Author: Rachel Trousdale
Publisher: Oxford University Press
ISBN: 0192895710
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Studies how American poets of the last hundred years have used laughter to promote recognition of shared humanity across difference.
Humor, Empathy, and Community in Twentieth-Century American Poetry
Author: Rachel Trousdale
Publisher: Oxford University Press
ISBN: 0192895710
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Studies how American poets of the last hundred years have used laughter to promote recognition of shared humanity across difference.
Publisher: Oxford University Press
ISBN: 0192895710
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Studies how American poets of the last hundred years have used laughter to promote recognition of shared humanity across difference.
Either Way I'm Celebrating
Author: Sommer Browning
Publisher: Birds Llc
ISBN: 9780982617755
Category : Poetry
Languages : en
Pages : 86
Book Description
Poetry. Comics. "'All objections to progress,' writes Hans Blumenberg, 'could come down to the fact that it hasn't yet taken us far enough.' That's philosophy—and it's funny—but no one would ever level the same complaint at pain or laughter, this fine book's subjects and two phenomena that can take human beings great distances almost immediately. Absolutely modern—but never resolutely maudlin—Sommer Browning doesn't settle for making it new; rather, she lets it bleed and gets us there on time."—Graham Foust
Publisher: Birds Llc
ISBN: 9780982617755
Category : Poetry
Languages : en
Pages : 86
Book Description
Poetry. Comics. "'All objections to progress,' writes Hans Blumenberg, 'could come down to the fact that it hasn't yet taken us far enough.' That's philosophy—and it's funny—but no one would ever level the same complaint at pain or laughter, this fine book's subjects and two phenomena that can take human beings great distances almost immediately. Absolutely modern—but never resolutely maudlin—Sommer Browning doesn't settle for making it new; rather, she lets it bleed and gets us there on time."—Graham Foust
I'm Just No Good at Rhyming
Author: Chris Harris
Publisher: Little, Brown Books for Young Readers
ISBN: 0316266590
Category : Juvenile Fiction
Languages : en
Pages : 196
Book Description
The instant New York Times bestseller featured on NPR's Weekend Edition with Scott Simon! B. J. Novak (bestselling author of The Book With No Pictures) described this groundbreaking poetry collection as "Smart and sweet, wild and wicked, brilliantly funny--it's everything a book for kids should be." Lauded by critics as a worthy heir to such greats as Silverstein, Seuss, Nash and Lear, Harris's hilarious debut molds wit and wordplay, nonsense and oxymoron, and visual and verbal sleight-of-hand in masterful ways that make you look at the world in a whole new wonderfully upside-down way. With enthusiastic endorsements from bestselling luminaries such as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It's a Book and The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven! "Ridiculous, nonsensical, peculiar, outrageous, possibly deranged--and utterly, totally, absolutely delicious. Read it! Immediately!" --Judith Viorst, bestselling author of Alexander and the Terrible, Horrible, No Good, Very Bad Day
Publisher: Little, Brown Books for Young Readers
ISBN: 0316266590
Category : Juvenile Fiction
Languages : en
Pages : 196
Book Description
The instant New York Times bestseller featured on NPR's Weekend Edition with Scott Simon! B. J. Novak (bestselling author of The Book With No Pictures) described this groundbreaking poetry collection as "Smart and sweet, wild and wicked, brilliantly funny--it's everything a book for kids should be." Lauded by critics as a worthy heir to such greats as Silverstein, Seuss, Nash and Lear, Harris's hilarious debut molds wit and wordplay, nonsense and oxymoron, and visual and verbal sleight-of-hand in masterful ways that make you look at the world in a whole new wonderfully upside-down way. With enthusiastic endorsements from bestselling luminaries such as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It's a Book and The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven! "Ridiculous, nonsensical, peculiar, outrageous, possibly deranged--and utterly, totally, absolutely delicious. Read it! Immediately!" --Judith Viorst, bestselling author of Alexander and the Terrible, Horrible, No Good, Very Bad Day
Humor in Modern American Poetry
Author: Rachel Trousdale
Publisher: Bloomsbury Publishing USA
ISBN: 1628920246
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Modern poetry, at least according to the current consensus, is difficult and often depressing. But as Humor in Modern American Poetry shows, modern poetry is full of humorous moments, from comic verse published in popular magazines to the absurd juxtapositions of The Cantos. The essays in this collection show that humor is as essential to the serious work of William Carlos Williams as it is to the light verse of Phyllis McGinley. For the writers in this volume, the point of humor is not to provide “comic relief,” a brief counterpoint to the poem's more serious themes; humor is central to the poems' projects. These poets use humor to claim their own poetic authority; to re-define literary tradition; to show what audience they are writing for; to make political attacks; and, perhaps most surprisingly, to promote sympathy among their readers. The essays in this book include single-author studies, discussions of literary circles, and theories of form. Taken together, they help to begin a new conversation about modernist poetry, one that treats its lighthearted moments not as decorative but as substantive. Humor defines groups and marks social boundaries, but it also leads us to transgress those boundaries; it forges ties between the writer and the reader, blurs the line between public and private, and becomes a spur to self-awareness.
Publisher: Bloomsbury Publishing USA
ISBN: 1628920246
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Modern poetry, at least according to the current consensus, is difficult and often depressing. But as Humor in Modern American Poetry shows, modern poetry is full of humorous moments, from comic verse published in popular magazines to the absurd juxtapositions of The Cantos. The essays in this collection show that humor is as essential to the serious work of William Carlos Williams as it is to the light verse of Phyllis McGinley. For the writers in this volume, the point of humor is not to provide “comic relief,” a brief counterpoint to the poem's more serious themes; humor is central to the poems' projects. These poets use humor to claim their own poetic authority; to re-define literary tradition; to show what audience they are writing for; to make political attacks; and, perhaps most surprisingly, to promote sympathy among their readers. The essays in this book include single-author studies, discussions of literary circles, and theories of form. Taken together, they help to begin a new conversation about modernist poetry, one that treats its lighthearted moments not as decorative but as substantive. Humor defines groups and marks social boundaries, but it also leads us to transgress those boundaries; it forges ties between the writer and the reader, blurs the line between public and private, and becomes a spur to self-awareness.
You Took the Last Bus Home
Author: Brian Bilston
Publisher: Unbound Publishing
ISBN: 1783523069
Category : Poetry
Languages : en
Pages : 244
Book Description
You Took the Last Bus Home is the first and long-awaited collection of ingeniously hilarious and surprisingly touching poems from Brian Bilston, the mysterious ‘Poet Laureate of Twitter’. With endless wit, imaginative wordplay and underlying heartache, he offers profound insights into modern life, exploring themes as diverse as love, death, the inestimable value of a mobile phone charger, the unbearable torment of forgetting to put the rubbish out, and the improbable nuances of the English language. Constantly experimenting with literary form, Bilston’s words have been known to float off the page, take the shape of the subjects they explore, and reflect our contemporary world in the form of Excel spreadsheets, Venn diagrams and Scrabble tiles. This irresistibly charming collection of his best-loved poems will make you laugh out loud while making you question the very essence of the human condition in the twenty-first century.
Publisher: Unbound Publishing
ISBN: 1783523069
Category : Poetry
Languages : en
Pages : 244
Book Description
You Took the Last Bus Home is the first and long-awaited collection of ingeniously hilarious and surprisingly touching poems from Brian Bilston, the mysterious ‘Poet Laureate of Twitter’. With endless wit, imaginative wordplay and underlying heartache, he offers profound insights into modern life, exploring themes as diverse as love, death, the inestimable value of a mobile phone charger, the unbearable torment of forgetting to put the rubbish out, and the improbable nuances of the English language. Constantly experimenting with literary form, Bilston’s words have been known to float off the page, take the shape of the subjects they explore, and reflect our contemporary world in the form of Excel spreadsheets, Venn diagrams and Scrabble tiles. This irresistibly charming collection of his best-loved poems will make you laugh out loud while making you question the very essence of the human condition in the twenty-first century.
My Feelings
Author: Nick Flynn
Publisher: Graywolf Press
ISBN: 155597905X
Category : Poetry
Languages : en
Pages : 103
Book Description
A daring and intimate new book by the poet and memoirist Nick Flynn, "a champion of contemporary American poetry" (Newpages) . . . the take from his bank jobs, all of it will come to me, if I can just get him to draw me a map, if I can find the tree, if I can find the shovel. And the house, the mansion he grew up in, soon a lawyer will pass a key across a walnut desk, but even this lawyer will not be able to tell me where this mansion is. —from "Kafka" In My Feelings, Nick Flynn makes no claims on anyone else's. These poems inhabit a continually shifting sense of selfhood, in the attempt to contain quicksilver realms of emotional energy—from grief and panic to gratitude and understanding.
Publisher: Graywolf Press
ISBN: 155597905X
Category : Poetry
Languages : en
Pages : 103
Book Description
A daring and intimate new book by the poet and memoirist Nick Flynn, "a champion of contemporary American poetry" (Newpages) . . . the take from his bank jobs, all of it will come to me, if I can just get him to draw me a map, if I can find the tree, if I can find the shovel. And the house, the mansion he grew up in, soon a lawyer will pass a key across a walnut desk, but even this lawyer will not be able to tell me where this mansion is. —from "Kafka" In My Feelings, Nick Flynn makes no claims on anyone else's. These poems inhabit a continually shifting sense of selfhood, in the attempt to contain quicksilver realms of emotional energy—from grief and panic to gratitude and understanding.
The Brunonian
Author: Brown University
Publisher:
ISBN:
Category :
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 236
Book Description
The Little Edges
Author: Fred Moten
Publisher: Wesleyan University Press
ISBN: 0819575062
Category : Poetry
Languages : en
Pages : 91
Book Description
Winner of the Guggenheim Fellowship (2016) The Little Edges is a collection of poems that extends poet Fred Moten's experiments in what he calls "shaped prose"—a way of arranging prose in rhythmic blocks, or sometimes shards, in the interest of audio-visual patterning. Shaped prose is a form that works the "little edges" of lyric and discourse, and radiates out into the space between them. As occasional pieces, many of the poems in the book are the result of a request or commission to comment upon a work of art, or to memorialize a particular moment or person. In Moten's poems, the matter and energy of a singular event or person are transformed by their entrance into the social space that they, in turn, transform. An online reader's companion is available at http://fredmoten.site.wesleyan.edu.
Publisher: Wesleyan University Press
ISBN: 0819575062
Category : Poetry
Languages : en
Pages : 91
Book Description
Winner of the Guggenheim Fellowship (2016) The Little Edges is a collection of poems that extends poet Fred Moten's experiments in what he calls "shaped prose"—a way of arranging prose in rhythmic blocks, or sometimes shards, in the interest of audio-visual patterning. Shaped prose is a form that works the "little edges" of lyric and discourse, and radiates out into the space between them. As occasional pieces, many of the poems in the book are the result of a request or commission to comment upon a work of art, or to memorialize a particular moment or person. In Moten's poems, the matter and energy of a singular event or person are transformed by their entrance into the social space that they, in turn, transform. An online reader's companion is available at http://fredmoten.site.wesleyan.edu.
The Best Ever Book of Funny Poems
Author: Brian Moses
Publisher: Macmillan Children's Books
ISBN: 1760986380
Category : Juvenile Nonfiction
Languages : en
Pages : 168
Book Description
The Best Ever Book of Funny Poems is a brilliantly funny anthology of the most giggle-worthy children's poems from one of the nations most celebrated children's poets, Brian Moses. Perfect for gifting and for reading aloud, you'll be chortling along with Brian as he shows you the funniest poems in the world! Explore chucklesome poems about pets, funny creatures, school, family, fantasy and fairy-tales, dinosaurs and dragons, space, and just plain SILLY poems. With poets such as Brian Bilston, Sue Hardy-Dawson, Pie Corbett and Paul Cookson next to Liz Brownlee, Mike Jubb, James Carter and Rachel Rooney, this is the ultimate hysterical collection of rib-tickling poems guaranteed to make you laugh out loud.
Publisher: Macmillan Children's Books
ISBN: 1760986380
Category : Juvenile Nonfiction
Languages : en
Pages : 168
Book Description
The Best Ever Book of Funny Poems is a brilliantly funny anthology of the most giggle-worthy children's poems from one of the nations most celebrated children's poets, Brian Moses. Perfect for gifting and for reading aloud, you'll be chortling along with Brian as he shows you the funniest poems in the world! Explore chucklesome poems about pets, funny creatures, school, family, fantasy and fairy-tales, dinosaurs and dragons, space, and just plain SILLY poems. With poets such as Brian Bilston, Sue Hardy-Dawson, Pie Corbett and Paul Cookson next to Liz Brownlee, Mike Jubb, James Carter and Rachel Rooney, this is the ultimate hysterical collection of rib-tickling poems guaranteed to make you laugh out loud.
Humor, Empathy, and Community in Twentieth-Century American Poetry
Author: Rachel Trousdale
Publisher: Oxford University Press
ISBN: 0192648802
Category : Literary Criticism
Languages : en
Pages : 404
Book Description
Humor, Empathy, and Community in Twentieth-Century American Poetry explores how American poets of the last hundred years have used laughter to create communities of readers and writers. For poets slightly outside of the literary or social mainstream, humor encourages mutual understanding and empathic insight among artist, audience, and subject. As a result, laughter helps poets reframe and reject literary, political, and discursive hierarchies--whether to overturn those hierarchies, or to place themselves at the top. While theorists like Freud and Bergson argue that laughter patrols and maintains the boundary between in-group and out-group, this volume shows how laughter helps us cross or re-draw those boundaries. Poets who practice such constructive humor promote a more democratic approach to laughter. Humor reveals their beliefs about their audiences and their attitudes toward the Romantic notion that poets are exceptional figures. When poets use humor to promote empathy, they suggest that poetry's ethical function is tied to its structure: empathy, humor, and poetry identify shared patterns among apparently disparate objects. This book explores a broad range of serious approaches to laughter: the inclusive, community-building humor of W. H. Auden and Marianne Moore; the self-aggrandizing humor of Ezra Pound; the self-critical humor of T. S. Eliot; Sterling Brown's antihierarchical comedy; Elizabeth Bishop's attempts to balance mockery with sympathy; and the comic epistemologies of Lucille Clifton, Stephanie Burt, Cathy Park Hong, and other contemporary poets. It charts a developing poetics of laughter in the twentieth and twenty-first centuries, showing how humor can be deployed to embrace, to exclude, and to transform.
Publisher: Oxford University Press
ISBN: 0192648802
Category : Literary Criticism
Languages : en
Pages : 404
Book Description
Humor, Empathy, and Community in Twentieth-Century American Poetry explores how American poets of the last hundred years have used laughter to create communities of readers and writers. For poets slightly outside of the literary or social mainstream, humor encourages mutual understanding and empathic insight among artist, audience, and subject. As a result, laughter helps poets reframe and reject literary, political, and discursive hierarchies--whether to overturn those hierarchies, or to place themselves at the top. While theorists like Freud and Bergson argue that laughter patrols and maintains the boundary between in-group and out-group, this volume shows how laughter helps us cross or re-draw those boundaries. Poets who practice such constructive humor promote a more democratic approach to laughter. Humor reveals their beliefs about their audiences and their attitudes toward the Romantic notion that poets are exceptional figures. When poets use humor to promote empathy, they suggest that poetry's ethical function is tied to its structure: empathy, humor, and poetry identify shared patterns among apparently disparate objects. This book explores a broad range of serious approaches to laughter: the inclusive, community-building humor of W. H. Auden and Marianne Moore; the self-aggrandizing humor of Ezra Pound; the self-critical humor of T. S. Eliot; Sterling Brown's antihierarchical comedy; Elizabeth Bishop's attempts to balance mockery with sympathy; and the comic epistemologies of Lucille Clifton, Stephanie Burt, Cathy Park Hong, and other contemporary poets. It charts a developing poetics of laughter in the twentieth and twenty-first centuries, showing how humor can be deployed to embrace, to exclude, and to transform.