Plunderphonics, 'pataphysics & Pop Mechanics PDF Download
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Author: Andrew Jones
Publisher: SAF Publishing Ltd
ISBN: 9780946719150
Category : Music
Languages : en
Pages : 264
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Book Description
Where new music collides with contemporary pop (as opposed to jazz or classical), Plunderphonics explains the implications of the new wave of sonic appropriation.
Author: Andrew Jones
Publisher: SAF Publishing Ltd
ISBN: 9780946719150
Category : Music
Languages : en
Pages : 264
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Book Description
Where new music collides with contemporary pop (as opposed to jazz or classical), Plunderphonics explains the implications of the new wave of sonic appropriation.
Author: Katie L. Price
Publisher: Penn State Press
ISBN: 0271091851
Category : Art
Languages : en
Pages : 345
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Book Description
In the 1890s, French poet and playwright Alfred Jarry founded pataphysics, the absurdist “science of imaginary solutions,” a concept that has been nominally recognized as the precursor to Dadaism, Surrealism, and the Theater of the Absurd, among other movements. Over a century after Jarry “made the gesture of dying,” Katie L. Price and Michael R. Taylor argue that it is time to take the comedic intervention of pataphysics seriously. ’Pataphysics Unrolled collects critical and creative essays to create an unauthorized account of pataphysical experimentation from its origins in the late nineteenth century through the contemporary moment. Reaching beyond the geographic and cultural boundaries normally associated with pataphysics, this volume presents rich readings of pataphysical syzygy, traces the influence of pataphysics across disciplines and outside of coteries such as the Collège de ’Pataphysique, and asks fundamental questions about the field of modern and contemporary studies that challenge distinctions between the modern and the postmodern, high and low culture, the serious and the comic. Touching on disciplines such as literature, art, architecture, education, music, and technology, this book reveals how pataphysics has been a platform and medium for persistent intellectual, poetic, conceptual, and artistic experimentation for over a century. In addition to the editors, the contributors to this volume include Charles Bernstein, Marc Décimo, Adam Dickinson, Johanna Drucker, Craig Dworkin, Catherine Hansen, James Hendler, John Heon, Ted Hiebert, Andrew Hugill, Steve McCaffery, Seth McDowell, Jerome McGann, Anne M. Mulhall, Marcus O’Dair, Jean-Michel Rabaté, Orchid Tierney, and Brandon Walsh.
Author: Paul Stump
Publisher: SAF Publishing Ltd
ISBN: 9780946719181
Category : Music
Languages : en
Pages : 168
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Book Description
"Digital Gothicfocuses fascinatingly on the pre-soporific roots of the group and their place in a cool electronic lineage which traces right up to Detroit techno."-Mojo"A stimulating companion to the group's music."-The WirePaul Stump picks his way through a minefield of releases, assessing Tangerine Dream's long career with a highly critical eye, and for the very first time places their mammoth output within an ordered perspective.
Author: Paul Sanden
Publisher: Routledge
ISBN: 0415895405
Category : Art
Languages : en
Pages : 222
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Book Description
This study investigates the idea and practice of liveness in modern music.. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines.
Author: Richard Elliott
Publisher: Bloomsbury Publishing USA
ISBN: 150132456X
Category : Music
Languages : en
Pages : 153
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Book Description
In The Sound of Nonsense, Richard Elliott highlights the importance of sound in understanding the 'nonsense' of writers such as Lewis Carroll, Edward Lear, James Joyce and Mervyn Peake, before connecting this noisy writing to works which engage more directly with sound, including sound poetry, experimental music and pop. By emphasising sonic factors, Elliott makes new and fascinating connections between a wide range of artistic examples to ultimately build a case for the importance of sound in creating, maintaining and disrupting meaning.
Author: Samuel Cameron
Publisher: Springer Nature
ISBN: 3030421090
Category : Political Science
Languages : en
Pages : 149
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Book Description
This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.
Author: Andrew Hugill
Publisher: Routledge
ISBN: 1135897697
Category : Music
Languages : en
Pages : 387
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Book Description
The Digital Musician explores what it means to be a musician in the digital age. It examines musical skills, cultural awareness and artistic identity through the prism of recent technological innovations. New technologies, and especially the new digital technologies, mean that anyone can produce music without musical training. This book asks why make music? what music to make? and how do we know what is good?
Author: Michael D. Ayers
Publisher: Peter Lang
ISBN: 9780820478616
Category : Computers
Languages : en
Pages : 298
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Book Description
Textbook
Author: Paul Stump
Publisher: SAF Publishing Ltd
ISBN: 9780946719242
Category : Biography & Autobiography
Languages : en
Pages : 206
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Book Description
In-depth analysis of Miles Davis protege, Mahavishnu Orchestra leader and revered jazz guitar supremo.
Author: Judy Lochhead
Publisher: Routledge
ISBN: 1135717788
Category : Music
Languages : en
Pages : 389
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Book Description
What is postmodern music and how does it differ from earlier styles, including modernist music? What roles have electronic technologies and sound production played in defining postmodern music? Has postmodern music blurred the lines between high and popular music? Addressing these and other questions, this ground-breaking collection gathers together for the first time essays on postmodernism and music written primarily by musicologists, covering a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include: the importance of technology and marketing in postmodern music; the appropriation and reworking of Western music by non-Western bands; postmodern characteristics in the music of Górecki, Rochberg, Zorn, and Bolcom, as well as Björk and Wu Tang Clan; issues of music and race in such films as The Bridges of Madison County, Batman, Bullworth, and He Got Game; and comparisons of postmodern architecture to postmodern music. Also includes 20 musical examples.
