Pinter's 'The Birthday Party' and Wilde's 'The Importance of Being Earnest' - a Comparison PDF Download
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Author: Julia Pastak Geb. Kupfer
Publisher: GRIN Verlag
ISBN: 363881016X
Category : Language Arts & Disciplines
Languages : en
Pages : 38
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Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,7, Humboldt-University of Berlin (Anglistik /Amerikanisitik), course: Expressionism and theatre of the absurd, 13 entries in the bibliography, language: English, abstract: It seems that the Theatre of the Absurd is not considered as civil theatre and that means that there must be big differences between the drama we know from Shakespeare or other famous authors and the work of Beckett and his companions. This work is going to define the differences between a classic drama (a comedy) and a modern drama (theatre of the absurd) and it will make them clear using examples from both "The Importance of Being Earnest" and "The Birthday Party" written by Oscar Wilde and Harold Pinter, respectively.
Author: Julia Pastak Geb. Kupfer
Publisher: GRIN Verlag
ISBN: 363881016X
Category : Language Arts & Disciplines
Languages : en
Pages : 38
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Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,7, Humboldt-University of Berlin (Anglistik /Amerikanisitik), course: Expressionism and theatre of the absurd, 13 entries in the bibliography, language: English, abstract: It seems that the Theatre of the Absurd is not considered as civil theatre and that means that there must be big differences between the drama we know from Shakespeare or other famous authors and the work of Beckett and his companions. This work is going to define the differences between a classic drama (a comedy) and a modern drama (theatre of the absurd) and it will make them clear using examples from both "The Importance of Being Earnest" and "The Birthday Party" written by Oscar Wilde and Harold Pinter, respectively.
Author: Julia Pastak geb. Kupfer
Publisher: GRIN Verlag
ISBN: 3638459039
Category : Literary Criticism
Languages : en
Pages : 16
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Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,7, Humboldt-University of Berlin (Anglistik /Amerikanisitik), course: Expressionism and theatre of the absurd, language: English, abstract: It seems that the Theatre of the Absurd is not considered as civil theatre and that means that there must be big differences between the drama we know from Shakespeare or other famous authors and the work of Beckett and his companions. This work is going to define the differences between a classic drama (a comedy) and a modern drama (theatre of the absurd) and it will make them clear using examples from both “The Importance of Being Earnest” and “The Birthday Party” written by Oscar Wilde and Harold Pinter, respectively.
Author: Sandra Beez
Publisher: GRIN Verlag
ISBN: 3668244790
Category : Literary Criticism
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 2,0, , language: English, abstract: Pinter’s plays are good examples for the theatre of the absurd, although Pinter himself probably would not have called them this way. He knew how to create his characters in such an absurd way, but also realistic at the same time that the audience was often left in astonishment and confusion. This paper will deal with the two Pinter plays “The Birthday Party” and “The Homecoming”. These are outstanding plays, foremost concerning the female characters. Both plays include mainly male characters and one outstanding female one. There is a second female character in “The Birthday Party”, but she only plays a minor role. It is interesting to see how Pinter contrasts the more or less strong female characters in otherwise all men plays. That is why this paper will pay special attention to the female characters. This paper will start by first giving an overview over the plays and short characterisations of the male characters. Furthermore, there will be a comparison between those two plays and in how far Pinter’s plays may have developed. Continuing, I am going to focus on the female characters of the plays, Meg and Ruth. First, I will discuss the representation of women in the plays in general. Then, there will be a comparison between the two characters to see in how far their characteristics and their function in the plays differ.
Author: Sandra Beez
Publisher:
ISBN: 9783668244801
Category :
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 2,0, language: English, abstract: Pinter's plays are good examples for the theatre of the absurd, although Pinter himself probably would not have called them this way. He knew how to create his characters in such an absurd way, but also realistic at the same time that the audience was often left in astonishment and confusion. This paper will deal with the two Pinter plays "The Birthday Party" and "The Homecoming." These are outstanding plays, foremost concerning the female characters. Both plays include mainly male characters and one outstanding female one. There is a second female character in "The Birthday Party," but she only plays a minor role. It is interesting to see how Pinter contrasts the more or less strong female characters in otherwise all men plays. That is why this paper will pay special attention to the female characters. This paper will start by first giving an overview over the plays and short characterisations of the male characters. Furthermore, there will be a comparison between those two plays and in how far Pinter's plays may have developed. Continuing, I am going to focus on the female characters of the plays, Meg and Ruth. First, I will discuss the representation of women in the plays in general. Then, there will be a comparison between the two characters to see in how far their characteristics and their function in the plays differ.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410341380
Category : Literary Criticism
Languages : en
Pages : 38
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Book Description
A Study Guide for Harold Pinter's "The Birthday Party," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Author: Lukas Szpeth
Publisher: GRIN Verlag
ISBN: 3668982198
Category : Literary Criticism
Languages : en
Pages : 26
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Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Trier (Anglistik), course: Proseminar Harold Pinter, language: English, abstract: Converging comedy and fear, that is a strange art practiced in the comedies of menace. One of the most prominent authors who intermingles the two in his plays is Harold Pinter. But what is the role of menace and fear in a comic play? To examine this question closer the present term paper looks at the role of fear in one of Harold Pinter’s first plays, namely his first full length play The Birthday Party. As we will see none of the characters in the play is free from fear. Especially the main character Stanley, the permanent guest in Meg’s boarding house, is hounded by his emotions. To begin with I will discuss how Pinter came to choose such a devastating theme and work on it to figure out the fear in the play, along with the emotions and actions it affects. Hereby the menace that the outside world projects on the main character Stanley will be an important factor.
Author: John Bull
Publisher: Bloomsbury Publishing
ISBN: 134923379X
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
Stage Right is a refreshingly abrasive account of the state of British theatre since 1979, offering an account of the development of a new mainstream formed in conscious opposition to the work of the politically committed dramatists of the 70s and an analysis of the plays of the most successful playwrights of the new mainstream: Nichols, Gray, Frayn, Bennett, Ayckbourn and Stoppard.
Author: Lukas Szpeth
Publisher:
ISBN: 9783668982208
Category :
Languages : en
Pages : 28
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Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Trier (Anglistik), course: Proseminar Harold Pinter, language: English, abstract: Converging comedy and fear, that is a strange art practiced in the comedies of menace. One of the most prominent authors who intermingles the two in his plays is Harold Pinter. But what is the role of menace and fear in a comic play? To examine this question closer the present term paper looks at the role of fear in one of Harold Pinter's first plays, namely his first full length play The Birthday Party. As we will see none of the characters in the play is free from fear. Especially the main character Stanley, the permanent guest in Meg's boarding house, is hounded by his emotions. To begin with I will discuss how Pinter came to choose such a devastating theme and work on it to figure out the fear in the play, along with the emotions and actions it affects. Hereby the menace that the outside world projects on the main character Stanley will be an important factor.
Author: Arthur N. Applebee
Publisher:
ISBN: 9780395737071
Category : American literature
Languages : en
Pages : 1376
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Book Description
Author: Mike Ingham
Publisher: Springer Nature
ISBN: 3031451988
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
Anglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today’s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama’s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama’s role as a channel for critical agency in today’s putative post-socialist, post-democratic climate.
