Poets, Patrons and Professors. Sir Philip Sidney, Daniel Rogers and the Leiden Humanists PDF Download
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Author: Van Dorsten
Publisher: BRILL
ISBN: 9004618759
Category : History
Languages : en
Pages : 257
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Book Description
Author: Van Dorsten
Publisher: BRILL
ISBN: 9004618759
Category : History
Languages : en
Pages : 257
Get Book Here
Book Description
Author: J. A. van Dorsten
Publisher: Leiden : Published for the Sir Thomas Browne Institute at the University Press
ISBN:
Category : England
Languages : en
Pages : 266
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Book Description
Author: Cynthia J. Brown
Publisher: Cornell University Press
ISBN: 150174254X
Category : Literary Criticism
Languages : en
Pages : 483
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Book Description
Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
Author: J. A. Van Dorsten
Publisher: BRILL
ISBN: 9789004066052
Category : History
Languages : en
Pages : 268
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Book Description
Author: Professor Robert E Stillman
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475026
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Celebrations of literary fictions as autonomous worlds appeared first in the Renaissance and were occasioned, paradoxically, by their power to remedy the ills of history. Robert E. Stillman explores this paradox in relation to Philip Sidney's Defence of Poesy, the first Renaissance text to argue for the preeminence of poetry as an autonomous form of knowledge in the public domain. Offering a fresh interpretation of Sidney's celebration of fiction-making, Stillman locates the origins of his poetics inside a neglected historical community: the intellectual elite associated with Philip Melanchthon (leader of the German Reformation after Luther), the so-called Philippists. As a challenge to traditional Anglo-centric scholarship, his study demonstrates how Sidney's education by Continental Philippists enabled him to dignify fiction-making as a compelling form of public discourse-compelling because of its promotion of powerful new concepts about reading and writing, its ecumenical piety, and its political ambition to secure through natural law (from universal 'Ideas') freedom from the tyranny of confessional warfare. Intellectually ambitious and wide-ranging, this study draws together various elements of contemporary scholarship in literary, religious, and political history in order to afford a broader understanding of the Defence and the cultural context inside which Sidney produced both his poetry and his poetics.
Author: Jan Van Dorsten
Publisher: BRILL
ISBN: 9004617949
Category : History
Languages : en
Pages : 258
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Book Description
Author: Mary Sidney Herbert Countess of Pembroke
Publisher: Oxford University Press
ISBN: 9780198112808
Category : Literary Collections
Languages : en
Pages : 390
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Book Description
Replete with biographical introduction, discussions of sources and compositional methodology, this two volume work is the first to include all Mary Sidney Herbert's extant works.
Author: Alan Sinfield
Publisher: OUP Oxford
ISBN: 019811995X
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
If we come to consciousness within a language that is complicit with the social order, how can we conceive, let alone organize, resistance? This key question in the politics of reading and subcultural practice informs Alan Sinfield's book on writing in early-modern England.
Author: Professor Michael G Brennan
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409450406
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
Presented in two volumes, this Ashgate Research Companion assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures in the period 1500-1700. Volume 2, Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of select family members in the genres of romance, drama, poetry, psalms, and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.
Author: Dr Nandini Das
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478866
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Romance was criticized for its perceived immorality throughout the Renaissance, and even enthusiasts were often forced to acknowledge the shortcomings of its dated narrative conventions. Yet despite that general condemnation, the striking growth in English fiction in the late sixteenth and early seventeenth centuries is marked by writers who persisted in using this much-maligned narrative form. In Renaissance Romance, Nandini Das examines why the fears and expectations surrounding the old genre of romance resonated with successive new generations at this particular historical juncture. Across a range of texts in which romance was adopted by the court, by popular print and by women, Das shows how the process of realignment and transformation through which the new prose fiction took shape was driven by a generational consciousness that was always inherent in romance. In the fiction produced by writers such as Sir Philip Sidney, Robert Greene and Lady Mary Wroth, the transformative interaction of romance with other emergent forms, from the court masque to cartography, was determined by specific configurations of social groups, drawn along the lines of generational difference. What emerged as a result of that interaction radically changed the possibilities of fiction in the period.
