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Author: Henrik Ibsen
Publisher: Plunkett Lake Press
ISBN:
Category : Drama
Languages : en
Pages : 260
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Book Description
Pillars of Society, Ibsen’s first major prose play (1877), explores the boundless ambition fostered during the industrial revolution and exposes the smug self-righteousness and hypocrisy of the Victorian middle class. Karsten Bernick, a successful, shrewd and calculating shipbuilder, has made himself the benevolent benefactor of his community, while ruthlessly taking advantage of the cheap labor available in this small seacoast town. In order to maintain his credibility and develop the railroad he claims will be only for the public good, he needs to resort to further lies and even blackmail. Rosmersholm is a penetrating tale of guilt and desire, of politics and personal morality as two women fight to the death for the soul of John Rosmer, the spiritually, intellectually and emotionally bankrupt last of the line in the house of Rosmersholm. In what is also a ghost story, the house itself becomes a major character, a place where white horses announce impending death. With its depth of psychological analysis, the play seems ahead of its time — Ibsen explored the realm of modern psychiatry years before Freud’s major works. Little Eyolf fuses naturalistic style with supernatural elements. The dramatic death of their only child Eyolf triggers devastating confrontations of guilt and recrimination between Alfred Allmers, a self-absorbed man filled with grandiose ideas about his mission in life, and his wife, whose wealth has brought him security in a marriage of convenience. When We Dead Awaken, Ibsen’s last work (1899), completes the twelve major prose plays that assured his reputation as the father of modern drama. It is the final reckoning of the price an artist and those close to him pay for the artist’s dedication and devotion to his art. Rubek, a successful sculptor at the end of his career, desperately tries to rationalize his life and his work to his former model and muse.
Author: Henrik Ibsen
Publisher: Plunkett Lake Press
ISBN:
Category : Drama
Languages : en
Pages : 260
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Book Description
Pillars of Society, Ibsen’s first major prose play (1877), explores the boundless ambition fostered during the industrial revolution and exposes the smug self-righteousness and hypocrisy of the Victorian middle class. Karsten Bernick, a successful, shrewd and calculating shipbuilder, has made himself the benevolent benefactor of his community, while ruthlessly taking advantage of the cheap labor available in this small seacoast town. In order to maintain his credibility and develop the railroad he claims will be only for the public good, he needs to resort to further lies and even blackmail. Rosmersholm is a penetrating tale of guilt and desire, of politics and personal morality as two women fight to the death for the soul of John Rosmer, the spiritually, intellectually and emotionally bankrupt last of the line in the house of Rosmersholm. In what is also a ghost story, the house itself becomes a major character, a place where white horses announce impending death. With its depth of psychological analysis, the play seems ahead of its time — Ibsen explored the realm of modern psychiatry years before Freud’s major works. Little Eyolf fuses naturalistic style with supernatural elements. The dramatic death of their only child Eyolf triggers devastating confrontations of guilt and recrimination between Alfred Allmers, a self-absorbed man filled with grandiose ideas about his mission in life, and his wife, whose wealth has brought him security in a marriage of convenience. When We Dead Awaken, Ibsen’s last work (1899), completes the twelve major prose plays that assured his reputation as the father of modern drama. It is the final reckoning of the price an artist and those close to him pay for the artist’s dedication and devotion to his art. Rubek, a successful sculptor at the end of his career, desperately tries to rationalize his life and his work to his former model and muse.
Author: Brian Johnston
Publisher: Penn State Press
ISBN: 9780271008097
Category : Literary Criticism
Languages : en
Pages : 440
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Book Description
'Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel's account of the evolution of the human consciousness, The Phenomenology of Mind, Johnston offers a fresh look at the Norwegian master. Although there is little specific biographical data in support of the author's thesis, he argues compellingly for it in his analysis of the texts themselves. After discussing Hegel's dramatic method of exposition and Ibsen's philosophy, Johnston examines each of the twelve plays in considerable detail. Provocative and sophisticated in its approach, this volume should be widely available to scholars and advanced students of modern drama. ---Library Journal
Author: Henrik Ibsen
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 396
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Book Description
Author: Bernice Kert
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 407
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Book Description
In 1894, Abby Aldrich, the outgoing, impulsive daughter of Rhode Island’s Senator Nelson Aldrich, met Brown University student John D. Rockefeller, Jr., the shy and reserved heir to the Standard Oil fortune. This unlikely pair fell in love, but only seven years later did John feel confident enough to propose. Once married, Abby used her empathy, willingness to experiment, and defiant optimism to broaden John’s way of thinking and to expand his vision of what the Rockefeller fortune could do, shaping the family into a progressive force in philanthropy, the arts, and politics. Abby cherished and protected her six children — Babs, John III, Nelson, Laurance, Winthrop, and David — and inspired in them a desire to serve society. She helped open the nation’s eyes to modern art and in 1928, initiated the foundation of New York’s Museum of Modern Art. From behind the scenes Abby helped direct the restoration of Colonial Williamsburg and the building of Rockefeller Center. “Abby Aldrich Rockefeller was a legendary figure, a woman of great wealth and power who used them for great good — in often cunning ways. Astonishingly, no one has written her story before. Now Bernice Kert has done so in a sweeping, meticulous, original biography that illuminates a rare life, an historic family, and modern America.” — Catharine R. Stimpson, University Professor, Rutgers University “Bernice Kert can raise biography to a level of insight and surprise that matches the best fiction. Witness this study of a woman we think we know all about.” — Elizabeth Janeway, author of Man’s World, Woman’s Place “Bernice Kert’s thoroughly researched biography of Abby Aldrich Rockefeller is a welcome and wonderful read. Everyone interested in art and social history will want to read about this most progressive and interesting Rockefeller.” — Blanche Wiesen Cook, author of Eleanor Roosevelt: Volume I, 1884-1933 “[Reading] this biography, the life of Abby Aldrich Rockefeller, is like reading an exciting mystery story. One can hardly wait to turn the page to find out what this extraordinary and fascinating woman did, not only for herself but for everything and everyone she touched, from her husband, to nature, to the opening of a new view into the art world. The vitality of Abby Rockefeller, as depicted here by Bernice Kert, is a lesson to all women.” — Brooke Astor “What might have been a kind of family mausoleum turns out to be a fascinating read, brimming with fresh material from unpublished archives and interviews with eyewitnesses. Bernice Kert’s thorough and engaging portrait brings to life an enormously influential American woman who had an historic impact on both her extraordinary family and the arts — as a pioneering collector and patron, and as the innovating founder of two major museums.” — J. Carter Brown, Director Emeritus, National Gallery of Art “Kert, despite all her exhaustive research, happily lets her subject retain all of her formidable vitality and independence... Kert deals not only with the couple’s marriage — which was, in spite of some strains, a lifelong love affair — and the six Rockefeller children, but also with Abby’s generous contributions to art, education, and politics, as well with as her role in creating Rockefeller Center and Colonial Williamsburg. A splendidly intelligent, very readable portrait of a woman who was as wise in the rearing of her family as in the spending of her great wealth.” — Kirkus Reviews “In this elegantly written, carefully researched and psychologically astute biography, Abby Rockefeller emerges as a loveable and intelligent woman who wielded her great privilege to a variety of socially beneficial ends.” — Publishers Weekly “Bernice Kert [has] an eye for offbeat biography... Kert’s penetrating close-up captures not only [Abby’s] remarkable personality but the suffocating nuances of post-Victorian matrimony; women readers in particular will relish Abby’s refusal to be pigeonholed.” — Ted Berkman, Los Angeles Times “A picture of a complex and engaging woman, one who was at once very much a part of her time and extraordinarily ahead of it... Although the Modern museum was at the heart of Abby Aldrich Rockefeller’s work... her interests were far ranging. They included the advancement of civil rights, historic preservation and education. The portrait of her in this book is that of a model aristocrat, a wealthy, well-bred woman who understood power and the creative, contemporary uses of the concept of noblesse oblige. Kert shows Abby Rockefeller to have been, in her way, very much a feminist.” — Robert Duffy, St. Louis Post-Dispatch
Author: Hans Heiberg
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 262
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Book Description
“The least pretentious and in its impact the most popular of Henrik Ibsen biographies” according to the National Library of Norway. Hans Heiberg writes in the preface “I have always wanted to read a biography of Henrik Ibsen as a human being — a portrait of the man before he became a mask” and “Let it be said emphatically that this book is not intended for academics [...] It is meant for the enjoyment of people who are interested in Ibsen himself.” Measured in circulation, it seems that Heiberg achieved his goal: the book was published in three editions in Norwegian, and was translated into Swedish, Danish, English, Russian and French — into more languages than any other Ibsen biography. “Brief and thoroughly readable... this biography is frankly offered ‘for the enjoyment of people who are interested in Ibsen himself.’ Nonetheless, all the basic areas are covered.” — Rolf Fjelde, The New York Times “In spite of [the biography's] economy, all the essentials are there... Ibsen's quirks of temperament — the violent contrasts in his nature, the combination of troll and moralist, of ancient prophet and shrewd businessman — do not surprise Mr. Heiberg, perhaps because he is himself Norwegian.” — Eva Le Gallienne, Saturday Review “[Heiberg’s] portrait of Ibsen is crystal clear, the style simple, while every sentence is meaningful... Heiberg is... an outstanding storyteller, in the descriptions of Ibsen’s family and environment, his childhood and youth, in adversity, development and achievement.” — Farmand “Hans Heiberg’s portrait... has a fresh and personal angle... it is wisely crafted in the details, honest and straightforward... the individual Ibsen stands at its core — with his personal fallibilities and ridiculous characteristics, and precisely therefore also in all his greatness.” — Drammens Tidende and Buskerud’s Magazine “In Ibsen: A Portrait of the Artist, [Heiberg] has intended to draw a portrait of the man behind the artwork. What was he like? And how did he become the way he was?... One can call Ibsen: A Portrait of the Artist a novel, a relation of André Maurois’ well-known biographies of famous men and women, but... Heiberg never invents things which may or may not have happened. He sticks to what he knows or what he is fully justified in believing.” — Arbeiderbladet
Author: Francis Fisher Browne
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 404
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Book Description
Author: George Steiner
Publisher: Open Road Media
ISBN: 1480411884
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
DIVAn engrossing and provocative look at the decline of tragedy in modern art “All men are aware of tragedy in life. But tragedy as a form of drama is not universal.” So begins George Steiner’s adept analysis of the demise of classic tragedy as a dramatic depiction of heroism and suffering. In The Death of Tragedy, Steiner examines the uniqueness and importance of the Greek classical tragedy—from antiquity to the age of Jean Racine and William Shakespeare—as providing stark insight into the grief and joy of human existence. Then, delving into the works of John Keats, Henrik Ibsen, Samuel Beckett, and many more, Steiner demonstrates how the tragic voice has greatly diminished in modern theater, and what we have lost in the process./div
Author: Henrik Ibsen
Publisher:
ISBN:
Category :
Languages : en
Pages : 650
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Book Description
Author: James G. March
Publisher: Stanford University Press
ISBN: 0804758972
Category : Business & Economics
Languages : en
Pages : 480
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Book Description
This collection of recent papers authored or co-authored by James G. March explores contemporary issues in the study of organizations.
Author: Joan Templeton
Publisher: Plunkett Lake Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 438
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Book Description
The first comprehensive study of the women in Ibsen’s life and work, this landmark book provides a close reading of actual and fictional women as it re-examines the biographical and critical record. In clear, much praised writing, Templeton traces patterns of gender throughout Ibsen’s plays, from the portrayals of women in the little known early dramas to the famous protagonists of A Doll House, Ghosts, Hedda Gabler, and the women of the “last quartet.” Templeton offers a reappraisal of the debated question of Ibsen’s relation to feminism, arguing against a false and demeaning critical tradition, and provides important new information on the young women of Ibsen’s later years and their presence in his plays. The book has been praised as incisive, masterful, provocative, and — a rarity among scholarly books — accessible to the general reader. “Joan Templeton’s Ibsen’s Women is a book to contend with. Templeton is a major Ibsen scholar who has written a tonic evaluation of what a major dramatist actually wrought. A delight to read.” — Arnold Weinstein, Scandinavian Studies “Ibsen’s Women marks a paradigm shift in Ibsen scholarship, moving ‘the woman question’ from the marginal category of ‘an aspect of’ to the core of the dramatic oeuvre. This is dazzling close reading, sophisticated, rigorous, artful. Templeton’s command of her material is masterly.” — Mary Kay Norseng, Ibsen News and Comment “Why is A Doll House not dated? This is one of the questions Joan Templeton answers in this very important book. Her style is witty and graceful and blessedly free of jargon. Her text is aimed at a wide variety of readers.” — Barry Jacobs, The Boston Review of Books “A goldmine of information... The scope and wide-ranging coverage of this book make it indispensable for anybody wishing to teach or write about Ibsen.” — Toril Moi,Ibsen Studies “Rich and rewarding. The close textual analysis supports Templeton’s thesis that Ibsen’s plays and his women characters are quintessentially feminist. A strong argument for the connection between Ibsen’s women and Ibsen’s modernism. Recommended for all collections.” — Choice
