Author: Fernando Checa Cremades
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 498
Book Description
Pintura y escultura del Renacimiento en España, 1450-1600
Author: Fernando Checa Cremades
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 498
Book Description
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 498
Book Description
Pintura y escultura del renacimiento en España
Author: Fernando Checa
Publisher:
ISBN:
Category :
Languages : es
Pages : 486
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 486
Book Description
Choir Stalls and their Workshops
Author: Willy Piron
Publisher: Cambridge Scholars Publishing
ISBN: 152750428X
Category : History
Languages : en
Pages : 329
Book Description
Misericordia International was founded by Elaine C. Block as an association dedicated to the study of choir stalls and their relation to other artistic manifestations during the Middle Ages, and the dissemination of research. From its beginnings, Misericordia International has promoted a bi-annual international conference as a place of scientific exchange among members of the research community interested in this topic from a multidisciplinary perspective. The most recent conference was held from 23 to 26 June 2016 at the Ernst-Moritz-Arndt-University in Greifswald, Germany. The theme of the conference was the workshop context of medieval choir stalls in its broadest sense. Where the iconography of choir stalls has enjoyed a lot of attention from researchers, the process and circumstances of the making of these complex objects have often been rather neglected. Choir stalls were not produced by an individual artist, but were created by a group of craftsmen. This factor raises all kinds of questions. The conference in Greifswald covered an obvious need for research and therefore included much hitherto unknown research material and additional first results based on initial research. In addition to questions about substantive and economic mechanisms of the production of choir stalls, the conference dealt with basic knowledge of craftsmanship. This publication presents the papers held at the conference and is divided into five thematic parts, namely Workshop practices; Early modern choir stalls – Traditions or restart?; Stalls of stone – A forgotten furniture; Travelling craftsmen; and Group of works.
Publisher: Cambridge Scholars Publishing
ISBN: 152750428X
Category : History
Languages : en
Pages : 329
Book Description
Misericordia International was founded by Elaine C. Block as an association dedicated to the study of choir stalls and their relation to other artistic manifestations during the Middle Ages, and the dissemination of research. From its beginnings, Misericordia International has promoted a bi-annual international conference as a place of scientific exchange among members of the research community interested in this topic from a multidisciplinary perspective. The most recent conference was held from 23 to 26 June 2016 at the Ernst-Moritz-Arndt-University in Greifswald, Germany. The theme of the conference was the workshop context of medieval choir stalls in its broadest sense. Where the iconography of choir stalls has enjoyed a lot of attention from researchers, the process and circumstances of the making of these complex objects have often been rather neglected. Choir stalls were not produced by an individual artist, but were created by a group of craftsmen. This factor raises all kinds of questions. The conference in Greifswald covered an obvious need for research and therefore included much hitherto unknown research material and additional first results based on initial research. In addition to questions about substantive and economic mechanisms of the production of choir stalls, the conference dealt with basic knowledge of craftsmanship. This publication presents the papers held at the conference and is divided into five thematic parts, namely Workshop practices; Early modern choir stalls – Traditions or restart?; Stalls of stone – A forgotten furniture; Travelling craftsmen; and Group of works.
Love, Religion and Politics in Fifteenth Century Spain
Author: Ian Richard Macpherson
Publisher: BRILL
ISBN: 9789004108103
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
Ian Macpherson and Angus MacKay have collaborated on many occasions, and the sixteen articles brought together in this volume provide insights into the complex relationships between real life and imaginative writing in this turbulent period of Spanish history.
Publisher: BRILL
ISBN: 9789004108103
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
Ian Macpherson and Angus MacKay have collaborated on many occasions, and the sixteen articles brought together in this volume provide insights into the complex relationships between real life and imaginative writing in this turbulent period of Spanish history.
Historia del arte moderno
Author: José Enrique García Melero
Publisher:
ISBN: 9788436250039
Category : Art, Modern
Languages : es
Pages :
Book Description
Publisher:
ISBN: 9788436250039
Category : Art, Modern
Languages : es
Pages :
Book Description
Actors Carved and Cast
Author: Ethan Matt Kavaler
Publisher: Penn State Press
ISBN: 0271098058
Category : Art
Languages : en
Pages : 463
Book Description
Painting has long dominated discussions of Netherlandish art. Yet in the sixteenth century sculpture was held in considerably higher regard than painting, especially in foreign lands. This beautifully illustrated book is the first comprehensive study of sixteenth-century Netherlandish sculpture, and it opens an important window onto the works and milieu of these artists. Netherlanders dominated the sculptural world of northern Europe. They made the most prestigious tombs and altarpieces, alabaster reliefs, and boxwood collectibles for patrons throughout Iberia, France, and Central Europe. Even in Italy they were a formidable presence; the most famous sculptor in Europe in the second half of the sixteenth century was Giambologna, a Fleming who spent the greater part of his career in Florence. A great many of these artists immigrated to foreign courts—so many that the history of Netherlandish sculpture in the second half of the sixteenth century plays out largely abroad. Netherlandish carvers and casters relocated to what are today Austria, Denmark, England, France, Germany, Italy, Poland, Portugal, Spain, Sweden, and Ukraine. Sculpture, more so than painting, was an essential tool in discourses of power. Offering an essential new perspective on a fascinating period in art history, Actors Carved and Cast will appeal to scholars of sculpture and all those interested in Northern Renaissance art.
Publisher: Penn State Press
ISBN: 0271098058
Category : Art
Languages : en
Pages : 463
Book Description
Painting has long dominated discussions of Netherlandish art. Yet in the sixteenth century sculpture was held in considerably higher regard than painting, especially in foreign lands. This beautifully illustrated book is the first comprehensive study of sixteenth-century Netherlandish sculpture, and it opens an important window onto the works and milieu of these artists. Netherlanders dominated the sculptural world of northern Europe. They made the most prestigious tombs and altarpieces, alabaster reliefs, and boxwood collectibles for patrons throughout Iberia, France, and Central Europe. Even in Italy they were a formidable presence; the most famous sculptor in Europe in the second half of the sixteenth century was Giambologna, a Fleming who spent the greater part of his career in Florence. A great many of these artists immigrated to foreign courts—so many that the history of Netherlandish sculpture in the second half of the sixteenth century plays out largely abroad. Netherlandish carvers and casters relocated to what are today Austria, Denmark, England, France, Germany, Italy, Poland, Portugal, Spain, Sweden, and Ukraine. Sculpture, more so than painting, was an essential tool in discourses of power. Offering an essential new perspective on a fascinating period in art history, Actors Carved and Cast will appeal to scholars of sculpture and all those interested in Northern Renaissance art.
El arte del Renacimiento español
Author: Ana María Arias de Cossío
Publisher: Ediciones Encuentro, S.A.
ISBN: 9788474909098
Category : Art
Languages : es
Pages : 344
Book Description
Sobre todo el caudal de estudios que nos han proporcionado un conocimiento muy completo de lo que fue el Renacimiento en España, el libro de Ana María Arias de Cossío sigue una línea interdisciplinar que aborda la obra artística contando con otras actividades de la creación intelectual coetánea. Desde esta perspectiva, el humanismo es, por lo que tiene de mirada a la antigüedad, previo a la formulación de un lenguaje que pueda definirse como la aceptación plena de un modelo clásico. Dicho de otro modo, el proceso intelectual en la España de la Baja Edad Media y en los inicios de los tiempos modernos es preciso considerarlo mediante la incidencia del humanismo, considerado como fenómeno cultural, en un panorama artístico muy complejo en el que se mezclan, precisamente por la circulación de ideas, operaciones comerciales o intercambios artísticos de procedencias muy diversas y muy activas por lo menos hasta 1530, dibujando así un muy particular camino hacia lo que se puede considerarse pleno Renacimiento. El libro está organizado en cuatro grandes capítulos. El primero de ellos analiza cómo el lenguaje del humanismo va llegando a la corte de Castilla y a la de Aragón preparando el terreno para poder desembocar en la plástica renacentista, e incluye referencia a la época de los Reyes católicos. El segundo capítulo se inicia con la crisis castellana que se plantea a la muerte de la reina Isabel y la Regencia del Cardenal Cisneros para ver en ese contexto el desarrollo del arte entre 1500 y 1526 (arquitectura, escultura y pintura). El capítulo tercero corresponde enteramente al reinado de Carlos I, explicando el carácter universal de esta monarquía y su incidencia en el arte. El último capítulo corresponde al reinado de Felipe II, que en contraposición a su padre representa una mirada hacia el interior, una apuesta decidida por la defensa de la fe y una aceptación del modelo clásico que queda ejemplarizado en el monasterio de El Escorial. A cada uno de los capítulos precede una introducción de carácter histórico-cultural para ver cómo el arte de cada una de las épocas se relaciona con los otros campos de la creación humanística como la literatura o el pensamiento.
Publisher: Ediciones Encuentro, S.A.
ISBN: 9788474909098
Category : Art
Languages : es
Pages : 344
Book Description
Sobre todo el caudal de estudios que nos han proporcionado un conocimiento muy completo de lo que fue el Renacimiento en España, el libro de Ana María Arias de Cossío sigue una línea interdisciplinar que aborda la obra artística contando con otras actividades de la creación intelectual coetánea. Desde esta perspectiva, el humanismo es, por lo que tiene de mirada a la antigüedad, previo a la formulación de un lenguaje que pueda definirse como la aceptación plena de un modelo clásico. Dicho de otro modo, el proceso intelectual en la España de la Baja Edad Media y en los inicios de los tiempos modernos es preciso considerarlo mediante la incidencia del humanismo, considerado como fenómeno cultural, en un panorama artístico muy complejo en el que se mezclan, precisamente por la circulación de ideas, operaciones comerciales o intercambios artísticos de procedencias muy diversas y muy activas por lo menos hasta 1530, dibujando así un muy particular camino hacia lo que se puede considerarse pleno Renacimiento. El libro está organizado en cuatro grandes capítulos. El primero de ellos analiza cómo el lenguaje del humanismo va llegando a la corte de Castilla y a la de Aragón preparando el terreno para poder desembocar en la plástica renacentista, e incluye referencia a la época de los Reyes católicos. El segundo capítulo se inicia con la crisis castellana que se plantea a la muerte de la reina Isabel y la Regencia del Cardenal Cisneros para ver en ese contexto el desarrollo del arte entre 1500 y 1526 (arquitectura, escultura y pintura). El capítulo tercero corresponde enteramente al reinado de Carlos I, explicando el carácter universal de esta monarquía y su incidencia en el arte. El último capítulo corresponde al reinado de Felipe II, que en contraposición a su padre representa una mirada hacia el interior, una apuesta decidida por la defensa de la fe y una aceptación del modelo clásico que queda ejemplarizado en el monasterio de El Escorial. A cada uno de los capítulos precede una introducción de carácter histórico-cultural para ver cómo el arte de cada una de las épocas se relaciona con los otros campos de la creación humanística como la literatura o el pensamiento.
Pintura y escultura del renacimiento italiano
Author: José F. Ráfols
Publisher:
ISBN:
Category :
Languages : es
Pages : 226
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 226
Book Description
Pintura y escultura del renacimiento italiano
Author: J. F. Ráfols
Publisher:
ISBN:
Category :
Languages : es
Pages : 212
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 212
Book Description
La escultura del renacimiento en España
Author: Manuel Gómez-Moreno
Publisher:
ISBN:
Category : Sculpture
Languages : es
Pages : 116
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : es
Pages : 116
Book Description