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Author: Ian Cooper
Publisher: Routledge
ISBN: 1000030113
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Interest in Martin Heidegger was recently reawakened by the revelations, in his newly published ‘Black Notebooks’, of the full terrible extent of his political commitments in the 1930s and 1940s. The revelations reminded us of the dark allegiances co-existing with one of the profoundest and most important philosophical projects of the twentieth century—one that is of incomparable importance for literature and especially for poetry, which Heidegger saw as embodying a receptiveness to Being and a resistance to the instrumental tendencies of modernity. Poetry and the Question of Modernity: From Heidegger to the Present is the first extended account of the relationship between Heidegger’s philosophy and the modern lyric. It argues that some of the best-known modern poets in German and English, from Paul Celan to Seamus Heaney and Les Murray, are in deep imaginative affinity with Heidegger’s enquiry into finitude, language, and Being. But the work of each of these poets challenges Heidegger because each appeals to a transcendence, taking place in language, that is inseparable from the motion of encounter with embodied others. It is thus poetry which reveals the full measure of Heidegger’s relevance in redefining modern selfhood, and poetry which reveals the depth of his blindness.
Author: Ian Cooper
Publisher: Routledge
ISBN: 1000030113
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Interest in Martin Heidegger was recently reawakened by the revelations, in his newly published ‘Black Notebooks’, of the full terrible extent of his political commitments in the 1930s and 1940s. The revelations reminded us of the dark allegiances co-existing with one of the profoundest and most important philosophical projects of the twentieth century—one that is of incomparable importance for literature and especially for poetry, which Heidegger saw as embodying a receptiveness to Being and a resistance to the instrumental tendencies of modernity. Poetry and the Question of Modernity: From Heidegger to the Present is the first extended account of the relationship between Heidegger’s philosophy and the modern lyric. It argues that some of the best-known modern poets in German and English, from Paul Celan to Seamus Heaney and Les Murray, are in deep imaginative affinity with Heidegger’s enquiry into finitude, language, and Being. But the work of each of these poets challenges Heidegger because each appeals to a transcendence, taking place in language, that is inseparable from the motion of encounter with embodied others. It is thus poetry which reveals the full measure of Heidegger’s relevance in redefining modern selfhood, and poetry which reveals the depth of his blindness.
Author: Ahmad Karimi-Hakkak
Publisher: BRILL
ISBN: 9047414411
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Situating Nima's life firmly within the context of 20th century Iranian history this book contributes to an emerging trend in literary scholarship on Persian literature that views Persian poetry as a living and constantly evolving tradition rather than an icon of some fading glory.
Author: Paul Mariani
Publisher: Paraclete Press
ISBN: 1640603352
Category : Poetry
Languages : en
Pages : 190
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Book Description
Paul Mariani has spent fifty years writing poetry that celebrates the vibrant sacramentality of life in the twilight of Modernity, and writing the lives of some of our greatest modern poets. This is a life-spanning collection of his prose explorations of what it means to be a person of wonder and imagination.
Author: David Caplan
Publisher: Oxford University Press
ISBN: 9780199718405
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
Questions of Possibility examines the particular forms that contemporary American poets favor and those they neglect. The poets' choices reveal both their ambitions and their limitations, the new possibilities they discover and the traditions they find unimaginable. By means of close attention to the sestina, ghazal, love sonnet, ballad, and heroic couplet, this study advances a new understanding of contemporary American poetry. Rather than pitting "closed" verse against "open" and "traditional" poetry against "experimental," Questions of Possibility explores how poets associated with different movements inspire and inform each other's work. Discussing a range of authors, from Charles Bernstein, Derek Walcott, and Marilyn Hacker to Agha Shahid Ali, David Caplan treats these poets as contemporaries who share the language, not as partisans assigned to rival camps. The most interesting contemporary poetry crosses the boundaries that literary criticism draws, synthesizing diverse influences and establishing surprising affinities. In a series of lively readings, Caplan charts the diverse characteristics and accomplishments of modern poetry, from the gay and lesbian love sonnet to the currently popular sestina.
Author: Waed Athamneh
Publisher:
ISBN: 9780268101541
Category : History
Languages : en
Pages : 311
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Book Description
Cover -- modern arabic poetry -- Title -- Copyright -- Dedication -- CONTENTS -- Acknowledgments -- Note on Translation and Transliteration -- Introduction -- CHAPTER 1 The Politics and Poetics of the Modern Arab World -- CHAPTER 2 From Iltizām to Metapoetry: ʻAbd al-Wahhāb al-Bayātī -- CHAPTER 3 From Iltizām to the Arab Uprising: Aḥmad ʻAbd al-Muʻṭī Ḥijāzī -- CHAPTER 4 From Militant Iltizām to Humanist: Maḥmūd Darwīsh -- Conclusion: The Poets and Their Vocation in the Modern World -- Appendix: Interview with Aḥmad ʻAbd al-Muʻṭī Ḥijāzī -- Notes -- Bibliography -- Index
Author: Kevis Goodman
Publisher: Cambridge University Press
ISBN: 9780521831680
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Goodman traces connections between Georgic verse and developments in other spheres from the late seventeenth to the early nineteenth centuries.
Author: John A.F. Hopkins
Publisher: Cambridge Scholars Publishing
ISBN: 1527549100
Category : Poetry
Languages : en
Pages : 255
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Book Description
With something of a poetry renaissance currently under way worldwide, there is now, more than ever, a need for a solidly-based methodology for interpreting poems: something more empirical than traditional âlit-critâ approaches, and something more linguistically-informed than the version of âpostmodernismâ rampant in certain Anglophone universities. The latter approach, which tends to allow the individual reader to do what he/she likes with a poetic text, is inadequate to interpret modernist poetry, whose English-language precursors may be found in the late Romantics; its pioneers were already writing (in France) as early as 1840. What is so different about the modernists? Most importantly, their works are monumental, in that they are strongly resistant to deconstruction. Contributing to this resistance is the fact that they are built around two deep-level propositions, each of which generates a set of indirectly-signifying images, sharing the same internal structure, but having a different vocabulary. Thus, they do not signify according to linear narrative, but according to these propositionsâand the relation between themâwhich may be reconstructed by a careful comparison of images on the textual surface. Every textâas subject-signârefers to an intertextual object-sign, which is usually another poem, but may also be a film or other form of art. Mediating between these two signs is their reader-constructed interpretant, which completes the semiotic triad. As this book shows, the novelty of this sign is thrown into relief by the contrast it makes with a lexical counterpart from the readerâs experience, which differs from the interpretant in structure. The bookâs inclusion of French and Japanese, as well as English poems, shows that deep-level signifying mechanisms may well be universal, with considerable research and pedagogical implications.
Author: Judith Balso
Publisher: U of Minnesota Press
ISBN: 1937561380
Category : Philosophy
Languages : en
Pages : 86
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Book Description
Since the times of Plato and Aristotle, the relation of poetry to philosophy has been controversial. For certain scholars, poetry should in no way be confused with philosophy. For others, poetry is at the heart of the possibility of thinking itself. In Affirmation of Poetry, Judith Balso defends the significance of poetry as a necessary practice for thinking. For Balso, if reading poetry properly has become an obscure task, poetry itself still carries with it a power of thinking: the efforts of the poets must continue. In analyzing the affirmation of thought found within the work of such poets as Osip Mandelstam, Wallace Stevens, Alberto Caeiro, and Giacomo Leopardi, Balso reestablishes poetry’s place as a site of thought.
Author: Leah Middlebrook
Publisher: Penn State Press
ISBN: 027103517X
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
"Examines poetry and ideology in Early Modern Spain. Includes eight representative Peninsular writers and one poet from the Americas to demonstrate the shifting ideologies of the self, language and the state that mark watersheds for European and Americanmodernity"--Provided by publisher.
Author: Paul Manfredi
Publisher:
ISBN: 9781604978629
Category : Literary Collections
Languages : en
Pages : 244
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Book Description
This book is in the Cambria Sinophone World Series (general editor: Victor H. Mair). *Includes rare color images. Chinese poetry, along with many other art forms in China, underwent a highly self-conscious transformation in the first decades of the twentieth century. Poetry, perhaps more than any other art form, did so under the heavy burden of a voluminous literary precedent, a precedent which was in its very format of patterned words inscribed on scrolls--a mark of the Chinese literati tradition. Turning away from this tradition seemed necessary in the context of a political, social, and cultural reform movement (which was designed to strengthen China in the face of increasing international pressure as well as domestic breakdown). At the same time, reforming a poetic tradition which had served as a principal touchstone of aesthetic accomplishment--from its role in Confucian canon as object of contemplation for correct action, to its function as a test of candidate's qualifications to govern through the civil service examination, to its function as national past-time in all manner of social gathering--was a major challenge. The result of such a predicament for poets throughout the twentieth century has been the compulsion to discover a poetic style which resonates with the modern world and yet is rooted in Chinese cultural experience. One way in which poets have been able to accomplish this is by relying on poetry's visuality, be it in the graphic properties of the writing system itself, the visual context of the presentation of the poetic texts, or the acute image details in the poems. The history of approximately one century of modern Chinese poetry production has been addressed broadly in scholarship, but such broad strokes tend to miss important dynamics which fall outside of general narratives. The importance of Chinese visual tradition to modern Chinese poets is a good case in point. Accordingly, this book addresses specific manifestations of the nexus connecting modernity and visuality in Chinese poetry. It begins with a discussion of May Fourth poetics as exemplified in the groundbreaking work of Li Jinfa, China's first "Symbolist" poet. From there the book traces notable developments of visuality in the new form or free verse writing (called Xinshi or "New Poetry") through mid-century modernist experiments in Taiwan (focusing on Ji Xian). From there the book then explores the avant-garde poetry of Luo Qing and Xia Yu before returning to mainland Chinese developments of Misty poets Yan Li and his contemporaries. The work concludes with a wide variety of poet-artists writing and exhibiting in the twenty-first century. Looking across this period of modern Chinese poetry's development, one is able to observe how important the visual-verbal dynamic has been to the innovation of poetic style and method. From the twenty-first century on, such multi-media expressions will likely continue to grow; this is a function of a Chinese aesthetic tradition pairing word and image and will continue to manifest in new and more inventive ways. This is an important book for Asian literary and art history studies and history collections
