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Author: James Smith Allen
Publisher: Syracuse University Press
ISBN: 9780815622321
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Focusing on the Paris book world of this period, Allen reveals how the rise of a new popular literature—jolly chansonniers, the roman-feuilletons or serial novels, melodramas, gothic and sentimental novels, dramatic nationalistic histories—by such authors as Dumas, Sand, Lamennais, Ancelot, Desnoyer, and de Kock coincided with remarkable developments in the production, distribution, and consumption of books. Allen's research ranges from a survey of the then-popular romantic titles and authors and the trade catalogs of booksellers and lending libraries, to the police records of their activities, diaries and journals of working people, and military conscript records and ministerial literacy statistics. The result is a remarkable picture of the exchange between elite and popular culture, the interaction between ideas and their material reality, and the relationship between the literature and the history of France in the romantic period.
Author: James Smith Allen
Publisher: Syracuse University Press
ISBN: 9780815622321
Category : Literary Criticism
Languages : en
Pages : 320
Get Book Here
Book Description
Focusing on the Paris book world of this period, Allen reveals how the rise of a new popular literature—jolly chansonniers, the roman-feuilletons or serial novels, melodramas, gothic and sentimental novels, dramatic nationalistic histories—by such authors as Dumas, Sand, Lamennais, Ancelot, Desnoyer, and de Kock coincided with remarkable developments in the production, distribution, and consumption of books. Allen's research ranges from a survey of the then-popular romantic titles and authors and the trade catalogs of booksellers and lending libraries, to the police records of their activities, diaries and journals of working people, and military conscript records and ministerial literacy statistics. The result is a remarkable picture of the exchange between elite and popular culture, the interaction between ideas and their material reality, and the relationship between the literature and the history of France in the romantic period.
Author: Christopher W. Thompson
Publisher: Oxford University Press (UK)
ISBN: 0199233543
Category : Literary Criticism
Languages : en
Pages : 466
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Book Description
A pioneering overview of the travel books produced by fourteen French Romantic writers - including Chateaubriand, Staël, Stendhal, Hugo, Nerval, Sand, Mérimée, Dumas, and Tristan - whose journeys ranged from Peru to Russia and from North America to North Africa and the Near East.
Author: Henry F. Majewski
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
Transposing Art into Texts in French Romantic Literature
Author: David F. Wakefield
Publisher: Chaucer Press
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Fresh insight into the interdependent relationships between writers and artists in the Romantic movement
Author: Jonathan P. Ribner
Publisher: Routledge
ISBN: 1000461890
Category : Art
Languages : en
Pages : 358
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Book Description
An interdisciplinary examination of nineteenth-century French art pertaining to religion, exile, and the nation’s demise as a world power, this study concerns the consequences for visual culture of a series of national crises—from the assault on Catholicism and the flight of émigrés during the Revolution of 1789, to the collapse of the Empire and the dashing of hope raised by the Revolution of 1830. The central claim is that imaginative response to these politically charged experiences of loss constitutes a major shaping force in French Romantic art, and that pursuit of this theme in light of parallel developments in literature and political debate reveals a pattern of disenchantment transmuted into cultural capital. Focusing on imagery that spoke to loss through visual and verbal idioms particular to France in the aftermath of the Revolution and Empire, the book illuminates canonical works by major figures such as Eugène Delacroix, Théodore Chassériau, and Camille Corot, as well as long-forgotten images freighted with significance for nineteenth-century viewers. A study in national bereavement—an urgent theme in the present moment—the book provides a new lens through which to view the coincidence of imagination and strife at the heart of French Romanticism. The book will be of interest to scholars working in art history, French literature, French history, French politics, and religious studies.
Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 9780674022874
Category : Education
Languages : en
Pages : 326
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Book Description
"In this book Benjamin reveals Baudelaire as a social poet of the very first rank. More than a series of studies of Baudelaire, these essays show the extent to which Benjamin identifies with the poet and enable him to explore his own notion of heroism."--BOOK JACKET.
Author: Pratima Prasad
Publisher: Routledge
ISBN: 1135846537
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
This book investigates how French Romanticism was shaped by and contributed to colonial discourses of race. It studies the ways in which metropolitan Romantic novels—that is, novels by French authors such as Victor Hugo, George Sand, Bernardin de Saint-Pierre, François René de Chateaubriand, Claire de Duras, and Prosper Mérimée—comprehend and construct colonized peoples, fashion French identity in the context of colonialism, and record the encounter between Europeans and non-Europeans. While the primary texts that come under investigation in the book are novels, close attention is paid to Romantic fiction’s interdependence with naturalist treatises, travel writing, abolitionist texts, and ethnographies. Colonialism, Race, and the French Romantic Imagination is one of the first books to carry out a sustained and comprehensive analysis of the French Romantic novel’s racial imagination that encompasses several sites of colonial contact: the Indian Ocean, North America, the Caribbean, West Africa, and France. Its archival research and interdisciplinary approach shed new light on canonical texts and expose the reader to non-canonical ones. The book will be useful to students and academics involved with Romanticism, colonial historians, students and scholars of transatlantic studies and postcolonial studies, as well as those interested in questions of race and colonialism.
Author: Larry H. Peer
Publisher: Boydell & Brewer
ISBN: 1571139400
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
New essays offering fresh glimpses of Romanticism as interdisciplinary and cross-linguistic, illuminating the discursive features and the pan-European nature of the movement.
Author: Sébastien Allard
Publisher: Flammarion-Pere Castor
ISBN:
Category : Art, French
Languages : en
Pages : 466
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Book Description
During the nineteenth century, France experienced an unprecedented growth in the visual arts, and Paris was its center. French art became a universally accepted benchmark, spreading its many ground-breaking developments -- the radicalism of Impressionism and Post-Impressionism, the daring of Art Nouveau, and the innovations of Haussman's new urban landscape -- far beyond its borders, and in return receiving numerous influences from broad. During this extraordinary rich and productive period, French art also benefited from the synthesis of the past with the innovations of the present, resulting in an artistic output whose legacy is still being felt today. This chronological history, richly illustrated and recounted by experts from France's preeminent museums, charts the growth of this fruitful -- and revolutionary -- period in the history of world art. -- From publisher's description.
Author: Maurice Samuels
Publisher: Cornell University Press
ISBN: 1501729837
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Struggling to make sense of the Revolution of 1789, the French in the nineteenth century increasingly turned to visual forms of historical representation in a variety of media. Maurice Samuels shows how new kinds of popular entertainment introduced during and after the Revolution transformed the past into a spectacle. The wax display (in which visitors circulated amid life-size statues of historical figures), the phantasmagoria show (in which images of historical personages were projected onto smoke or invisible screens), and the panorama (in which spectators viewed giant circular canvases depicting historical scenes) employed new optical technologies to entice crowds of spectators. Such entertainments, Samuels asserts, provided bourgeois audiences with an illusion of mastery over the past, allowing them to picture their new role as historical agents.Samuels demonstrates how the spectacular mode of historical representation pervaded historiography, drama, and the novel during the Romantic period. He then argues that the early Realist fiction of Balzac and Stendhal emerged as a critique of the spectacular historical imagination. By investigating how postrevolutionary France envisioned the past, Samuels illuminates a vital moment in the cultural history of modernity.
