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Author:
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Category :
Languages : en
Pages :
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Author:
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Category :
Languages : en
Pages :
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Author: William John Courthope
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 522
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Book Description
Author: C. J. Herington
Publisher:
ISBN: 9780520051003
Category : Literary Criticism
Languages : en
Pages : 292
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Author: Irene Morra
Publisher: Bloomsbury Publishing
ISBN: 147258015X
Category : Drama
Languages : en
Pages : 305
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Book Description
Verse Drama in England, 1900-2015 provides a critical and historical exploration of a tradition of modern dramatic creativity that has received very little scholarly attention. Exploring the emergence of a distinctly modern verse drama at the turn of the century and its development into the twenty-first, it counters common assumptions that the form is a marginal, fundamentally outdated curiosity. Through an examination of the extensive and diverse engagement of literary and theatrical writers, directors and musicians, Irene Morra identifies in modern verse drama a consistent and often prominent attempt to expand upon, revitalize, and redefine the contemporary English stage. Dramatists discussed include Stephen Phillips, Gordon Bottomley, John Masefield, James Elroy Flecker, T. S. Eliot, W. H. Auden, Ronald Duncan, Christopher Fry, John Arden, Anne Ridler, Tony Harrison, Steven Berkoff, Caryl Churchill, and Mike Bartlett. The book explores the negotiation of these dramatists with the changing position of verse drama in relation to constructions of national and communal audience, aesthetic challenge, and dramatic heritage. Key to the study is the self-conscious positioning of many of these dramatists in relation to an assumed mainstream tradition – and the various critical responses that that positioning has provoked. The study advocates for a scholarly revaluation of what must be identified as an influential and overlooked tradition of aesthetic challenge and creativity.
Author: Mikhail Lermontov: Trans. by Karpovich
Publisher: iUniverse
ISBN: 1475976178
Category : Drama
Languages : en
Pages : 181
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Book Description
The Masquerade, a treasured four-act play by Mikhail Yurievich Lermontov, is a classic work of Russian romanticism. In 1830s St. Petersburg, aristocrat Arbenin and Nina, his wife, attend a masked ball. In a tragic case of mistaken identity, Arbenin convinces himself that his wife is romantically involved with Prince Zvezdich. Arbenin is tragically blinded by jealousy and pride, and then a disaster happens... A celebration and examination of a classic work from the Golden Age of Russian culture, the first poetic translation by Russian American professor Alfred E. Karpovich brings The Masquerade to a new, English-speaking audience. A work of great importance, this drama examines the collision between true love and the societal prejudice of honor and dignity. In translation, it casts an inquisitive eye at the state of human dignity in the twenty-first century. Praise for The Masquerade translation The following is in reference to Dr. Alfred E. Karpovich's translation of the great Russian writer and poet Mikhail Lermontov's play : Masquerade . Thoroughly versed in classical Russian, I am a great admirer of Lermontov's works. I approached the translation with a feeling of skepticism, but was literally knocked over by the translation. Mr. Karpovich's understanding of Lermontov and fine-tuning of the English version are truly amazing. It is my pleasure to give this work the highest possible recommendation (and I hope to see it on stage). Sincerely yours, Nicholas Bobrinskoy GDOOSJ (formerly of Marymount Manhattan College Faculty, NYS; St Peter's College, author of The Golden Age of Russian Literature; Pronounce Russian Correctly and of many articles & Interviews in USA & Russia)
Author: B. A. Khan
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 110
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Author:
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ISBN:
Category :
Languages : en
Pages : 32
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Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
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Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1608
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Author: All India Radio (AIR), New Delhi
Publisher: All India Radio (AIR), New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 64
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Book Description
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 16 JULY, 1983 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 64 VOLUME NUMBER: Vol. LIV. No. 28 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 18-61 ARTICLE: 1. Love And Service In Adi Granth 2. The Indian Poet 3. Why Renewable Sources of Energy? 4. Protecting The Siberian Cranes 5. Poetic Drama 6. Profile of A Poet: Bharatendu 7. Novels of Harold Robbins 8. Book Review: The Origin Raga AUTHOR: 1. Dr. S. S. Wilkhu 2. Keki N. Daruwala 3. Dr. M. S. Patwardhan 4. S. M. Kumar 5. H. M. Anniah Gowda 6. Dr. S.N. Ganesan 7. K. Basavaraj 8. K. V. Subrarmniam Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential
