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Author: Paul Allain
Publisher:
ISBN:
Category : Polish drama
Languages : en
Pages : 204
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Book Description
Author: Paul Allain
Publisher:
ISBN:
Category : Polish drama
Languages : en
Pages : 204
Get Book Here
Book Description
Author: Vessela S. Warner
Publisher: University of Iowa Press
ISBN: 1609386787
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros ̧ca, Ban ̧uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer
Author: Olga Śmiechowicz
Publisher: Cambridge Scholars Publishing
ISBN: 1527518469
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
In international theatre studies, there has been a dearth of studies on Polish contemporary theatre. This book investigates how Polish theatre has changed since 1989 and the fall of Communism. It introduces the most prominent Polish theatre directors, namely Krystian Lupa and his two extremely talented students Krzysztof Warlikowski and Jan Klata. All three of them represent three absolutely different types of aesthetics and ways of thinking about theatre: Krystian Lupa mostly concentrates on Austrian and Russian literature. Krzysztof Warlikowski’s theatre is based on stage versions of William Shakespeare or Ancient authors. Jan Klata focuses his attention on Polish history and current social problems. This book highlights the creativity of Polish contemporary theatre, and shows how different from most theatre traditions in other European countries it is.
Author: Bryce Lease
Publisher: Manchester University Press
ISBN: 152610105X
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
After '89 takes as its subject the dynamic new range of performance practices that have been developed since the demise of communism in the flourishing theatrical landscape of Poland. After 1989, the theatre has retained its historical role as the crucial space for debating and interrogating cultural and political identities. Providing access to scholarship and criticism not readily accessible to an English-speaking readership, this study surveys the rebirth of the theatre as a site of public intervention and social criticism since the establishment of democracy and the proliferation of theatre makers that have flaunted cultural commonplaces and begged new questions of Polish culture. Lease argues that the most significant change in performance practice after 1989 has been from opposition to the state to a more pluralistic practice that engages with marginalized identities purposefully left out of the rhetoric of freedom and independence.
Author: Kathleen Cioffi
Publisher: Routledge
ISBN: 1134374453
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
The complex nature of the relationship between theatre and politics is explored in this study of the Polish theatre scene. It traces the development of the alternative theatre movement from its origins, in the 1950s, through to its decline in the late 1980s.
Author: Paul Allain
Publisher: Taylor & Francis
ISBN: 9789057021053
Category : Drama
Languages : en
Pages : 212
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Book Description
The author gives a detailed study of the Gardzienice Theatre Association. Analysing their sung performances, strenuous physical and vocal training, and anthropological fieldwork amongst marginalized European minorities.
Author: Robert Gordon
Publisher: Oxford University Press
ISBN: 0190909757
Category : Music
Languages : en
Pages : 1001
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Book Description
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.
Author: Ursula Phillips
Publisher: LIT Verlag Münster
ISBN: 3643902891
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
This volume emerged from the conference "Polish Literature Since 1989" held at the University College London School of Slavonic and East European Studies. It shows how the profound political and economic transformation that has taken place in Poland since the end of communism in 1989 has affected literary culture and literary scholarship, such as: changing conceptions of Polish nationhood and identity * the impact of European integration (since 2004) * the effects of migration * revised conceptions of the foreign or the marginal, and new understandings of what is understood by emigre or emigrant literature * sensitivity to issues of gender and sexual identity, as well as the impact of feminism and queer studies * the huge impact of revived interest in the Jewish heritage, in Holocaust memory, and in Polish-Jewish relations. (Series: Polonistik im Kontext - Vol. 2)
Author: Kathleen Cioffi
Publisher: Routledge
ISBN: 1134374380
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
The complex nature of the relationship between theatre and politics is explored in this study of the Polish theatre scene. It traces the development of the alternative theatre movement from its origins, in the 1950s, through to its decline in the late 1980s.
Author: Boguslaw Schaeffer
Publisher: Bloomsbury Publishing
ISBN: 184943722X
Category : Drama
Languages : en
Pages : 117
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Book Description
'I place Boguslaw Schaeffer's genius firmly at the centre of the European cultural heritage which expressed avant-gardism during my lifetime.' Richard Demarco This anthology of plays by Boguslaw Schaeffer, a Polish playwright, composer, musicologist and graphic designer, includes his most frequently performed works: Scenario for a Non-Existing, but Possible Instrumental Actor (1976), Quartet for Four Actors (1979), and Scenario for Three Actors (1987). The plays are examples of Instrumental Theatre. Like Schaeffer’s microtonal compositions, they are carefully structured and employ cyclical repetitions, and codes. Schaeffer’s most famous instrumental play, the Quartet for Four Actors, has been so successful that it has been staged by practically every Polish theatre. Scenario for a Non-Existing, but Possible Instrumental Actor, opened in 1976 and has since been staged over 1,500 times around the world. During its 40-year run, it has been critically acclaimed and has won many awards, including the 1995 Grand Prix at New York’s Theatre Festival. Winner of many prestigious international awards, Scenario for Three Actors, has been a permanent fixture in many Polish theatres since its premiere. Schaeffer is a universal artist, unafraid to explore a range of fields,forms, and subject matter, and his theatre, like his music, defies previous, established conventions and techniques, surprising its audiences with innovative and invigorating form and style.
