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Author: Christopher J. Plack
Publisher: Springer Science & Business Media
ISBN: 9780387234724
Category : Medical
Languages : en
Pages : 396
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Book Description
Pitch perception can be regarded as one of the main problems of hearing. This book brings together insights from several different methodological areas such as: physiology, psychophysics, comparative, imaging, in addressing a single scientific problem. It provides a useful reference source for graduate students and academics.
Author: Christopher J. Plack
Publisher: Springer Science & Business Media
ISBN: 9780387234724
Category : Medical
Languages : en
Pages : 396
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Book Description
Pitch perception can be regarded as one of the main problems of hearing. This book brings together insights from several different methodological areas such as: physiology, psychophysics, comparative, imaging, in addressing a single scientific problem. It provides a useful reference source for graduate students and academics.
Author: William A. Sethares
Publisher: Springer Science & Business Media
ISBN: 1447141776
Category : Music
Languages : en
Pages : 346
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Book Description
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.
Author: James Tenney
Publisher: New York : Excelsior
ISBN: 9780935016994
Category : Music
Languages : en
Pages : 117
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Book Description
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Carol L. Krumhansl
Publisher: Oxford University Press
ISBN: 0190287446
Category : Psychology
Languages : en
Pages : 318
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Book Description
This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.
Author: Anthony Ashton
Publisher: Bloomsbury Publishing USA
ISBN: 0802714099
Category : Science
Languages : en
Pages : 68
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Book Description
Ashton presents a short, illustrated introduction to the evolution of simple harmonic theory. Illustrations.
Author: Dale Purves
Publisher: Harvard University Press
ISBN: 0674972961
Category : Science
Languages : en
Pages : 115
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Book Description
The universality of musical tones has long fascinated philosophers, scientists, musicians, and ordinary listeners. Why do human beings worldwide find some tone combinations consonant and others dissonant? Why do we make music using only a small number of scales out of the billions that are possible? Why do differently organized scales elicit different emotions? Why are there so few notes in scales? In Music as Biology, Dale Purves argues that biology offers answers to these and other questions on which conventional music theory is silent. When people and animals vocalize, they generate tonal sounds—periodic pressure changes at the ear which, when combined, can be heard as melodies and harmonies. Human beings have evolved a sense of tonality, Purves explains, because of the behavioral advantages that arise from recognizing and attending to human voices. The result is subjective responses to tone combinations that are best understood in terms of their contribution to biological success over evolutionary and individual history. Purves summarizes evidence that the intervals defining Western and other scales are those with the greatest collective similarity to the human voice; that major and minor scales are heard as happy or sad because they mimic the subdued and excited speech of these emotional states; and that the character of a culture’s speech influences the tonal palette of its traditional music. Rethinking music theory in biological terms offers a new approach to centuries-long debates about the organization and impact of music.
Author: Mari Riess Jones
Publisher: Springer Science & Business Media
ISBN: 1441961143
Category : Medical
Languages : en
Pages : 273
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Book Description
The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The v- umes are aimed at all individuals with interests in hearing research including advanced graduate students, post-doctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in pe- reviewed journals. The volumes focus on topics that have developed a solid data and conceptual foundation rather than on those for which a literature is only beg- ning to develop. New research areas will be covered on a timely basis in the series as they begin to mature.
Author: Dave Benson
Publisher: Cambridge University Press
ISBN: 0521853877
Category : Mathematics
Languages : en
Pages : 426
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Book Description
This book explores the interaction between music and mathematics including harmony, symmetry, digital music and perception of sound.
Author: W. A. Mathieu
Publisher: Simon and Schuster
ISBN: 1620554011
Category : Music
Languages : en
Pages : 724
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Book Description
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
Author: Tomás Morales y Durán
Publisher: Libros de Verdad
ISBN:
Category : Music
Languages : en
Pages : 206
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Book Description
What we call today "Western Music" has been turning over millennia into a gigantic accumulation of intellectual crap seasoned with religious necromancy without anyone stopping to try to put order in this mess. The abuse of so much rancid irrationality has made it a forbidden ground for reason and that it is only accessible through the abuse of memory and repetition; of suffering, in short. From Pythagoras, who wanted to reach twelve notes by combining seven different series of seven notes each, to the monk Guido of Arezzo who had the idea of recording music with ink so that his melodies would not degenerate when going from one monastery to another. He designs the solfeggio with the obsessive idea of avoiding playing the cursed tritone that would invoke Satan, dragging any good Christian into the most terrible hells, an idea that excited the Pope of the time and that ordered his learning. Another monk could not be missing, Miguel García alias "Padre Basilio" who at the end of the 18th century put so many strings on the guitar that he found himself with the problem that he did not have enough fingers to play three notes with six strings using only four fingers, so he dedicated himself to arranging orthopedic postures so that the new instrument would not sound horrendously bad. Most musicians are unaware that we are in the 21st century, that we know how to count to twelve, that we have devices for recording music that are better than India ink, and that we have five fingers on our right hand with which to select which strings to play and not just a deformed stump to tear them. We know that sound is produced in the auditory consciousness. We also know how we hear based on our anatomy and we have done neuroscientific studies with which we have defined harmony based on subjective relative dissonances and even that the most important thing, rhythm, is what music draws. Music differs from noise in its simplicity, and if there is anything a healthy brain hates more than complex sounds.
