Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
Book Description
Poetry and Truth from My Own Life
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
Book Description
Poetry & Truth from My Own Life
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
Book Description
Truth and Poetry: from My Own Life; Or, The Autobiography of Goethe
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
Book Description
Truth and Poetry
Author: Johann Wolfgang von Goethe
Publisher: Philadelphia, C. G. Henderson & Company, New-York, D. Appleton & Company
ISBN:
Category :
Languages : en
Pages : 458
Book Description
Publisher: Philadelphia, C. G. Henderson & Company, New-York, D. Appleton & Company
ISBN:
Category :
Languages : en
Pages : 458
Book Description
The Autobiography of Goethe: Truth and Poetry From My Own Life
Author: Johann Wolfgang von Goethe
Publisher: Library of Alexandria
ISBN: 1465513973
Category : Fiction
Languages : en
Pages : 1103
Book Description
It would appear that for inquirers into Foreign Literature, for all men anxious to see and understand the European world as it lies around them, a great problem is presented in this Goethe; a singular, highly significant phenomenon, and now also means more or less complete for ascertaining its significance. A man of wonderful, nay, unexampled reputation and intellectual influence among forty millions of reflective, serious and cultivated men, invites us to study him; and to determine for ourselves, whether and how far such influence has been salutary, such reputation merited. That this call will one day be answered, that Goethe will be seen and judged of in his real character among us, appears certain enough. His name, long familiar everywhere, has now awakened the attention of critics in all European countries to his works: he is studied wherever true study exists: eagerly studied even in France; nay, some considerable knowledge of his nature and spiritual importance seems already to prevail there. [Footnote: Witness Le Tasse, Drame par Duval, and the Criticisms on it. See also the Essays in the Globe, Nos. 55, 64 (1826).] For ourselves, meanwhile, in giving all due weight to so curious an exhibition of opinion, it is doubtless our part, at the same time, to beware that we do not give it too much. This universal sentiment of admiration is wonderful, is interesting enough; but it must not lead us astray. We English stand as yet without the sphere of it; neither will we plunge blindly in, but enter considerately, or, if we see good, keep aloof from it altogether. Fame, we may understand, is no sure test of merit, but only a probability of such; it is an accident, not a property, of a man; like light, it can give little or nothing, but at most may show what is given; often it is but a false glare, dazzling the eyes of the vulgar, lending by casual extrinsic splendour the brightness and manifold glance of the diamond to pebbles of no value. A man is in all cases simply the man, of the same intrinsic worth and weakness, whether his worth and weakness lie hidden in the depths of his own consciousness, or be betrumpeted and beshouted from end to end of the habitable globe. These are plain truths, which no one should lose sight of; though, whether in love or in anger, for praise or for condemnation, most of us are too apt to forget them. But least of all can it become the critic to 'follow a multitude to do evil' even when that evil is excess of admiration; on the contrary, it will behoove him to lift up his voice, how feeble soever, how unheeded soever, against the common delusion; from which, if he can save, or help to save any mortal, his endeavours will have been repaid. With these things in some measure before us, we must remind our readers of another influence at work in this affair, and one acting, as we think, in the contrary direction. That pitiful enough desire for 'originality' which lurks and acts in all minds, will rather, we imagine, lead the critic of Foreign Literature to adopt the negative than the affirmative with regard to Goethe. If a writer indeed feel that he is writing for England alone, invisibly and inaudibly to the rest of the Earth, the temptations may be pretty equally balanced; if he write for some small conclave, which he mistakenly thinks the representative of England, they may sway this way or that, as it chances. But writing in such isolated spirit is no longer possible.
Publisher: Library of Alexandria
ISBN: 1465513973
Category : Fiction
Languages : en
Pages : 1103
Book Description
It would appear that for inquirers into Foreign Literature, for all men anxious to see and understand the European world as it lies around them, a great problem is presented in this Goethe; a singular, highly significant phenomenon, and now also means more or less complete for ascertaining its significance. A man of wonderful, nay, unexampled reputation and intellectual influence among forty millions of reflective, serious and cultivated men, invites us to study him; and to determine for ourselves, whether and how far such influence has been salutary, such reputation merited. That this call will one day be answered, that Goethe will be seen and judged of in his real character among us, appears certain enough. His name, long familiar everywhere, has now awakened the attention of critics in all European countries to his works: he is studied wherever true study exists: eagerly studied even in France; nay, some considerable knowledge of his nature and spiritual importance seems already to prevail there. [Footnote: Witness Le Tasse, Drame par Duval, and the Criticisms on it. See also the Essays in the Globe, Nos. 55, 64 (1826).] For ourselves, meanwhile, in giving all due weight to so curious an exhibition of opinion, it is doubtless our part, at the same time, to beware that we do not give it too much. This universal sentiment of admiration is wonderful, is interesting enough; but it must not lead us astray. We English stand as yet without the sphere of it; neither will we plunge blindly in, but enter considerately, or, if we see good, keep aloof from it altogether. Fame, we may understand, is no sure test of merit, but only a probability of such; it is an accident, not a property, of a man; like light, it can give little or nothing, but at most may show what is given; often it is but a false glare, dazzling the eyes of the vulgar, lending by casual extrinsic splendour the brightness and manifold glance of the diamond to pebbles of no value. A man is in all cases simply the man, of the same intrinsic worth and weakness, whether his worth and weakness lie hidden in the depths of his own consciousness, or be betrumpeted and beshouted from end to end of the habitable globe. These are plain truths, which no one should lose sight of; though, whether in love or in anger, for praise or for condemnation, most of us are too apt to forget them. But least of all can it become the critic to 'follow a multitude to do evil' even when that evil is excess of admiration; on the contrary, it will behoove him to lift up his voice, how feeble soever, how unheeded soever, against the common delusion; from which, if he can save, or help to save any mortal, his endeavours will have been repaid. With these things in some measure before us, we must remind our readers of another influence at work in this affair, and one acting, as we think, in the contrary direction. That pitiful enough desire for 'originality' which lurks and acts in all minds, will rather, we imagine, lead the critic of Foreign Literature to adopt the negative than the affirmative with regard to Goethe. If a writer indeed feel that he is writing for England alone, invisibly and inaudibly to the rest of the Earth, the temptations may be pretty equally balanced; if he write for some small conclave, which he mistakenly thinks the representative of England, they may sway this way or that, as it chances. But writing in such isolated spirit is no longer possible.
The Autobiography of Goethe: Truth and poetry: from my own life, books XIV-XX. Annals
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
Book Description
The auto-biography of Goethe; Truth and poetry: From my own life, tr. by J. Oxenford (A.J.W. Morrison) also Letters from Switzerland, and Travels in Italy
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 556
Book Description
The autobiography of Goethe
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category : Authors, German
Languages : en
Pages : 340
Book Description
Publisher:
ISBN:
Category : Authors, German
Languages : en
Pages : 340
Book Description
The Truth of You
Author: Iain S. Thomas
Publisher: Andrews McMeel Publishing
ISBN: 152486997X
Category : Poetry
Languages : en
Pages : 240
Book Description
This is the truth of you. Because you are all I see. Because you are all I breathe. Because when I cannot find you, I am lost. Because when I’m with you, I am found. Because you have the fire of the universe in you, and sometimes you forget. So this book is here to remind you. Dear You, I want you to know that I see you. I want you to know that even if no one else does, even if you are a ghost in this bookshop, or just the static floating across the screen of your computer, wherever you’re reading this, I see you. I see you in the dark and I see you in the grey. I see you as a story, as words I have spoken or may yet speak. Maybe only in a memory or a dream. I see your hands and your arms and your body and your legs and your face and I see what you have been and what you will be. I see you and in looking at you, I want you to know that whoever you’ve had to be to survive all this, I will not look away. I want you to know that there’s a space inside this book for you. So if you have the time and the inclination, you can sit here with me, just for a while. And perhaps between us, we can see everything that matters. -pleasefindthis
Publisher: Andrews McMeel Publishing
ISBN: 152486997X
Category : Poetry
Languages : en
Pages : 240
Book Description
This is the truth of you. Because you are all I see. Because you are all I breathe. Because when I cannot find you, I am lost. Because when I’m with you, I am found. Because you have the fire of the universe in you, and sometimes you forget. So this book is here to remind you. Dear You, I want you to know that I see you. I want you to know that even if no one else does, even if you are a ghost in this bookshop, or just the static floating across the screen of your computer, wherever you’re reading this, I see you. I see you in the dark and I see you in the grey. I see you as a story, as words I have spoken or may yet speak. Maybe only in a memory or a dream. I see your hands and your arms and your body and your legs and your face and I see what you have been and what you will be. I see you and in looking at you, I want you to know that whoever you’ve had to be to survive all this, I will not look away. I want you to know that there’s a space inside this book for you. So if you have the time and the inclination, you can sit here with me, just for a while. And perhaps between us, we can see everything that matters. -pleasefindthis
On Earth We're Briefly Gorgeous
Author: Ocean Vuong
Publisher: Penguin
ISBN: 0525562044
Category : Fiction
Languages : en
Pages : 258
Book Description
The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!
Publisher: Penguin
ISBN: 0525562044
Category : Fiction
Languages : en
Pages : 258
Book Description
The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!