities with an important sex industry and compares policies and social trends, coercion and agency, but also prostitutes' working and living conditions.
Author: Marcus C. Levitt
Publisher: Cornell University Press
ISBN: 1609090268
Category : History
Languages : en
Pages : 379
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Book Description
The Enlightenment privileged vision as the principle means of understanding the world, but the eighteenth-century Russian preoccupation with sight was not merely a Western import. In his masterful study, Levitt shows the visual to have had deep indigenous roots in Russian Orthodox culture and theology, arguing that the visual played a crucial role in the formation of early modern Russian culture and identity. Levitt traces the early modern Russian quest for visibility from jubilant self-discovery, to serious reflexivity, to anxiety and crisis. The book examines verbal constructs of sight—in poetry, drama, philosophy, theology, essay, memoir—that provide evidence for understanding the special character of vision of the epoch. Levitt's groundbreaking work represents both a new reading of various central and lesser known texts and a broader revisualization of Russian eighteenth-century culture. Works that have considered the intersections of Russian literature and the visual in recent years have dealt almost exclusively with the modern period or with icons. The Visual Dominant in Eighteenth-Century Russia is an important addition to the scholarship and will be of major interest to scholars and students of Russian literature, culture, and religion, and specialists on the Enlightenment.
Author: V. M. Zhivov
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 536
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Book Description
Zhivov's magisterial work tells the story of the creation of a new vernacularliterary language in modern Russia, an achievement arguably on a par with thenation's extraordinary military successes, territorial expansion, developmentof the arts, and formation of a modern empire.
