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Author: Harry Levin
Publisher: Oxford University Press
ISBN: 0195364309
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Harry Levin--one of America's major literary critics--offers a brilliant and original study of the whole world of comedy, concentrating on playwrights through the centuries, from Aristophanes and Plautus in classical times to Bernard Shaw and Bertolt Brecht and their recent successors. Viewing the comic repertory as a richly varied yet broadly unified whole, Levin provides a synthesis of theories and practice. Isolating two fundamental aspects of comedy--the ludicrous and irreverent "playboy," whom we laugh with, and the ridiculous and forbidding "killjoy," whom we laugh at--he traces the dialectical interplay of these components throughout history and across various cultures and media. While mainly focusing on the plays and the stage, with discussions of such major dramatists as Shakespeare, Ben Jonson, Molière, and William Congreve, Levin also includes essays on such related topics as humor, satire, and games.
Author: Harry Levin
Publisher: Oxford University Press
ISBN: 0195364309
Category : Literary Criticism
Languages : en
Pages : 225
Get Book Here
Book Description
Harry Levin--one of America's major literary critics--offers a brilliant and original study of the whole world of comedy, concentrating on playwrights through the centuries, from Aristophanes and Plautus in classical times to Bernard Shaw and Bertolt Brecht and their recent successors. Viewing the comic repertory as a richly varied yet broadly unified whole, Levin provides a synthesis of theories and practice. Isolating two fundamental aspects of comedy--the ludicrous and irreverent "playboy," whom we laugh with, and the ridiculous and forbidding "killjoy," whom we laugh at--he traces the dialectical interplay of these components throughout history and across various cultures and media. While mainly focusing on the plays and the stage, with discussions of such major dramatists as Shakespeare, Ben Jonson, Molière, and William Congreve, Levin also includes essays on such related topics as humor, satire, and games.
Author: A. Roy Eckardt
Publisher: Routledge
ISBN: 1351293869
Category : Philosophy
Languages : en
Pages : 304
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Book Description
How to Tell God From the Devil is the first book to depict the relationship among comedy, the Devil, and God. Drawing from Jewish and Christian theories, Eckardt describes comedy as a means to distinguish the divine from the diabolic. He presents a thorough critique of efforts throughout history to justify God in the presence of radical evil and suffering. How to Tell God From the Devil is a sequel to Eckardt's fascinating earlier study Sitting in the Earth and Laughing. Eckardt offers a theological vision of the comic, and shows its practical use in differentiating God from the Devil. The viewpoint presupposed is a special application of the incongruity theory of humor, which sees humor as an attempt to deal with inexplicable occurrences. Eckardt shows how humor can make faulty explanations tolerable for examining evil and suffering, particularly the notion that God can somehow be "excused" for the terrible evils extant in the world. Eckardt critiques dualistic views that make the Devil and God independent sovereign beings, and monistic views that try to reduce evil to non-being. Eckardt holds God to be ultimately responsible for evil, in such ways that the only final resolution of evil-if there is such-is a form of divine comedy. Eckardt employs a variety of historical, psychological, sociological, philosophical, and theological sources. He discusses and assesses such diverse figures as Martin Luther, Reinhold Niebuhr, Zen Buddhists, Conrad Hyers, Nancy A. Walker, Jon D. Levenson, and Harvey Cox. How to Tell God From The Devil is an exceptional work, and will be significant and enjoyable for sociologists, theologians, philosophers, and specialists concerned with the study of humor.
Author: Jonathan Greenberg
Publisher: Cambridge University Press
ISBN: 1139501518
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
In this groundbreaking study, Jonathan Greenberg locates a satiric sensibility at the heart of the modern. By promoting an antisentimental education, modernism denied the authority of emotion to guarantee moral and literary value. Instead, it fostered sophisticated, detached and apparently cruel attitudes toward pain and suffering. This sensibility challenged the novel's humanistic tradition, set ethics and aesthetics into conflict and fundamentally altered the ways that we know and feel. Through lively and original readings of works by Evelyn Waugh, Stella Gibbons, Nathanael West, Djuna Barnes, Samuel Beckett and others, this book analyzes a body of literature - late modernist satire - that can appear by turns aloof, sadistic, hilarious, ironic and poignant, but which continually questions inherited modes of feeling. By recognizing the centrality of satire to modernist aesthetics, Greenberg offers not only a new chapter in the history of satire but a persuasive new idea of what made modernism modern.
Author: Massimo Verdicchio
Publisher: A&C Black
ISBN: 0567271579
Category : Philosophy
Languages : en
Pages : 230
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Book Description
Between Philosophy and Poetry examines the complex and controversial relation that has informed literary theory since ancient times: the difference between philosophy and poetry. The book explores three specific areas: the practice of writing with respect to orality; the interpretive modes of poetic and philosophical discourse as self-narration and historical understanding; how rhythm marks the differential spaces in poetry and philosophy. The book brings together some of the most prominent international scholars in the fields of philosophy and literature to examine the differences between orality and writing, the signs and traces of gender in writing, the historical dimension of the tension between philosophical and poetic language, and the future possibility of a musical thinking that would go beyond the opposition between philosophy and poetry. In the final instance, rhythm is the force to be reckoned with and is the essential element in an understanding of philosophy and poetry. Rhythm in effect provides a musical ethics of philosophy, for musical thinking goes beyond the metaphysical opposition between philosophy and poetry and sets the frame for post-philosophical practice. Contributors: Amittari F. Aviram, Babette Babich , Eve Taylor Bannet, Stephen Barker, Alexandro Carrera, Richard Detsch, Karen Feldman, David Halliburton, Richard Kearney, Carlo Sini, P. Christopher Smith, Forrest Williams
Author: Thomas Leitch
Publisher: Cambridge University Press
ISBN: 9780521646710
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.
Author: Robert Henke
Publisher: Routledge
ISBN: 1317006755
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
The essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramatic' approaches (e.g., genre, plot, action, and the dramatic text) and 'theatrical' perspectives (e.g., costume, the body and gender of the actor). Following recent work in 'mobility studies,' mobility is examined from both material and symbolic angles, revealing both ample transnational movement and periodic resistance to border-crossing. Four final essays attend to the practical and theoretical dimensions of theatrical translation and adaptation, and contribute to the book’s overall inquiry into the ways in which values, properties, and identities are lost, transformed, or gained in movement across geo-linguistic borders.
Author: Andrew Stott
Publisher: Routledge
ISBN: 1134453973
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
This new edition of Andrew Stott’s Comedy builds on themes presented in the first edition such as focusing on the significance of comic 'events' through study of various theoretical methodologies, including deconstruction, psychoanalysis and gender theory, and provides case studies of a number of themes, ranging from the drag act to the simplicity of slipping on a banana skin. This new edition features: updates to reflect new research the field new chapters on Women in Comedy and Race and Ethnicity a broader range of literary and cultural examples. Written in a clear and accessible style, this book is ideal introduction to comedy for students studying literature and culture.
Author: Margaret R. Higonnet
Publisher: Cornell University Press
ISBN: 1501723030
Category : Literary Criticism
Languages : en
Pages : 457
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Book Description
The first book to assess the impact of feminist criticism on comparative literature, Borderwork recharts the intellectual and institutional boundaries on that discipline. The seventeen essays collected here, most published for the first time, together call for the contextualization of the study of comparative literature within the areas of discourse, culture, ideology, race, and gender. Contributors: Bella Brodzki, VèVè A. Clark, Chris Cullens, Greta Gaard, Sabine Gölz, Sarah Webster Goodwin, Margaret R. Higonnet, Marianne Hirsch, Susan Sniader Lanser, Françoise Lionnet, Fedwa Malti-Douglas, Lore Metzger, Nancy K. Miller, Obioma Nnaemakea, Rajeswari Sunder Rajan, Anca Vlasopolos.
Author: Frank N. Dauster
Publisher: Bucknell University Press
ISBN: 9780838753453
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
"In this collection, nine specialists in Spanish American theatre examine social and aesthetic issues reflected in today's vital drama." "The essays in this volume reflect a pattern of interests rapidly becoming dominant among scholars. Several of them deal with questions of genre or focus on metatheatre and parody, theatrical techniques widespread in Latin America. The majority treat these topics in conjunction with their social context. Dominant themes include the question of whether there can be culture-specific genres, incorporating the extremely varied ethnic and cultural strands of the Spanish American social fabric, or the use (and reinterpretation) of tragic and comic structures and classical myths to express social marginality or demythologize received history. A number of essays focus on the problematic situation of women in Spanish American society and their struggle to achieve equality in a highly traditional culture. At the same time the authors examine the role of women in the theatre, both as protagonists and as creative artists, and their struggle to gain acceptance of nontraditional roles and lifestyles."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Irving Brown (Consulting Bibliographer)
Publisher: Routledge
ISBN: 1136119086
Category : Performing Arts
Languages : en
Pages : 1344
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Book Description
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
