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Author: George Melnyk
Publisher: University of Alberta
ISBN: 9780888644091
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
The Poetics of Naming is a fascinating blend of postmodern philosophy and mysticism that challenges our conventional view of language. It begins with the narrator’s discussion of a multi-faceted identity based on his name(s). Because this identity is multi-lingual and multi-national, its layering of the self leads to a confrontation with language. The narrator asks what is the relationship between language and truth? The formative power of language is great, but what happens when we become "languageless?" The book becomes an expression of a mystical experience the narrator calls "poesis" in which he stepped outside of language. Expressing this experience of languagelessness through language is the paradox at the core of the book. To achieve a simulation of languageless reality, the author uses a variety of linguistic techniques that uproot meanings, break-up words, and reconstruct terms in novel ways. Through deconstruction the metaphoric structure of language is revealed. This metaphoric structure is itself approached metaphorically so that the reader begins to sense the trap of a linguistic universe from which there is no escape. The book is a literary exercise that simulates the author’s poesis experience for the reader. Eventually the flood of words on the page begins to go out of focus and dissolve as the reader approaches languagelessness. The Poetics of Naming is not for the faint of heart. It challenges its readers to move away from the comfortable universe of ordinary language and its meanings and enter a world where the boundaries crumble like digital illusions and limitlessness appears on the horizon of consciousness. Poesis is frightening, frustrating and liberating.
Author: George Melnyk
Publisher: University of Alberta
ISBN: 9780888644091
Category : Literary Criticism
Languages : en
Pages : 164
Get Book Here
Book Description
The Poetics of Naming is a fascinating blend of postmodern philosophy and mysticism that challenges our conventional view of language. It begins with the narrator’s discussion of a multi-faceted identity based on his name(s). Because this identity is multi-lingual and multi-national, its layering of the self leads to a confrontation with language. The narrator asks what is the relationship between language and truth? The formative power of language is great, but what happens when we become "languageless?" The book becomes an expression of a mystical experience the narrator calls "poesis" in which he stepped outside of language. Expressing this experience of languagelessness through language is the paradox at the core of the book. To achieve a simulation of languageless reality, the author uses a variety of linguistic techniques that uproot meanings, break-up words, and reconstruct terms in novel ways. Through deconstruction the metaphoric structure of language is revealed. This metaphoric structure is itself approached metaphorically so that the reader begins to sense the trap of a linguistic universe from which there is no escape. The book is a literary exercise that simulates the author’s poesis experience for the reader. Eventually the flood of words on the page begins to go out of focus and dissolve as the reader approaches languagelessness. The Poetics of Naming is not for the faint of heart. It challenges its readers to move away from the comfortable universe of ordinary language and its meanings and enter a world where the boundaries crumble like digital illusions and limitlessness appears on the horizon of consciousness. Poesis is frightening, frustrating and liberating.
Author: Michelle Bonzcek Evory
Publisher: Open Suny Textbooks
ISBN: 9781942341505
Category :
Languages : en
Pages : 190
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Book Description
Naming the Unnameable: An Approach to Poetry for the New Generation assembles a wide range of poetry from contemporary poets, along with history, advice, and guidance on the craft of poetry. Informed by a consideration to the psychology of invention, Michelle Bonczek Evory¿s writing philosophy emphasizes both spontaneity and discipline, teaching students how to capture the chaos in our memories, imagination, and bodies with language, and discovering ways to mold them into their own cosmos, sculpt them like clay on a page. Exercises aim to make writing a form of play in its early stages that gives way to more enriching insights through revision, embracing the writing of poetry as both a love of language and a tool that enables us to explore ourselves and understand the world. Naming the Unnameable promotes an understanding of poetry as a living art and provides ways for students to involve themselves in the growing contemporary poetry community that thrives in America today.
Author: Sarah Tremlett
Publisher: Intellect (UK)
ISBN: 9781789382686
Category : Art
Languages : en
Pages : 350
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Book Description
Set to generate future discussions in the field for years to come, The Poetics of Poetry Film is an encyclopaedic work on the ever-evolving genre of poetry film. Tremlett provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Including over 40 contributors and showcasing the work of an international array of practitioners, this is an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers. Poetry films are a genre of short film, usually combining the three main elements of the poem as: verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. In this book, Tremlett examines the formal characteristics of the poetic in poetry film, film poetry and videopoetry, particularly in relation to lyric voice and time. The volume includes interviews, analysis and a rigorous and thorough investigation of the poetry film, from its origins to the present.
Author: Noemi Lefebvre
Publisher: Les Fugitives
ISBN: 9781838014131
Category :
Languages : en
Pages : 0
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Book Description
From the acclaimed author of Blue Self-Portrait comes a blistering new novel, written and set during the state of emergency declared in France in the wake of the 2015 terrorist attacks in Paris. In the beautiful and traditionally conservative city of Lyon, police and protestors against new labour laws clash in the streets. Lefebvre's anonymous narrator is a poet existing on a diet of cannabis, bananas and books on oppression under the Third Reich. Drawn by the spectre of an overbearing father and spooked by the liveliness of the local far right, they are torn between the push to find a job and the pull to write. The result is this troubling account of how nationalism feeds off late capitalism; a semi-serious treatise in ten lessons, addressed to young poets, and survival guide for the wilfully idle.
Author: Walter Watson
Publisher: University of Chicago Press
ISBN: 0226875083
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Of all the writings on theory and aesthetics - ancient, medieval, or modern - the most important is indisputably Aristotle's "Poetics", the first philosophical treatise to propound a theory of literature. The author offers a fresh interpretation of the lost second book of Aristotle's "Poetics".
Author: Jacques Rancière
Publisher: U of Minnesota Press
ISBN: 9780816624034
Category : History
Languages : en
Pages : 148
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Book Description
History in our day is still a story, and yet one from which we expect to tell the truth - not just the facts, the names and events of the past, but the invisible order and forces behind them. How can the language of history balance these seemingly contrary tasks - the narrative, the scientific, and the political? This is the question Jacques Ranciere explores in "The names of history", a meditation on the poetics of historical knowledge. In the works of writers from Jules Michelet to Fernand Braudel, Ranciere traces an ongoing revolution in historical study, a movement that challenged, in the practice of language, the opposition of science and literature. By way of a commentary on Erich Auerbach, he shows how fictional narrative intertwines with historical narrative to produce a "truth" that retains mythical elements. The poetics of knowledge Ranciere develops here is an attempt to identify the literary procedures by which historical discourse escapes literature and gives itself the status of a science. His book is also an appreciation of Braudel, whose work in the Annales school greatly advanced this project. Ranciere follows and extends Braudel's discursive production of new agencies of history, which accounts for both the material conditions in which history takes place and the language in which it is written.
Author: T. S. Eliot
Publisher: Faber & Faber
ISBN: 0571352820
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
The Naming of Cats is a difficult matter, It isn't just one of your holiday games; You may think at first I'm as mad as a hatter When I tell you, a cat must have THREE DIFFERENT NAMES. The first poem in Eliot's Old Possum's Book of Practical Cats is a brilliant introduction to the fabulous world of Cats, featuring names such as Bombalurina and Munkustrap - made famous by the recent film! The seventh gorgeous Cats picture book with lively and colourful illustrations by Arthur Robins. Perfect for reading aloud, singing or performing!
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
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Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author: Aristotle
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 148
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Book Description
Author: R. D. Perry
Publisher: University of Pennsylvania Press
ISBN: 1512826030
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
In Coterie Poetics and the Beginnings of the English Literary Tradition, R. D. Perry reveals how poetic coteries formed and maintained the English literary tradition. Perry shows that, from Geoffrey Chaucer to Edmund Spenser, the poets who bridged the medieval and early modern periods created a profusion of coterie forms as they sought to navigate their relationships with their contemporaries and to the vernacular literary traditions that preceded them. Rather than defining coteries solely as historical communities of individuals sharing work, Perry reframes them as products of authors signaling associations with one another across time and space, in life and on the page. From Geoffrey Chaucer’s associations with both his fellow writers in London and with his geographically distant French contemporaries, to Thomas Hoccleve’s emphatic insistence that he was “aqweyntid” with Chaucer even after Chaucer’s death, to John Lydgate’s formations of “virtual coteries” of a wide range of individuals alive and dead who can only truly come together on the page, the book traces how writers formed the English literary tradition by signaling social connections. By forming coteries, both real and virtual, based on shared appreciation of a literary tradition, these authors redefine what should be valued in that tradition, shaping and reshaping it accordingly. Perry shows how our notion of the English literary tradition came to be and how it could be imagined otherwise.
