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Author: Andy Warhol
Publisher: HarperCollins Publishers
ISBN: 9780060910624
Category : Artists
Languages : en
Pages : 310
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Book Description
Anecdotal, funny, frank, POPism is where Warhol, in the detached, back-fence gossip style he was famous for, tells it all-the ultimate inside story of a decade of cultural revolution. Foreword by Andy Warhol; Index; photographs.
Author: Andy Warhol
Publisher: HarperCollins Publishers
ISBN: 9780060910624
Category : Artists
Languages : en
Pages : 310
Get Book Here
Book Description
Anecdotal, funny, frank, POPism is where Warhol, in the detached, back-fence gossip style he was famous for, tells it all-the ultimate inside story of a decade of cultural revolution. Foreword by Andy Warhol; Index; photographs.
Author: James T. Murray
Publisher:
ISBN: 9781584234210
Category : Graffiti
Languages : en
Pages : 0
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Book Description
Photographers James and Karla Murray reinterpret the shops from their bestselling book 'Store Front : the Disappearing Face of New York' with the help of top street and graffiti artists. These time-worn institutions were reproduced at close to life-size scale and then painted over by artists such as Blanco, Lady Pink, Zoltron, Dave Cooper and Billi Kid during an art installation presented by Gawker Artists on the Gawker Media roof, with the NYC skyline as its backdrop. The book documents the completed artwork, and also includes interviews with the artists and looks at the works in progress.
Author: Wayne Tunnicliffe
Publisher:
ISBN: 9781741741094
Category : Art, Modern
Languages : en
Pages : 327
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Book Description
From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, this book explores the dynamic engagement of art with popular culture. Drawn from major public and private collections around the world, this book includes over 180 works by 77 artists including pivotal works by artists such as Lichtenstein, Warhol, Richter and Hockney. Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1986.
Author: Bob Colacello
Publisher: Vintage
ISBN: 080416987X
Category : Biography & Autobiography
Languages : en
Pages : 754
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Book Description
In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante. In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and vulnerable. Colacello gives us, as no one else can, a riveting portrait of this extraordinary man: brilliant, controlling, shy, insecure, and immeasurably influential. When Holy Terror was first published in 1990, it was hailed as the best of the Warhol accounts. Now, some two decades later, this portrayal retains its hold on readers—as does Andy’s timeless power to fascinate, galvanize, and move us.
Author: Kenneth Goldsmith
Publisher: Da Capo Press
ISBN: 0786740396
Category : Art
Languages : en
Pages : 478
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Book Description
The Question-and-Answer interview was one of Andy Warhol's favorite communication vehicles, so much so that he named his own magazine after the form. Yet, never before has anyone published a collection of interviews that Warhol himself gave. I'll Be Your Mirror contains more then thirty conversations revealing this unique and important artist. Each piece presents a different facet of the Sphinx-like Warhol's ever-evolving personality. Writer Kenneth Goldsmith provides context and provenance for each selection. Beginning in 1962 with a notorious interview in which Warhol literally begs the interviewer to put words into his mouth, the book covers Warhol's most important artistic period during the '60s. As Warhol shifts to filmmaking in the '70s, this collection explores his emergence as socialite, scene-maker, and trendsetter; his influential Interview magazine; and the Studio 54 scene. In the 80s, his support of young artists like Jean-Michel Basquait, his perspective on art history and the growing relationship to technology in his work are shown. Finally, his return to religious imagery and spirituality are available in an interview conducted just months before his death. Including photographs and previous unpublished interviews, this collage of Warhol showcases the artist's ability to manipulate, captivate, and enrich American culture.
Author:
Publisher: Crown
ISBN:
Category : Cooking
Languages : en
Pages : 170
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Book Description
Author: Andy Warhol
Publisher: Random House
ISBN: 1802060804
Category : Fiction
Languages : en
Pages : 650
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Book Description
Part novel, part Pop artwork, Andy Warhol's a is an electrifying slice of life at his Factory studio 'A work of genius' Newsweek In the early 1960s, Andy Warhol set out to turn the novel into pop art. a, the first book he wrote, is the result. Transcribed from audiotapes recorded in and around his legendary art studio, it begins with the actor Ondine popping pills, then follows a cast of thinly-disguised superstars, musicians and prima donnas as they run riot through Manhattan. A knowing response to James Joyce's Ulysses, using the freewheeling, spontaneous techniques as Warhol's visual art, this filthy, funny book is a uniquely creative insight into Factory life. 'Hellish hymns from Amphetamine Heaven, the vox populi of the Velvet Underground ... These people are witty and they are grand, they do terrible things and make awful remarks' New York Review of Books
Author: Matt Ruff
Publisher: Grove/Atlantic, Inc.
ISBN: 0802193625
Category : Fiction
Languages : en
Pages : 411
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Book Description
From the author of Lovecraft Country: Myth and reality collide on a college campus “in a comic fantasy of wonderful energy, invention, and generosity of spirit” (Alison Lurie). Stephen Titus George is a young writer-in-residence at Cornell University in upstate New York. A bestselling author in search of a new story, he sees his life as a modern-day fairy tale starring himself as a would-be knight trying to woo a lovely maiden—or, actually, two: the bewitching Calliope and his guiding light, Aurora Borealis Smith. But he’s not quite in control of the narrative. There’s another writer with even greater influence on campus. The unseen Mr. Sunshine is an eternal, semi-retired deity who’s been fashioning his own story for centuries. He has all his characters in place: dragons, sprites, gnomes, and villains. And now, finally, his hero. As Mr. Sunshine’s world comes to fabulous and violent life, how can Stephen decide his own fate if it’s already being plotted by a god? An epic of life and death, good and evil, love and sorcery, Fool on the Hill lands Matt Ruff happily on the shelf between Tom Robbins and J. R. R. Tolkien for every lover of the “funky and fantastical” (New York magazine). “Inspired . . . rich in flavorful language . . . [a] dazzling tour de force.” —San Francisco Chronicle “The plot comes together like a brilliant clockwork toy.” —Locus
Author: Geralyn Huxley
Publisher: Thames & Hudson
ISBN: 9781942884187
Category : Art
Languages : en
Pages : 328
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Book Description
Andy Warhol's The Chelsea Girls had its premiere at the Film-Maker's Cinémathèque on 15 September 1966. It sold out a 200-seat theatre and went on to become the first film to move from the underground to commercial cinema. Since 1972, when Warhol pulled all of his films out of distribution, the public has had extremely limited access to The Chelsea Girls , outside of museum screenings. In honour of the 20th Anniversary of The Andy Warhol Museum and what would have been Warhol's 85th birthday, hundreds of Warhol's films - some never seen before - have been converted to a digital format with the partnership of The Andy Warhol Museum, The Museum of Modern Art, New York, and the Moving Picture Company (MPC), a Technicolor Company. This book is an in-depth look at Warhol's most famous film. It includes all newly digitized film stills, never-before-published transcripts, unpublished archival materials, and expanded information about each of the individual films that comprise the three- plus hour film. As the film alternates sound between the left and right screens, the book reproduces the transcript in complete form as one hears it, with imagery from the corresponding reels. There is also a full transcription of the unheard reels in the back of the book. This is a substantial contribution to the scholarship on Warhol's complex and most commercial film.
Author: Charles Green
Publisher: Taylor & Francis
ISBN: 1040144969
Category : Art
Languages : en
Pages : 345
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Book Description
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead, vast gaps appeared, since mostly male and often older White writers had limited their horizons to White Australia alone. National stories by White men, like borders, had less and less explanatory value. Underneath this, a perplexing subject remained: the absence of Aboriginal art in understanding what Australian art was during the period that established the idea of a distinctive Australian modern and then contemporary art. This book reflects on why the embrace of Aboriginal art was so late in art museums and histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency. It is important reading for all scholars of both global and Australian art, and for curators and artists.
