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Author: Kay Ryan
Publisher: Open Road + Grove/Atlantic
ISBN: 0802197515
Category : Poetry
Languages : en
Pages : 96
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Book Description
A mesmerizing collection from the US Poet Laureate whose work is “as intense and elliptical as [Emily] Dickinson, as buoyant and rueful as [Robert] Frost” (J. D. McClatchy, American Poet). In granting the prestigious Ruth Lilly Prize to Kay Ryan, Poetry magazine editor Christian Wiman wrote that “[she] can take any subject and make it her own. Her poems—which combine extreme concision and formal expertise with broad subjects and deep feeling—could never be mistaken for anyone else’s. Her work has the kind of singularity and sustained integrity that are very, very rare.” Winner of the Pulitzer Prize, Kay Ryan’s poems are “Fabergé eggs, tiny, ingenious devices that inevitably conceal some hidden wonder.” The Niagara River is full of such hidden gems. Bafflingly effective, the poems in this collection seem too brief and blithe to pack so much wallop. Their singular music makes it clear why her poetry has been featured everywhere from the Sunday funnies to New York subways to plaques at the zoo to the pages of The New Yorker and The Paris Review (Salon). “Empathic and wryly unforgiving of the human condition, the poems [in The Niagara River] are equal parts pith and punch. The effect is bracing.” —Publishers Weekly
Author: Kay Ryan
Publisher: Open Road + Grove/Atlantic
ISBN: 0802197515
Category : Poetry
Languages : en
Pages : 96
Get Book Here
Book Description
A mesmerizing collection from the US Poet Laureate whose work is “as intense and elliptical as [Emily] Dickinson, as buoyant and rueful as [Robert] Frost” (J. D. McClatchy, American Poet). In granting the prestigious Ruth Lilly Prize to Kay Ryan, Poetry magazine editor Christian Wiman wrote that “[she] can take any subject and make it her own. Her poems—which combine extreme concision and formal expertise with broad subjects and deep feeling—could never be mistaken for anyone else’s. Her work has the kind of singularity and sustained integrity that are very, very rare.” Winner of the Pulitzer Prize, Kay Ryan’s poems are “Fabergé eggs, tiny, ingenious devices that inevitably conceal some hidden wonder.” The Niagara River is full of such hidden gems. Bafflingly effective, the poems in this collection seem too brief and blithe to pack so much wallop. Their singular music makes it clear why her poetry has been featured everywhere from the Sunday funnies to New York subways to plaques at the zoo to the pages of The New Yorker and The Paris Review (Salon). “Empathic and wryly unforgiving of the human condition, the poems [in The Niagara River] are equal parts pith and punch. The effect is bracing.” —Publishers Weekly
Author: James Bird
Publisher:
ISBN:
Category : Niagara Falls
Languages : en
Pages : 208
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Book Description
Author: José María Heredia
Publisher:
ISBN:
Category : Literary Criticism
Languages : es
Pages : 104
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Book Description
Author: Aimee Nezhukumatathil
Publisher: Copper Canyon Press
ISBN: 1619321769
Category : Poetry
Languages : en
Pages : 114
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Book Description
"Nezhukumatathil’s poems contain elegant twists of a very sharp knife. She writes about the natural world and how we live in it, filling each poem, each page with a true sense of wonder." —Roxane Gay “Cultural strands are woven into the DNA of her strange, lush... poems. Aphorisms...from another dimension.” —The New York Times “With unparalleled ease, she’s able to weave each intriguing detail into a nuanced, thought-provoking poem that also reads like a startling modern-day fable.” —The Poetry Foundation “How wonderful to watch a writer who was already among the best young poets get even better!” —Terrance Hayes With inquisitive flair, Aimee Nezhukumatathil creates a thorough registry of the earth’s wonderful and terrible magic. In her fourth collection of poetry, she studies forms of love as diverse and abundant as the ocean itself. She brings to life a father penguin, a C-section scar, and the Niagara Falls with a powerful force of reverence for life and living things. With an encyclopedic range of subjects and unmatched sincerity, Oceanic speaks to each reader as a cooperative part of the earth, an extraordinary neighborhood to which we all belong. From “Starfish and Coffee”: And that’s how you feel after tumbling like sea stars on the ocean floor over each other. A night where it doesn’t matter which are arms or which are legs or what radiates and how— only your centers stuck together. Aimee Nezhukumatathil is the author of four collections of poetry. Recipient of a National Endowment for the Arts fellowship and the prestigious Eric Hoffer Grand Prize, Nezhukumatathil teaches creative writing and environmental literature in the MFA program at the University of Mississippi.
Author: Ginger Strand
Publisher: Simon and Schuster
ISBN: 1416546561
Category : History
Languages : en
Pages : 354
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Book Description
Strand reveals the hidden history of America's most iconic natural wonder, Niagara Falls, illuminating what it says about our history, our relationship with the environment, and ourselves.
Author: Joan Murray
Publisher: Beacon Press
ISBN: 9780807068571
Category : Poetry
Languages : en
Pages : 128
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Book Description
This novel-in-verse tells the fascinating story of Annie Taylor, who, in 1901, became the first person to plunge over the brink of Niagara Falls in a barrel. But as Joan Murray reveals, America didn't know what to do with a mature and self-possessed heroine: Annie Taylor, as an 'older woman,' was rejected and exploited and finally eclipsed by the man who repeated her stunt ten years later.
Author: Kay Ryan
Publisher: Grove/Atlantic, Inc.
ISBN: 0802197493
Category : Poetry
Languages : en
Pages : 92
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Book Description
“A poetry collection that marries wit and wisdom more brilliantly than any I know” by the Pulitzer Prize–winning former US Poet Laureate (Jane Hirshfield, author of Come, Thief). Filled with wry logic and a magical, unpredictable musicality, Kay Ryan’s poems continue to generate excitement with their frequent appearances in The New Yorker and other leading periodicals. Say Uncle, Ryan’s fifth collection, is filled with the same hidden connections, the same slyness and almost gleeful detachment that has delighted readers of her earlier books. Compact, searching, and oddly beautiful, these poems, in the words of internationally acclaimed poet and writer Dana Gioia, “take the shape of an idea clarifying itself.” “The first thing you notice about her poems is an elbow-to-the-ribs playfulness.” —San Francisco Chronicle “The short lines and quick images—almost snapshots—are elemental. Ryan puts them together, then pulls them apart, and twists them in playful fashion, as though she were an alchemist with a modern experimental attitude . . . Truly short-line, one-stanza (for the most part) wonders: full-brained poems in a largely half-brained world.” —Kirkus Reviews “Witty, charming, serious and delightful . . . her tight structures, odd rhymes and ethical judgments place her more firmly in the tradition of Marianne Moore and, latterly, Amy Clampitt. Those poets, though, wrote many kinds of poems: Ryan, in this volume, writes just one kind. It is, however, a kind worth looking out for—well crafted, understated, funny and smart.” —Publishers Weekly
![The Happy Morn. (The Birth of Christ.) [Both in Verse, with Hymns.] PDF](https://books.google.com/books/content/images/frontcover/XvNnDI1riUAC?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
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Book Description
Author: Kay Ryan
Publisher: Open Road + Grove/Atlantic
ISBN: 0802190855
Category : Poetry
Languages : en
Pages : 81
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Book Description
“Clear and lucid” poems from a US Poet Laureate and Pulitzer Prize winner who “journeys through the landscape of memory, consciousness, loss, and love” (The Washington Post). Kay Ryan is acclaimed for her highly relatable, deeply insightful poems. Erratic Facts is her first new collection since the Pulitzer Prize–winning The Best of It, and it is animated with her signature swift, clearheaded, lyrical style. At once witty and melancholy, playful and heartfelt, Ryan examines enormous subjects—existence, consciousness, love, loss—in compact poems that have immensely powerful resonance. Her sly rhymes and strong cadences convey both musicality and wisdom. While these pieces are composed of the same brevity and vitality that have characterized her singular voice over the course of more than twenty years, her imagination is more eccentric and daring than ever. Erratic Facts solidifies Ryan’s place at the pinnacle of American poetry. “Read a poem once and take in its crisp rhythms, subtle rhymes, and arresting images. Read it again and detect its hide-and-seek metaphors and meanings. . . . [Ryan’s] quantum poems pose resonant questions of physics and metaphysics, of attentiveness and caring on scales intimate and universal.” —Booklist
Author: Naomi Shihab Nye
Publisher: BOA Editions, Ltd.
ISBN: 1938160436
Category : Poetry
Languages : en
Pages : 117
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Book Description
Poet, teacher, essayist, anthologist, songwriter and singer, Naomi Shihab Nye is one of the country's most acclaimed writers. Her voice is generous; her vision true; her subjects ordinary people, and ordinary situations which, when rendered through her language, become remarkable. In this, her fourth full collection of poetry, we see with new eyes-a grandmother's scarf, an alarm clock, a man carrying his son on his shoulders. Valentine for Ernest Mann You can’t order a poem like you order a taco. Walk up to the counter and say, "I’ll take two" and expect it to handed back to you on a shiny plate. Still, I like you spirit. Anyone who says, "Here’s my address, write me a poem," deserves something in reply. So I’ll tell a secret instead: poems hide. In the bottoms of our shoes, they are sleeping. They are the shadows drifting across our ceilings the moment before we wake up. What we have to do is live in a way that lets us find them. Once I knew a man who gave his wife two skunks for a valentine. He couldn’t understand why she was crying. "I thought they had such beautiful eyes." And he was serious. He was a serious man who lived in a serious way. Nothing was ugly just because the world said so. He really liked those skunks. So, he re-invented them as valentines and they became beautiful. At least, to him. And the poems that had been hiding in the eyes of skunks for centuries crawled out and curled up at his feet. Maybe if we re-invent whatever our lives give us we find poems. Check your garage, the odd sock in your drawer, the person you almost like, but not quite. And let me know.
