The British Catalogue of Music PDF Download
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
Author: Hal Leonard Corp
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781423442936
Category : Piano music (Ragtime)
Languages : en
Pages : 0
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Book Description
(Piano Solo Songbook). A great collection of more than 60 classic ragtime solos, including: American Beauty Rag * Bethena * The Easy Winners * The Entertainer * Harlem Rag * Kitten on the Keys * Maple Leaf Rag * Something Doing * Tiger Rag * Twelth Street Rag * Wild Cherries Rag * and more.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1306
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Book Description
Author: Peter Gammond
Publisher: St Martins Press
ISBN: 9780312704902
Category : Music
Languages : en
Pages : 223
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Book Description
Recounts the life and times of the now-legendary pianist and ragtime composer and explores the roots, development, and influence of the musical form in which he excelled.
Author:
Publisher:
ISBN:
Category : Clarinet
Languages : en
Pages : 56
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Book Description
Author: Wayne Wilkins
Publisher:
ISBN:
Category : Flute music
Languages : en
Pages : 24
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1304
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Book Description
The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Author: Stephen Cottrell
Publisher: Yale University Press
ISBN: 0300190956
Category : Music
Languages : en
Pages : 449
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Book Description
In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world.After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1306
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Book Description
Author: Edward A. Berlin
Publisher: Oxford University Press
ISBN: 0195356462
Category : Music
Languages : en
Pages : 349
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Book Description
In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. His opera Treemonisha was performed both in opera houses and on Broadway. Destined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Berlin. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. Using the tools of a trained musicologist, he has uncovered a vast amount of new information about Joplin. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman other biographers never even mentioned. Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911. Berlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and lowly social status. King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race.
