Author: Michael V. Pisani
Publisher: University of Iowa Press
ISBN: 1609382307
Category : Performing Arts
Languages : en
Pages : 415
Book Description
Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Music for the Melodramatic Theatre in Nineteenth-Century London and New York
Author: Michael V. Pisani
Publisher: University of Iowa Press
ISBN: 1609382307
Category : Performing Arts
Languages : en
Pages : 415
Book Description
Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Publisher: University of Iowa Press
ISBN: 1609382307
Category : Performing Arts
Languages : en
Pages : 415
Book Description
Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
20th-century Plays in Synopsis
Author: Evert Sprinchorn
Publisher: New York : T. Y. Crowell Company
ISBN:
Category : Drama
Languages : en
Pages : 516
Book Description
Summaries of 133 modern plays, ranging from Strindberg to Albee.
Publisher: New York : T. Y. Crowell Company
ISBN:
Category : Drama
Languages : en
Pages : 516
Book Description
Summaries of 133 modern plays, ranging from Strindberg to Albee.
Twentieth Century British Drama
Author: John Smart
Publisher: Cambridge University Press
ISBN: 9780521795630
Category : Juvenile Nonfiction
Languages : en
Pages : 128
Book Description
Critical introductions to a range of literary topics and genres. Looking back on 20th century British drama from its' historical, social and political perspective enables the reader to set each play in a broader context. Contents include a selection of play extracts from well-known authors including Harold Brighouse, John Osborne, Harold Pinter, Tom Stoppard and Timberlake Wertenbaker.
Publisher: Cambridge University Press
ISBN: 9780521795630
Category : Juvenile Nonfiction
Languages : en
Pages : 128
Book Description
Critical introductions to a range of literary topics and genres. Looking back on 20th century British drama from its' historical, social and political perspective enables the reader to set each play in a broader context. Contents include a selection of play extracts from well-known authors including Harold Brighouse, John Osborne, Harold Pinter, Tom Stoppard and Timberlake Wertenbaker.
Twentieth Century Drama
Author: Simon Trussler
Publisher: Springer
ISBN: 134917064X
Category : History
Languages : en
Pages : 323
Book Description
A compendium of information on all the main events, individuals, political groupings and issues of the 20th century. It provides a guide to current thinking on important historical topics and personalities within the period, and offers a guide to further reading.
Publisher: Springer
ISBN: 134917064X
Category : History
Languages : en
Pages : 323
Book Description
A compendium of information on all the main events, individuals, political groupings and issues of the 20th century. It provides a guide to current thinking on important historical topics and personalities within the period, and offers a guide to further reading.
Plays of the 19th and 20th Centuries
Author: Anonymous
Publisher: Arkose Press
ISBN: 9781344721400
Category :
Languages : en
Pages : 702
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Arkose Press
ISBN: 9781344721400
Category :
Languages : en
Pages : 702
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Cambridge Companion to the Musical
Author: William A. Everett
Publisher: Cambridge University Press
ISBN: 1107114748
Category : Music
Languages : en
Pages : 503
Book Description
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
Publisher: Cambridge University Press
ISBN: 1107114748
Category : Music
Languages : en
Pages : 503
Book Description
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
Modern theatre
Modern Art, 19th and 20th Centuries
Author: Meyer Schapiro
Publisher: New York : G. Braziller, 1978, 1979 printing.
ISBN: 9780807608999
Category : Art
Languages : en
Pages : 370
Book Description
Publisher: New York : G. Braziller, 1978, 1979 printing.
ISBN: 9780807608999
Category : Art
Languages : en
Pages : 370
Book Description
New Insights into Literature and Catholicism in the 19th and 20th Centuries
Author: Paul Rowan
Publisher: Cambridge Scholars Publishing
ISBN: 1527575403
Category : Foreign Language Study
Languages : en
Pages : 198
Book Description
This volume deepens thinking and research about literature and Catholicism in the 19th and 20th centuries. It develops the understanding that a number of acclaimed literary texts have reflected, in imaginative and memorable ways, a distinctive Catholic sensibility, identity and philosophy of life, and, in so doing, have shed light on profound spiritual experiences in a variety of fictional settings.
Publisher: Cambridge Scholars Publishing
ISBN: 1527575403
Category : Foreign Language Study
Languages : en
Pages : 198
Book Description
This volume deepens thinking and research about literature and Catholicism in the 19th and 20th centuries. It develops the understanding that a number of acclaimed literary texts have reflected, in imaginative and memorable ways, a distinctive Catholic sensibility, identity and philosophy of life, and, in so doing, have shed light on profound spiritual experiences in a variety of fictional settings.
Treasures of 19th and 20th Century Painting
Author: James N. Wood
Publisher: National Geographic Books
ISBN: 0789204029
Category : Art
Languages : en
Pages : 0
Book Description
This Tiny Folio book highlights some of the most celebrated European and American paintings from the nineteenth and twentieth centuries that are part of the permanent collection at The Art Institute of Chicago. Included in this collection are numerous masterpieces of Realism, Impressionism, Post–Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of Modernism. Today a number of these paintings are revered as icons of modern Western culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic. For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now–beloved works of Edgar Degas, Henri Matisse, Georgia O'Keeffe, Jackson Pollock, and others. This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean–Auguste–Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colorful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media–appropriated Pop–art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.
Publisher: National Geographic Books
ISBN: 0789204029
Category : Art
Languages : en
Pages : 0
Book Description
This Tiny Folio book highlights some of the most celebrated European and American paintings from the nineteenth and twentieth centuries that are part of the permanent collection at The Art Institute of Chicago. Included in this collection are numerous masterpieces of Realism, Impressionism, Post–Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of Modernism. Today a number of these paintings are revered as icons of modern Western culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic. For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now–beloved works of Edgar Degas, Henri Matisse, Georgia O'Keeffe, Jackson Pollock, and others. This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean–Auguste–Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colorful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media–appropriated Pop–art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.