Author: John McCumber
Publisher: University of Chicago Press
ISBN: 9780226557038
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
Poetic Interaction presents an original approach to the history of philosophy in order to elaborate a fresh theory that accounts for the place freedom in the Western philosophical tradition. In his thorough analysis of the aesthetic theories of Hegel, Heidegger, and Kant, John McCumber shows that the interactionist perspective recently put forth by Jürgen Habermas was in fact already present in some form in the German Enlightenment and in Heidegger's hermeneutic phenomenology. McCumber's historical placement of the interactionist perspective runs counter to both Habermas's own views and to those of scholars who would locate the origin of these developments in American pragmatism. From the metaphysical approaches of Plato and Aristotle to the interactionist approaches of Habermas and Albrecht Wellmer, McCumber provides an original narrative of the history of philosophy that focuses on the ways that each thinker has formulated the relationships between language, truth, and freedom. Finally, McCumber presents his critical demarcation of various forms of freedom to reveal that the interactionist approach has to be expanded and enlarged to include all that is understood by "poetic interaction." For McCumber, freedom is inherently pluralistic. Poetic Interaction will be invaluable to political philosophers, historians of philosophy, philosophers of language, and scholars of legal criticism.
Poetic Interaction
Author: John McCumber
Publisher: University of Chicago Press
ISBN: 9780226557038
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
Poetic Interaction presents an original approach to the history of philosophy in order to elaborate a fresh theory that accounts for the place freedom in the Western philosophical tradition. In his thorough analysis of the aesthetic theories of Hegel, Heidegger, and Kant, John McCumber shows that the interactionist perspective recently put forth by Jürgen Habermas was in fact already present in some form in the German Enlightenment and in Heidegger's hermeneutic phenomenology. McCumber's historical placement of the interactionist perspective runs counter to both Habermas's own views and to those of scholars who would locate the origin of these developments in American pragmatism. From the metaphysical approaches of Plato and Aristotle to the interactionist approaches of Habermas and Albrecht Wellmer, McCumber provides an original narrative of the history of philosophy that focuses on the ways that each thinker has formulated the relationships between language, truth, and freedom. Finally, McCumber presents his critical demarcation of various forms of freedom to reveal that the interactionist approach has to be expanded and enlarged to include all that is understood by "poetic interaction." For McCumber, freedom is inherently pluralistic. Poetic Interaction will be invaluable to political philosophers, historians of philosophy, philosophers of language, and scholars of legal criticism.
Publisher: University of Chicago Press
ISBN: 9780226557038
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
Poetic Interaction presents an original approach to the history of philosophy in order to elaborate a fresh theory that accounts for the place freedom in the Western philosophical tradition. In his thorough analysis of the aesthetic theories of Hegel, Heidegger, and Kant, John McCumber shows that the interactionist perspective recently put forth by Jürgen Habermas was in fact already present in some form in the German Enlightenment and in Heidegger's hermeneutic phenomenology. McCumber's historical placement of the interactionist perspective runs counter to both Habermas's own views and to those of scholars who would locate the origin of these developments in American pragmatism. From the metaphysical approaches of Plato and Aristotle to the interactionist approaches of Habermas and Albrecht Wellmer, McCumber provides an original narrative of the history of philosophy that focuses on the ways that each thinker has formulated the relationships between language, truth, and freedom. Finally, McCumber presents his critical demarcation of various forms of freedom to reveal that the interactionist approach has to be expanded and enlarged to include all that is understood by "poetic interaction." For McCumber, freedom is inherently pluralistic. Poetic Interaction will be invaluable to political philosophers, historians of philosophy, philosophers of language, and scholars of legal criticism.
Interaction in Poetic Imagery
Author: Michael Stephen Silk
Publisher: Cambridge University Press
ISBN: 9780521024600
Category : Foreign Language Study
Languages : en
Pages : 284
Book Description
This book should be of interest to classicists and to specialists in literary theory in departments of English, Linguistics and Comparative Literature.
Publisher: Cambridge University Press
ISBN: 9780521024600
Category : Foreign Language Study
Languages : en
Pages : 284
Book Description
This book should be of interest to classicists and to specialists in literary theory in departments of English, Linguistics and Comparative Literature.
Sound–Emotion Interaction in Poetry
Author: Reuven Tsur
Publisher: John Benjamins Publishing Company
ISBN: 9027257833
Category : Literary Criticism
Languages : en
Pages : 466
Book Description
This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions. The book addresses various theoretical and methodological issues related to topics like sound symbolism, poetic prosody, and voice quality in recited poetry. The authors examine how these sound-related phenomena contribute to the generation of emotive qualities and how these qualities are perceived by readers and listeners. The book builds upon Reuven Tsur’s theoretical research and supplements it from an experimental angle. It also engages in methodological debates with prevalent scientific approaches. In particular, it emphasises the importance of proper theory in empirical literary studies and the role of the personal traits of the reader in literary analysis. The intended readership of this book consists mainly of literary scholars, but it might also appeal to researchers from disciplines such as linguistics, psychology, and brain science.
Publisher: John Benjamins Publishing Company
ISBN: 9027257833
Category : Literary Criticism
Languages : en
Pages : 466
Book Description
This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions. The book addresses various theoretical and methodological issues related to topics like sound symbolism, poetic prosody, and voice quality in recited poetry. The authors examine how these sound-related phenomena contribute to the generation of emotive qualities and how these qualities are perceived by readers and listeners. The book builds upon Reuven Tsur’s theoretical research and supplements it from an experimental angle. It also engages in methodological debates with prevalent scientific approaches. In particular, it emphasises the importance of proper theory in empirical literary studies and the role of the personal traits of the reader in literary analysis. The intended readership of this book consists mainly of literary scholars, but it might also appeal to researchers from disciplines such as linguistics, psychology, and brain science.
Perspectives on Interaction
Author: Elena Bonta
Publisher: Cambridge Scholars Publishing
ISBN: 144386739X
Category : Language Arts & Disciplines
Languages : en
Pages : 205
Book Description
Interaction is a prominent part of our everyday life and experience; daily reality is constructed within the interactions that individuals establish with those around them, with whom they share experiences in a concrete context. Objects, phenomena and individuals permanently influence each other through this dynamic process. The authors of this volume engage in an on-going interpretative process of defining this influence, giving considerable attention to the way participants to interaction try to understand each other, to interpret each other’s activity and prove this in an explicit or implicit way through a variety of semiotic codes (verbal, nonverbal or paraverbal). The authors, implicitly, address the question: how do social actors (in their quality of translators, writers, painters or teachers) see the world around and the interactions between its constituent parts/activities/processes? The primary goal of Perspectives on Interaction is to bring together concerns, approaches, interpretations and analyses on the proposed topic. The authors, members of a young research group (“Cultural Spaces”), have examined various aspects through which interaction manifests itself in social practices, linguistics, translation studies, didactics and literary discourse. This has made possible the gathering of the material under four headings which constitute the chapters of the book: Translation as Interaction; Aspects of Social Interaction; Texts and Representations in Interaction; Interactive Practices in Literary Discourse. Ideas have been organized around some important key points: communication, action, interaction, competence, performance, linguistic and nonlinguistic signs. The volume will appeal to researchers and students working within the fields of translation, education, arts, discourse and literature, and offers inspiring topics and relevant research.
Publisher: Cambridge Scholars Publishing
ISBN: 144386739X
Category : Language Arts & Disciplines
Languages : en
Pages : 205
Book Description
Interaction is a prominent part of our everyday life and experience; daily reality is constructed within the interactions that individuals establish with those around them, with whom they share experiences in a concrete context. Objects, phenomena and individuals permanently influence each other through this dynamic process. The authors of this volume engage in an on-going interpretative process of defining this influence, giving considerable attention to the way participants to interaction try to understand each other, to interpret each other’s activity and prove this in an explicit or implicit way through a variety of semiotic codes (verbal, nonverbal or paraverbal). The authors, implicitly, address the question: how do social actors (in their quality of translators, writers, painters or teachers) see the world around and the interactions between its constituent parts/activities/processes? The primary goal of Perspectives on Interaction is to bring together concerns, approaches, interpretations and analyses on the proposed topic. The authors, members of a young research group (“Cultural Spaces”), have examined various aspects through which interaction manifests itself in social practices, linguistics, translation studies, didactics and literary discourse. This has made possible the gathering of the material under four headings which constitute the chapters of the book: Translation as Interaction; Aspects of Social Interaction; Texts and Representations in Interaction; Interactive Practices in Literary Discourse. Ideas have been organized around some important key points: communication, action, interaction, competence, performance, linguistic and nonlinguistic signs. The volume will appeal to researchers and students working within the fields of translation, education, arts, discourse and literature, and offers inspiring topics and relevant research.
Interactions Between Iranian and American Literatures
Author: Naghmeh Esmaeilpour
Publisher: Taylor & Francis
ISBN: 1040010342
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Introducing "narrative mobility" as a new approach in comparative studies of Iran and the US, this book reinterprets the politics and aesthetics of relations between the nations through an analysis of Iranian and American authors. The book focuses specifically on three authors—Simin Daneshvar, Shahriar Mandanipour, and Don DeLillo—who each employ narrative mobility to rethink intercultural negotiation, addressing parallel issues in America and Iran from different, but complementary, perspectives. The book analyzes the employment of parallel narrational techniques, presenting physically and virtually mobile characters who embody their respective countries as they move from one culture to another. The strange affinity between Iran and the US is ultimately revealed by viewing literary works as a "contact zone" through which the complicated relations and shared history of the two nations can be renegotiated. On a more theoretical level, the book reflects on the role of literature—in particular the novel as a transnational medium—as a bridge between nations in a period of globalization. With its focus on cross-cultural connections, the book will be of interest to anyone studying or researching comparative literature, US–Iran relations, and cultural studies generally.
Publisher: Taylor & Francis
ISBN: 1040010342
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Introducing "narrative mobility" as a new approach in comparative studies of Iran and the US, this book reinterprets the politics and aesthetics of relations between the nations through an analysis of Iranian and American authors. The book focuses specifically on three authors—Simin Daneshvar, Shahriar Mandanipour, and Don DeLillo—who each employ narrative mobility to rethink intercultural negotiation, addressing parallel issues in America and Iran from different, but complementary, perspectives. The book analyzes the employment of parallel narrational techniques, presenting physically and virtually mobile characters who embody their respective countries as they move from one culture to another. The strange affinity between Iran and the US is ultimately revealed by viewing literary works as a "contact zone" through which the complicated relations and shared history of the two nations can be renegotiated. On a more theoretical level, the book reflects on the role of literature—in particular the novel as a transnational medium—as a bridge between nations in a period of globalization. With its focus on cross-cultural connections, the book will be of interest to anyone studying or researching comparative literature, US–Iran relations, and cultural studies generally.
Epic Interactions
Author: M. J. Clarke
Publisher: OUP Oxford
ISBN: 0191534781
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
This collection of essays, written by former pupils of his, celebrates the career of Jasper Griffin, one of the foremost modern scholars of classical epic. The volume surveys the epic tradition from the eighth century BC to the nineteenth century of our era. Individual chapters focus on: Homer and the oral epic tradition; Homer in his religious context; Herodotus and Homer; Hellenistic epic; Virgil in his literary context; Virgil in his political-cultural context; the Augustan poets and the Aeneid; Statius' Thebaid; Old English and Old Irish epic; Renaissance epic: Tasso and Milton; and the Victorians. The aim of the book is to situate writers of epic in their literary and cultural contexts - the essence of the term 'interaction' in the title. The chapters singly offer insights into some of the foundational poems of the European epic tradition and together take a bold, holistic look at that tradition.
Publisher: OUP Oxford
ISBN: 0191534781
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
This collection of essays, written by former pupils of his, celebrates the career of Jasper Griffin, one of the foremost modern scholars of classical epic. The volume surveys the epic tradition from the eighth century BC to the nineteenth century of our era. Individual chapters focus on: Homer and the oral epic tradition; Homer in his religious context; Herodotus and Homer; Hellenistic epic; Virgil in his literary context; Virgil in his political-cultural context; the Augustan poets and the Aeneid; Statius' Thebaid; Old English and Old Irish epic; Renaissance epic: Tasso and Milton; and the Victorians. The aim of the book is to situate writers of epic in their literary and cultural contexts - the essence of the term 'interaction' in the title. The chapters singly offer insights into some of the foundational poems of the European epic tradition and together take a bold, holistic look at that tradition.
Exegesis and Poetry in Medieval Karaite and Rabbanite Texts
Author: Joachim Yeshaya
Publisher: BRILL
ISBN: 9004334785
Category : Religion
Languages : en
Pages : 340
Book Description
This collection of essays offers an inquiry into the complex interaction between exegesis and poetry that characterized medieval and early modern Karaite and Rabbanite treatment of the Bible in the Islamic world, the Byzantine Empire, and Christian Europe. Discussing a variety of topics that are usually associated with either exegesis or poetry in conjunction with the two fields, the authors analyze a wide array of interactions between biblical sources and their interpretive layers, whether in prose exegesis or in multiple forms of poetry and rhymed prose. Of particular relevance are mechanisms for the production and transmission of exegetical traditions, including the participation of Jewish poets in these processes, an issue that serves as a leitmotif throughout this collection.
Publisher: BRILL
ISBN: 9004334785
Category : Religion
Languages : en
Pages : 340
Book Description
This collection of essays offers an inquiry into the complex interaction between exegesis and poetry that characterized medieval and early modern Karaite and Rabbanite treatment of the Bible in the Islamic world, the Byzantine Empire, and Christian Europe. Discussing a variety of topics that are usually associated with either exegesis or poetry in conjunction with the two fields, the authors analyze a wide array of interactions between biblical sources and their interpretive layers, whether in prose exegesis or in multiple forms of poetry and rhymed prose. Of particular relevance are mechanisms for the production and transmission of exegetical traditions, including the participation of Jewish poets in these processes, an issue that serves as a leitmotif throughout this collection.
An Introduction to Poetic Forms
Author: Patrick Gill
Publisher: Taylor & Francis
ISBN: 1000775089
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
An Introduction to Poetic Forms offers specimen discussions of poems through the lens of form. While each of its chapters does provide a standard definition of the form in question in its opening paragraphs, their main objective is to provide readings of specific examples to illustrate how individual poets have deviated from or subverted those expectations usually associated with the form under discussion. While providing the most vital information on the most widely taught forms of poetry, then, this collection will very quickly demonstrate that counting syllables and naming rhyme schemes is not the be-all and end-all of poetic form. Instead, each chapter will contain cross-references to other literary forms and periods as well as make clear the importance of the respective form to the culture at large: be it the democratising communicative power of the ballad or the objectifying male gaze of the blazon and resistance to same in the contreblazon – the efficacy of form is explored in the fullness of its cultural dimensions. In using standard definitions only as a starting point and instead focusing on lively debates around the cultural impact of poetic form, the textbook helps students and instructors to see poetic forms not as a static and lifeless affair but as living, breathing testament to the ongoing evolution of cultural debates. In the final analysis, the book is interested in showing the complexities and contradictions inherent in the very nature of literary form itself: how each concrete example deviates from the standard template while at the same time employing it as a foil to generate meaning.
Publisher: Taylor & Francis
ISBN: 1000775089
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
An Introduction to Poetic Forms offers specimen discussions of poems through the lens of form. While each of its chapters does provide a standard definition of the form in question in its opening paragraphs, their main objective is to provide readings of specific examples to illustrate how individual poets have deviated from or subverted those expectations usually associated with the form under discussion. While providing the most vital information on the most widely taught forms of poetry, then, this collection will very quickly demonstrate that counting syllables and naming rhyme schemes is not the be-all and end-all of poetic form. Instead, each chapter will contain cross-references to other literary forms and periods as well as make clear the importance of the respective form to the culture at large: be it the democratising communicative power of the ballad or the objectifying male gaze of the blazon and resistance to same in the contreblazon – the efficacy of form is explored in the fullness of its cultural dimensions. In using standard definitions only as a starting point and instead focusing on lively debates around the cultural impact of poetic form, the textbook helps students and instructors to see poetic forms not as a static and lifeless affair but as living, breathing testament to the ongoing evolution of cultural debates. In the final analysis, the book is interested in showing the complexities and contradictions inherent in the very nature of literary form itself: how each concrete example deviates from the standard template while at the same time employing it as a foil to generate meaning.
Thoughts on Interaction Design
Author: Jon Kolko
Publisher: Morgan Kaufmann
ISBN: 0123786258
Category : Computers
Languages : en
Pages : 165
Book Description
Thoughts on Interaction Design explores the theory behind the field of Interaction Design in a new way. It aims to provide a better definition of Interaction Design that encompasses the intellectual facets of the field and the particular methods used by practitioners in their day-to-day experiences. It also attempts to provide Interaction Designers with the vocabulary necessary to justify their existence to other team members. The book positions Interaction Design in a way that emphasizes the intellectual facets of the discipline. It discusses the role of language, argument, and rhetoric in the design of products, services, and systems. It examines various academic approaches to thinking about Design, and concludes that the Designer is a liberal artist left to infuse empathy in technologically driven products. The book also examines the tools and techniques used by practitioners. These include methods for structuring large quantities of data, ways of thinking about users, and approaches for thinking about human behavior as it unfolds over time. Finally, it introduces the idea of Interaction Design as an integral facet of the business development process.*First book to provide a solid definition and framework for the booming field of interaction design, finally giving designers the justification needed to prove their essential role on every development team *Provides designers with tools they need to operate effectively in the workplace without compromising their goals: making useable, useful, and desirable products *Outlines process, theory, practice, and challenges of interaction design – intertwined with real world stories from a variety of perspectives
Publisher: Morgan Kaufmann
ISBN: 0123786258
Category : Computers
Languages : en
Pages : 165
Book Description
Thoughts on Interaction Design explores the theory behind the field of Interaction Design in a new way. It aims to provide a better definition of Interaction Design that encompasses the intellectual facets of the field and the particular methods used by practitioners in their day-to-day experiences. It also attempts to provide Interaction Designers with the vocabulary necessary to justify their existence to other team members. The book positions Interaction Design in a way that emphasizes the intellectual facets of the discipline. It discusses the role of language, argument, and rhetoric in the design of products, services, and systems. It examines various academic approaches to thinking about Design, and concludes that the Designer is a liberal artist left to infuse empathy in technologically driven products. The book also examines the tools and techniques used by practitioners. These include methods for structuring large quantities of data, ways of thinking about users, and approaches for thinking about human behavior as it unfolds over time. Finally, it introduces the idea of Interaction Design as an integral facet of the business development process.*First book to provide a solid definition and framework for the booming field of interaction design, finally giving designers the justification needed to prove their essential role on every development team *Provides designers with tools they need to operate effectively in the workplace without compromising their goals: making useable, useful, and desirable products *Outlines process, theory, practice, and challenges of interaction design – intertwined with real world stories from a variety of perspectives
Philosophy and Freedom
Author: John McCumber
Publisher: Indiana University Press
ISBN: 9780253213631
Category : Philosophy
Languages : en
Pages : 212
Book Description
John McCumber asserts that the true target of philosophical liberation is to break the structures of domination that have been encoded in western civilization. Because of the emancipatory nature of their thought, Derrida, Foucault, Habermas, and Rorty challenge domination, but they do not see their challenge clearly and it does not rise to the level of conscious critique in their writings. Using Nietzsche's writings on "the great liberation" as a starting point, McCumber captures the valuable, but elusive insights of these thinkers and places them in the larger, pluralistic movement toward philosophical freedom.
Publisher: Indiana University Press
ISBN: 9780253213631
Category : Philosophy
Languages : en
Pages : 212
Book Description
John McCumber asserts that the true target of philosophical liberation is to break the structures of domination that have been encoded in western civilization. Because of the emancipatory nature of their thought, Derrida, Foucault, Habermas, and Rorty challenge domination, but they do not see their challenge clearly and it does not rise to the level of conscious critique in their writings. Using Nietzsche's writings on "the great liberation" as a starting point, McCumber captures the valuable, but elusive insights of these thinkers and places them in the larger, pluralistic movement toward philosophical freedom.