Author: David R. White
Publisher: Duke University Press
ISBN: 9780822313199
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Combines how-to information with voices of working artist. An essential resource tool for choreographers, performance artists, dancers, producers and managers. Offers in-depth discussions from personal livelihood to professional career development, from medical care, housing and unemployment insurance to management, touring and legal issues.
Poor Dancer's Almanac
Author: David R. White
Publisher: Duke University Press
ISBN: 9780822313199
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Combines how-to information with voices of working artist. An essential resource tool for choreographers, performance artists, dancers, producers and managers. Offers in-depth discussions from personal livelihood to professional career development, from medical care, housing and unemployment insurance to management, touring and legal issues.
Publisher: Duke University Press
ISBN: 9780822313199
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Combines how-to information with voices of working artist. An essential resource tool for choreographers, performance artists, dancers, producers and managers. Offers in-depth discussions from personal livelihood to professional career development, from medical care, housing and unemployment insurance to management, touring and legal issues.
Richard's Poor Almanac
Author: Richard Thompson
Publisher: Emmis Books
ISBN: 9781578601844
Category : Comics & Graphic Novels
Languages : en
Pages : 186
Book Description
Richard's Poor Almanac, inspired by seven years of weekly contributions to the Washington Post, is Richard Thompson's omnium-gatherum of seasoned observations for all seasons -- indoors and out. Like the almanac we've all come to know and ignore, Richard's Poor Almanac is an annual compendium of weathered wisdom rendered in the more palatable form of cartooning.
Publisher: Emmis Books
ISBN: 9781578601844
Category : Comics & Graphic Novels
Languages : en
Pages : 186
Book Description
Richard's Poor Almanac, inspired by seven years of weekly contributions to the Washington Post, is Richard Thompson's omnium-gatherum of seasoned observations for all seasons -- indoors and out. Like the almanac we've all come to know and ignore, Richard's Poor Almanac is an annual compendium of weathered wisdom rendered in the more palatable form of cartooning.
Dances that Describe Themselves
Author: Susan Leigh Foster
Publisher: Wesleyan University Press
ISBN: 9780819565518
Category : Performing Arts
Languages : en
Pages : 356
Book Description
An inquiry into improvisation as practiced by Richard Bull and his contemporaries.
Publisher: Wesleyan University Press
ISBN: 9780819565518
Category : Performing Arts
Languages : en
Pages : 356
Book Description
An inquiry into improvisation as practiced by Richard Bull and his contemporaries.
Annual Report
Author: National Endowment for the Arts
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 624
Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 624
Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Choreographing Empathy
Author: Susan Foster
Publisher: Routledge
ISBN: 1136893458
Category : Art
Languages : en
Pages : 293
Book Description
"This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.
Publisher: Routledge
ISBN: 1136893458
Category : Art
Languages : en
Pages : 293
Book Description
"This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.
Ballroom Dancing
Author: Joan Freese
Publisher: Capstone
ISBN: 9781429601238
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
This book describes ballroom dancing, including history, training, moves, and competitions.
Publisher: Capstone
ISBN: 9781429601238
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
This book describes ballroom dancing, including history, training, moves, and competitions.
Hip-Hop Dancing
Author: Joan Freese
Publisher: Capstone
ISBN: 9781429601214
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
This book describes hip-hop dancing, including history, training, moves, and competitions.
Publisher: Capstone
ISBN: 9781429601214
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
This book describes hip-hop dancing, including history, training, moves, and competitions.
Annual Report
Author: National Endowment for the Arts
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 794
Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 794
Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Arts Money
Author: Joan Jeffri
Publisher: U of Minnesota Press
ISBN: 1452901392
Category : Art
Languages : en
Pages : 305
Book Description
Publisher: U of Minnesota Press
ISBN: 1452901392
Category : Art
Languages : en
Pages : 305
Book Description
Out Loud
Author: Mark Morris
Publisher: Penguin
ISBN: 0735223084
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
From the most brilliant and audacious choreographer of our time, the exuberant tale of a young dancer’s rise to the pinnacle of the performing arts world, and the triumphs and perils of creating work on his own terms—and staying true to himself Before Mark Morris became “the most successful and influential choreographer alive” (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Often the only boy in the dance studio, he was called a sissy, a term he wore like a badge of honor. He was unlike anyone else, deeply gifted and spirited. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. Audiences in 1976 had the luxury of Merce Cunningham’s finest experiments with time and space, of Twyla Tharp’s virtuosity, and Lucinda Childs's genius. Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. No one wanted to break the spell or miss a thing, because “if you missed anything, you missed everything.” This collective, led by Morris’s fiercely original vision, became the famed Mark Morris Dance Group. Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker’s critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo’s David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative. Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris’s memoir captures the life of a performer who broke the mold, a brilliant maverick who found his home in the collective and liberating world of music and dance.
Publisher: Penguin
ISBN: 0735223084
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
From the most brilliant and audacious choreographer of our time, the exuberant tale of a young dancer’s rise to the pinnacle of the performing arts world, and the triumphs and perils of creating work on his own terms—and staying true to himself Before Mark Morris became “the most successful and influential choreographer alive” (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Often the only boy in the dance studio, he was called a sissy, a term he wore like a badge of honor. He was unlike anyone else, deeply gifted and spirited. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. Audiences in 1976 had the luxury of Merce Cunningham’s finest experiments with time and space, of Twyla Tharp’s virtuosity, and Lucinda Childs's genius. Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. No one wanted to break the spell or miss a thing, because “if you missed anything, you missed everything.” This collective, led by Morris’s fiercely original vision, became the famed Mark Morris Dance Group. Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker’s critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo’s David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative. Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris’s memoir captures the life of a performer who broke the mold, a brilliant maverick who found his home in the collective and liberating world of music and dance.