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Author: Jennifer Jackson
Publisher: John Wiley & Sons
ISBN: 1118306066
Category : Social Science
Languages : en
Pages : 290
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Book Description
Political Oratory and Cartooning An Ethnography of Democratic Processes in Madagascar “Insightful, detailed, and substantial, this book has much to say to students of language and followers of politics, not to mention those of us passionate about both and how they interact.” Virginia R. Dominguez, Gutgsell Professor, University of Illinois at Urbana-Champaign “Why don’t more people write books like this? Jennifer Jackson’s brilliant insights on Malagasy cartooning, oratory, and political culture are not only a breath of fresh air for the anthropological study of political language, but a genuinely creative contribution to the study of global democracy.” David Graeber, Goldsmiths, University of London Called kabary in the island nation of Madagascar, political oratory jostles with political cartoon satire in competing for public attention and shaping opinion. The apparent simplicity of these modes of political commentary conceals nuanced subtleties, which inform the constantly evolving landscape of politics. Linguistic anthropologist Jennifer Jackson offers an original semiotic analysis of the formative social role played by these narratives in Madagascar’s polity. Though political orators and cartoonists rarely come face to face, their linguistic skirmishing both reflects and informs the political process, deploying rhetorical devices that have significant impacts on the vernacular political culture, its language and publics. This new ethnography examines the dynamic interplay between past and new forms of oratory and satire and their effects in social, religious, class, and transnational contexts. Jackson assesses how far they mirror the vicissitudes of political agency and authority, especially under the leadership of President Marc Ravalomanana. The author shows how democracy must be understood as historically contingent, bound in a local and global accretion of social and economic relations, and always mediated by language.
Author: Jennifer Jackson
Publisher: John Wiley & Sons
ISBN: 1118306066
Category : Social Science
Languages : en
Pages : 290
Get Book Here
Book Description
Political Oratory and Cartooning An Ethnography of Democratic Processes in Madagascar “Insightful, detailed, and substantial, this book has much to say to students of language and followers of politics, not to mention those of us passionate about both and how they interact.” Virginia R. Dominguez, Gutgsell Professor, University of Illinois at Urbana-Champaign “Why don’t more people write books like this? Jennifer Jackson’s brilliant insights on Malagasy cartooning, oratory, and political culture are not only a breath of fresh air for the anthropological study of political language, but a genuinely creative contribution to the study of global democracy.” David Graeber, Goldsmiths, University of London Called kabary in the island nation of Madagascar, political oratory jostles with political cartoon satire in competing for public attention and shaping opinion. The apparent simplicity of these modes of political commentary conceals nuanced subtleties, which inform the constantly evolving landscape of politics. Linguistic anthropologist Jennifer Jackson offers an original semiotic analysis of the formative social role played by these narratives in Madagascar’s polity. Though political orators and cartoonists rarely come face to face, their linguistic skirmishing both reflects and informs the political process, deploying rhetorical devices that have significant impacts on the vernacular political culture, its language and publics. This new ethnography examines the dynamic interplay between past and new forms of oratory and satire and their effects in social, religious, class, and transnational contexts. Jackson assesses how far they mirror the vicissitudes of political agency and authority, especially under the leadership of President Marc Ravalomanana. The author shows how democracy must be understood as historically contingent, bound in a local and global accretion of social and economic relations, and always mediated by language.
Author: Cherian George
Publisher: MIT Press
ISBN: 026254301X
Category : Political Science
Languages : en
Pages : 448
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Book Description
A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims.
Author: Victor S Navasky
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
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Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Author: Robert Mankoff
Publisher:
ISBN:
Category : American wit and humor, Pictorial
Languages : en
Pages : 110
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Book Description
Presents 110 cartoons from "The New Yorker" that depict politics in America.
Author: Jonathan Zimmerman
Publisher: City of Light Publishing
ISBN: 1952536111
Category : Political Science
Languages : en
Pages : 84
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Book Description
In America we like to think we live in a land of liberty, where everyone can say whatever they want. Throughout our history, however, we have also been quick to censor people who offend or frighten us. We talk a good game about freedom of speech, then we turn around and deny it to others. In this brief but bracing book, historian Jonathan Zimmerman and Pulitzer Prize-winning cartoonist Signe Wilkinson tell the story of free speech in America: who established it, who has denounced it, and who has risen to its defense. They also make the case for why we should care about it today, when free speech is once again under attack.Across the political spectrum, Americans have demanded the suppression of ideas and images that allegedly threaten our nation. But the biggest danger to America comes not from speech but from censorship, which prevents us fromfreely governing ourselves. Free speech allows us to criticize our leaders. It lets us consume the art, film, and literature we prefer. And, perhaps most importantly, it allows minorities to challenge the oppression they suffer. While any of us are censored, none of us are free.
Author: Fiona Deans Halloran
Publisher: Univ of North Carolina Press
ISBN: 0807835870
Category : Biography & Autobiography
Languages : en
Pages : 382
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Book Description
"Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture"--
Author: Ritu Gairola Khanduri
Publisher: Cambridge University Press
ISBN: 1107043328
Category : History
Languages : en
Pages : 369
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Book Description
A highly original study of newspaper cartoons throughout India's history and culture, and their significance for the world today.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
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Book Description
Author: Dr. Prashant Kumar Srivastava
Publisher: KVR Book Central
ISBN: 9391693695
Category : Study Aids
Languages : en
Pages : 218
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Book Description
The Purpose of the study becomes relevant and assumes importance by fact that freedom of expression is most important human rights of the democracy, besides which the society will be monochromatic, but this freedom can’t be unrestricted. One can enjoy/ entertain its freedom up to that extent only until it doesn’t violate others freedom. A cartoonist expresses his attitude towards the various figures, characters and situations depicted in his figures, and thus represent the interests of a society, which are not always in harmony in the government. A cartoonist not only has to be creative, but he also has to attempt to be educational. For the latter purpose the cartoonist should conform to moral norms, which might potentially be in contradiction with his style of expression. The authority struggles differently with cartoonists. In some countries cartoonists are beaten, thrown in prison and even killed. In countries where authorities are unable to discreetly dispose of resenting cartoonists in such ways, other subtly coercive methods are applied.
Author: Herbert Block
Publisher:
ISBN:
Category : History
Languages : en
Pages : 68
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Book Description
"Herblock's History" is an article written by Harry L. Katz that was originally published in the October 2000 issue of "The Library of Congress Information Bulletin." The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for "The Washington Post" for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online.
