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Author: Zina Giannopoulou
Publisher: OUP Oxford
ISBN: 0191664375
Category : Philosophy
Languages : en
Pages : 216
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Book Description
Zina Giannopoulou argues that Theaetetus—Plato's most systematic examination of knowledge—is a philosophically sophisticated elaboration of Apology that successfully differentiates Socrates from the sophists. In Apology Socrates defends his philosophical activity partly by distinguishing it from sophistic practices, and in Theaetetus he enacts this distinction: the self-proclaimed ignorant and pious Socrates of Apology poses as the barren practitioner of midwifery, an art that enjoys divine support, and helps his pregnant interlocutor to engender his ideas. Whereas sophistic expertise fills others' souls with items of dubious epistemic quality, Socratic midwifery removes, tests, and discards falsities. In Theaetetus Plato drapes the Socrates of Apology with obstetric garb and stages a philosophical contest between him and the seemingly wise men with whose definitions Theaetetus' soul teems, chief among whom is Protagoras. By proving the indefensibility of these definitions, Socrates challenges their authors' wisdom—since for him no one can justifiably be said to have knowledge if he cannot give an account of knowledge. On the other hand, his own inability to procure the definition he seeks confirms his assertion that he lacks wisdom. Giannopoulou goes on to explore how in Apology Socrates claims that his wisdom consists in his awareness of his lack of wisdom, and in Theaetetus he validates this claim: his attempt to discover what knowledge is, coupled with his intellectual barrenness, shows both that he does not have what he is looking for and why this is the case.
Author: Zina Giannopoulou
Publisher: OUP Oxford
ISBN: 0191664375
Category : Philosophy
Languages : en
Pages : 216
Get Book Here
Book Description
Zina Giannopoulou argues that Theaetetus—Plato's most systematic examination of knowledge—is a philosophically sophisticated elaboration of Apology that successfully differentiates Socrates from the sophists. In Apology Socrates defends his philosophical activity partly by distinguishing it from sophistic practices, and in Theaetetus he enacts this distinction: the self-proclaimed ignorant and pious Socrates of Apology poses as the barren practitioner of midwifery, an art that enjoys divine support, and helps his pregnant interlocutor to engender his ideas. Whereas sophistic expertise fills others' souls with items of dubious epistemic quality, Socratic midwifery removes, tests, and discards falsities. In Theaetetus Plato drapes the Socrates of Apology with obstetric garb and stages a philosophical contest between him and the seemingly wise men with whose definitions Theaetetus' soul teems, chief among whom is Protagoras. By proving the indefensibility of these definitions, Socrates challenges their authors' wisdom—since for him no one can justifiably be said to have knowledge if he cannot give an account of knowledge. On the other hand, his own inability to procure the definition he seeks confirms his assertion that he lacks wisdom. Giannopoulou goes on to explore how in Apology Socrates claims that his wisdom consists in his awareness of his lack of wisdom, and in Theaetetus he validates this claim: his attempt to discover what knowledge is, coupled with his intellectual barrenness, shows both that he does not have what he is looking for and why this is the case.
Author: Paul Stern
Publisher: Cambridge University Press
ISBN: 9781107407923
Category : Philosophy
Languages : en
Pages : 0
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Book Description
The Theaetetus is one of the most widely studied of any of the Platonic dialogues because its dominant theme concerns the significant philosophical question, what is knowledge? In this new interpretation of the Theaetetus, Paul Stern provides the first full-length treatment of its political character in relationship to this dominant theme. Stern argues that this approach sheds significant light on the distinctiveness of the Socratic way of life, with respect to both its initial justification and its ultimate character.
Author: David Sedley
Publisher: Oxford University Press on Demand
ISBN: 9780199204144
Category : Philosophy
Languages : en
Pages : 201
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Book Description
Plato's Theaetetus is an acknowledged masterpiece, and among the most influential texts in the history of epistemology. Since antiquity it has been debated whether this dialogue was written by Plato to support his familiar metaphysical doctrines, or represents a self-distancing from these. David Sedley's book offers a via media, founded on a radical separation of the author, Plato, from his main speaker, Socrates. The dialogue, it is argued, is addressed to readers familiar with Plato's mature doctrines, and sets out to show how these doctrines, far from being an abandonment of his Socratic heritage, are its natural outcome. The Socrates portrayed here is the same Socrates as already portrayed in Plato's early dialogues. While not a Platonist, he is exhibited - to put it in terms of an image made famous by this dialogue - as having been Platonism's midwife. In a comprehensive rereading of the text, Sedley tracks the ways in which Socrates is shown unwittingly preparing the ground for Plato's mature doctrines, and reinterprets the dialogue's individual arguments from this perspective. The book is addressed to all readers interested in Plato, and does not require knowledge of Greek.
Author: Tschemplik
Publisher: Lexington Books
ISBN: 0739130331
Category : Language Arts & Disciplines
Languages : en
Pages : 195
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Book Description
Knowledge and Self-Knowledge in Plato's Theaetetus advances a new explanation for the apparent failure of the Theaetetus to come to a satisfactory conclusion about the definition of knowledge. Tschemplik argues that understanding this aporetic dialogue in light of the fact that it was conducted with two noted mathematicians shows that for Plato, mathematics was not the paradigm for philosophy. She points out that, although mathematics is clearly an important part of the philosopher's training, as the educational outline of the Republic makes clear, the point on which the mathematician falls short is the central role that self-knowledge plays in philosophical investigation. Theaetetus betrays this deficiency and is led by Socrates to an understanding of the benefits of self-knowledge understood as the knowledge of ignorance. Tschemplik concludes that it is the absence of self-knowledge in the Theaetetus which leads to its closing impasse regarding knowledge. This book will be of interest to scholars and graduate students in the history of philosophy with a special interest in ancient philosophy, and will also be accessible to upper-level undergraduates in ancient philosophy.
Author: Plato
Publisher:
ISBN:
Category : Philosophy, Ancient
Languages : en
Pages : 218
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Book Description
Author: Sandra Peterson
Publisher: Cambridge University Press
ISBN: 1139497979
Category : Philosophy
Languages : en
Pages : 311
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Book Description
In Plato's Apology, Socrates says he spent his life examining and questioning people on how best to live, while avowing that he himself knows nothing important. Elsewhere, however, for example in Plato's Republic, Plato's Socrates presents radical and grandiose theses. In this book Sandra Peterson offers a hypothesis which explains the puzzle of Socrates' two contrasting manners. She argues that the apparently confident doctrinal Socrates is in fact conducting the first step of an examination: by eliciting his interlocutors' reactions, his apparently doctrinal lectures reveal what his interlocutors believe is the best way to live. She tests her hypothesis by close reading of passages in the Theaetetus, Republic and Phaedo. Her provocative conclusion, that there is a single Socrates whose conception and practice of philosophy remain the same throughout the dialogues, will be of interest to a wide range of readers in ancient philosophy and classics.
Author: Allan Silverman
Publisher: Princeton University Press
ISBN: 1400825342
Category : Philosophy
Languages : en
Pages : 408
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Book Description
The Dialectic of Essence offers a systematic new account of Plato's metaphysics. Allan Silverman argues that the best way to make sense of the metaphysics as a whole is to examine carefully what Plato says about ousia (essence) from the Meno through the middle period dialogues, the Phaedo and the Republic, and into several late dialogues including the Parmenides, the Sophist, the Philebus, and the Timaeus. This book focuses on three fundamental facets of the metaphysics: the theory of Forms; the nature of particulars; and Plato's understanding of the nature of metaphysical inquiry. Silverman seeks to show how Plato conceives of "Being" as a unique way in which an essence is related to a Form. Conversely, partaking ("having") is the way in which a material particular is related to its properties: Particulars, thus, in an important sense lack essence. Additionally, the author closely analyzes Plato's idea that the relation between Forms and particulars is mediated by form-copies. Even when some late dialogues provide a richer account of particulars, Silverman maintains that particulars are still denied essence. Indeed, with the Timaeus's introduction of the receptacle, there are no particulars of the traditional variety. This book cogently demonstrates that when we understand that Plato's concern with essence lies at the root of his metaphysics, we are better equipped to find our way through the labyrinth of his dialogues and to better appreciate how they form a coherent theory.
Author: Mauro Bonazzi
Publisher: BRILL
ISBN: 9004398996
Category : Philosophy
Languages : en
Pages : 340
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Book Description
Thinking, Knowing, Acting: Epistemology and Ethics in Plato and Ancient Platonism aims to offer a fresh perspective on the correlation between epistemology and ethics in Plato and the Platonic tradition from Aristotle to Plotinus, by investigating the social, juridical and theoretical premises of their philosophy.
Author: C. D. C. Reeve
Publisher: Hackett Publishing
ISBN: 9780872200883
Category : Philosophy
Languages : en
Pages : 230
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Book Description
"Reeve's book is an excellent companion to Plato's Apology and a valuable discussion of many of the main issues that arise in the early dialogues. Reeve is an extremely careful reader of texts, and his familiarity with the legal and cultural background of Socrates' trial allows him to correct many common misunderstandings of that event. In addition, he integrates his reading of the apology with a sophisticated discussion of Socrates' philosophy. The writing is clear and succinct, and the research is informed by a thorough acquaintance with the secondary literature. Reeve's book will be accessible to any serious undergraduate, but it is also a work that will have to be taken into account by every scholar doing advanced research on Socrates." --Richard Kraut, Northwestern University
Author: Zina Giannopoulou
Publisher: Routledge
ISBN: 1135940509
Category : Philosophy
Languages : en
Pages : 137
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Book Description
Beloved by film and art aficionados and fans of neo-noir cinema, Mulholland Drive is one of the most important and enigmatic films of recent years. It occupies a central and controversial position in the work of its director, David Lynch, who won the best director award at the 2001 Cannes Film Festival for the movie. Mulholland Drive in the Routledge Philosophers on Film series is the first full philosophical appraisal of Lynch's film. Beginning with an introduction by the editor, the volume explores the following topics: the identity of the self and its persistence through time the central, dual roles played by fantasy and reality throughout the film whether Mulholland Drive is best understood epistemologically via reason and language, or whether, as Lynch himself argues, by one's 'inner feelings' and emotions parallels between Mulholland Drive and Kafka's The Castle, both of which pit their protagonists at the mercy of unseen forces Mulholland Drive and romanticism. Additional key themes are also discussed, such as the interpenetration of ethics, classical tragedy, and the contrasting philosophical arguments of Plato and Nietzsche on tragic drama. These themes make Mulholland Drive essential and engaging reading for students of philosophy, especially aesthetics and ethics, as well as film studies.
