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Author: Elizabeth Sakellaridou
Publisher: Rowman & Littlefield
ISBN: 9780389207474
Category : Drama
Languages : en
Pages : 260
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Book Description
The book traces the development of Pinter's female characters both as dramatis personae and as theatrical functionaries. It explores a new exciting aspect of Pinter's work in the domain of character portrayal, and it supplies a kaleidoscopic view of Pinter criticism to date at home and abroad.
Author: Elizabeth Sakellaridou
Publisher: Rowman & Littlefield
ISBN: 9780389207474
Category : Drama
Languages : en
Pages : 260
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Book Description
The book traces the development of Pinter's female characters both as dramatis personae and as theatrical functionaries. It explores a new exciting aspect of Pinter's work in the domain of character portrayal, and it supplies a kaleidoscopic view of Pinter criticism to date at home and abroad.
Author: WALTER SHAW. SPARROW
Publisher:
ISBN: 9781033087046
Category :
Languages : en
Pages : 0
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Book Description
Author: Laurence Madeline
Publisher: Yale University Press
ISBN: 0300223935
Category : Art
Languages : en
Pages : 289
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Book Description
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
Author: Kara Walker
Publisher:
ISBN: 9780300227154
Category : African American art
Languages : en
Pages : 0
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Book Description
"Saviors don't arrive without martyrdom at their heels. This is what I've learned lately." - Kara Walker
Author: Phaidon Editors
Publisher: Phaidon Press
ISBN: 9780714878775
Category : Art
Languages : en
Pages : 0
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Book Description
Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. "Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started."—The New Yorker
Author: Linda Nochlin
Publisher: Thames & Hudson
ISBN: 0500776628
Category : Art
Languages : en
Pages : 84
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Book Description
The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”
Author: Susan Wood
Publisher:
ISBN: 9781938461453
Category : Photography of women
Languages : en
Pages : 208
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Book Description
"Women: Portraits 1960-2000 is a compilation of portraits taken by American photographer Susan Wood of some of the most prominent and influential women of the 20th century. Her notable subjects include Diane von Furstenberg, Martha Stewart, Nora Ephron, Alice Waters, Jayne Mansfield, and Gloria Vanderbilt among many others. Susan Wood's work represents a number of milestones in American photography over a period of more than 40 years. She was involved with the original "Mad Men" of Madison Avenue and during that time won a Clios, the most sought-after award in advertising. Mademoiselle chose her as one of their top Ten Women of the Year and her work appeared in many other periodicals including Vogue, Life, Look, Harper's Bazaar, and New York magazine. Susan Wood was a founding member of the Women's Forum and was involved in the fight for women's rights and equality in the 1960s and 1970s. She was also friends with many of the vanguard of the feminist movement including Betty Friedan and Gloria Steinem. Although her most famous magazine cover is an epochal photograph of John Lennon and Yoko Ono for Look, Susan is also noted for her movie stills. Under contract to Paramount Pictures, United Artists and 20th Century Fox, Ms. Wood was on set during the filming of movies that defined the 1960s such as Easy Rider and Hatari. She has been represented by Getty Images since 2004." --
Author: Lois Gordon
Publisher: Routledge
ISBN: 1135347395
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
This comprehensive and authoritative casebook includes cornerstone essays on Pinter's creative process, his politics, film adaptations, and acting career. It also includes a collection of photos found nowhere else that document Pinter's "golden time"--his early acting days in Ireland--, a substantial introduction, a chronology, and bibliography.
Author: Bridget Quinn
Publisher: Chronicle Books
ISBN: 1452152837
Category : Biography & Autobiography
Languages : en
Pages : 191
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Book Description
Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.
Author: Sidney Homan
Publisher: Bucknell University Press
ISBN: 9780838752388
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
"Pinter's Odd Man Out records Sidney Homan's experience directing the playwright's Old Times for both stage and television. His most commercially successful play, and surely one of his best, no other work of Pinter's has generated more critical and scholarly commentary - or more varied, sometimes conflicting readings." "In the two opening chapters Homan surveys the theatrical and critical history of the play before describing the "generic" world of Pinter that provides the context of Old Times: secluded rooms, their occupants, and the visitor who, in seeking entrance, challenges the room's exclusive yet deceptive serenity; the outside and the threat it poses; the subtext pressing on the dialogue; the power of the past and perception; the "presence" of the play itself; characters who function as artists; the issue of gender; mother and father figures; and the silence of Pinter's pauses." "Homan then describes his company's preparations for the performance, ranging from the director's concept, the set, props, costumes, lighting, and music to blocking and the rehearsal period. After his own account of the stage production and the ways in which the audience "taught" the performers through their reactions to and discoveries about the play, Homan turns to his actors (Stephanie Dugan, Thomas Pender, and Sandra Langsner) who, in their own words, describe how they wrestled with the characters of Kate, Deeley, and Anna from rehearsals to performance." "A chapter on "The Camera as Guest" records the experience of filming the stage play. Here the focus is on the technological and aesthetic differences between the media of television and the stage, and what effect such differences had on the filmed version of Old Times. To what degree does the camera allow the director to assert more control? What changes in blocking, set, and lighting were required?" "In an appendix Homan looks at Carol Reed's 1950s film Odd Man Out, which figures prominently in Old Times, and which may have been a source (in a highly flexible use of that term) for the play." "On the surface, Pinter's Odd Man Out concentrates on a single play. In reality, it is about the ways in which people in the theatre approach a production, the process they go through from rehearsals to opening night, and the complex interaction among playwright, director, actors, and audience. It also raises the issue of what happens when a work intended for the stage is translated to another medium, such as television. If the book at times suggests that the worlds of the scholar and the theatre professional are different, indeed incompatible in some ways, it also shows how the two professions can learn from each other."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
