Author: Pieter de Hooch
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 32
Book Description
Pieter de Hooch, 1629-c. 1684
Author: Pieter de Hooch
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 32
Book Description
Pieter de Hooch
Author: Wayne E. Franits
Publisher: Getty Publications
ISBN: 0892368446
Category : Art
Languages : en
Pages : 94
Book Description
In the hush of early morning, a dutiful mother butters bread for her young son, who patiently stands at her side. This splendid painting captures a trivial moment in a family's daily routine and makes it almost sacrosanct. A Woman Preparing Bread and Butter for a Boy was executed by the Dutch painter Pieter de Hooch (1629-1684) between 1661 and 1663. The J. Paul Getty Museum's canvas is one of the artist's many pictures depicting women and children engaged in daily activities. This book examines the painting in relation to the artist's life and work, exploring his stylistic development and his complex relationship to other painters in the Dutch Republic. The author places the subject matter of the painting within the broader context of seventeenth-century Dutch concepts of domesticity and child rearing and ties it to social and cultural developments in the Netherlands during the second half of the seventeenth century.
Publisher: Getty Publications
ISBN: 0892368446
Category : Art
Languages : en
Pages : 94
Book Description
In the hush of early morning, a dutiful mother butters bread for her young son, who patiently stands at her side. This splendid painting captures a trivial moment in a family's daily routine and makes it almost sacrosanct. A Woman Preparing Bread and Butter for a Boy was executed by the Dutch painter Pieter de Hooch (1629-1684) between 1661 and 1663. The J. Paul Getty Museum's canvas is one of the artist's many pictures depicting women and children engaged in daily activities. This book examines the painting in relation to the artist's life and work, exploring his stylistic development and his complex relationship to other painters in the Dutch Republic. The author places the subject matter of the painting within the broader context of seventeenth-century Dutch concepts of domesticity and child rearing and ties it to social and cultural developments in the Netherlands during the second half of the seventeenth century.
Pieter de Hooch in Delft
Author: Anita Jansen
Publisher: W Books
ISBN: 9789462583283
Category : Genre painting, Dutch
Languages : en
Pages : 0
Book Description
* After Vermeer, Pieter de Hooch is widely considered to be the most celebrated Delft master of the 17th century. This book accompanies the first retrospective exhibition in the Netherlands at the Museum Prinsenhof, Delft from 11 October 2019 to 16 February 2020This stunning catalogue accompanies a retrospective exhibition in the Netherlands of the famous 17th-century painter Pieter de Hooch (1629- after 1684). The exhibition, Pieter de Hooch in Delft - From the Shadow of Vermeer is the first retrospective of the artist's work in his own country, and will be presented at the Museum Prinsenhof Delft from 11 October 2019 to 16 February 2020. After Vermeer, Pieter de Hooch is widely considered to be the most celebrated Delft master of the 17th century. The paintings De Hooch produced in Delft (ca. 1652-1660) will be at the heart of the exhibition: his most beautiful courtyards and interiors will return to the city where they were painted almost 400 years ago. Approximately 30 works will be coming to Delft on loan from leading museums in Europe and the United States and includes many famous paintings.
Publisher: W Books
ISBN: 9789462583283
Category : Genre painting, Dutch
Languages : en
Pages : 0
Book Description
* After Vermeer, Pieter de Hooch is widely considered to be the most celebrated Delft master of the 17th century. This book accompanies the first retrospective exhibition in the Netherlands at the Museum Prinsenhof, Delft from 11 October 2019 to 16 February 2020This stunning catalogue accompanies a retrospective exhibition in the Netherlands of the famous 17th-century painter Pieter de Hooch (1629- after 1684). The exhibition, Pieter de Hooch in Delft - From the Shadow of Vermeer is the first retrospective of the artist's work in his own country, and will be presented at the Museum Prinsenhof Delft from 11 October 2019 to 16 February 2020. After Vermeer, Pieter de Hooch is widely considered to be the most celebrated Delft master of the 17th century. The paintings De Hooch produced in Delft (ca. 1652-1660) will be at the heart of the exhibition: his most beautiful courtyards and interiors will return to the city where they were painted almost 400 years ago. Approximately 30 works will be coming to Delft on loan from leading museums in Europe and the United States and includes many famous paintings.
Simon Kick (1603-1652)
Author: Jochai Rosen
Publisher: Cambridge Scholars Publishing
ISBN: 1527574113
Category : Art
Languages : en
Pages : 160
Book Description
This book is the first complete study of the life and work of the 17th-century Dutch painter Simon Kick (1603-1652). Kick was active in Amsterdam, the largest and busiest city of the Netherlands, alongside Rembrandt. Simon Kick began painting only at the age of 32, driven to do so only due to the tragic death of his brother-in-law and since the economic situation necessitated it. Nevertheless, he was an excellent painter who focused on painting portraits, histories, and, above all, genre topics. He was one of only ten 17th-century Dutch painters to practice the unique genre formula of the guardroom scene. His guardroom scenes stand out as being more gentrified than others due to the fact that he assimilated in them the elegance of contemporary civic-guard portraits. His figures are particularly striking since they are well-characterized, often depicted in a contemplative mood, and imbued with a strong psychological presence. The fact that he started his career late and passed away at an early age robbed us of a great painter. The book includes a biography of the painter, as well as a systematic and comparative iconographical and stylistic study of his work, with an attached critical oeuvre catalogue. As such, it provides an important tool for both art enthusiasts and collectors, as well as art professionals such as students, scholars, auctioneers, and art dealers.
Publisher: Cambridge Scholars Publishing
ISBN: 1527574113
Category : Art
Languages : en
Pages : 160
Book Description
This book is the first complete study of the life and work of the 17th-century Dutch painter Simon Kick (1603-1652). Kick was active in Amsterdam, the largest and busiest city of the Netherlands, alongside Rembrandt. Simon Kick began painting only at the age of 32, driven to do so only due to the tragic death of his brother-in-law and since the economic situation necessitated it. Nevertheless, he was an excellent painter who focused on painting portraits, histories, and, above all, genre topics. He was one of only ten 17th-century Dutch painters to practice the unique genre formula of the guardroom scene. His guardroom scenes stand out as being more gentrified than others due to the fact that he assimilated in them the elegance of contemporary civic-guard portraits. His figures are particularly striking since they are well-characterized, often depicted in a contemplative mood, and imbued with a strong psychological presence. The fact that he started his career late and passed away at an early age robbed us of a great painter. The book includes a biography of the painter, as well as a systematic and comparative iconographical and stylistic study of his work, with an attached critical oeuvre catalogue. As such, it provides an important tool for both art enthusiasts and collectors, as well as art professionals such as students, scholars, auctioneers, and art dealers.
A is for Artist
Author: J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 9780892363773
Category : Art
Languages : en
Pages : 50
Book Description
An alphabet book illustrated with details taken from paintings in the J. Paul Getty Museum.
Publisher: Getty Publications
ISBN: 9780892363773
Category : Art
Languages : en
Pages : 50
Book Description
An alphabet book illustrated with details taken from paintings in the J. Paul Getty Museum.
Dutch Paintings of the Seventeenth Century
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Vermeer and the Masters of Genre Painting
Author: Eddy Schavemaker
Publisher: Yale University Press
ISBN: 9780300222937
Category : ART
Languages : en
Pages : 0
Book Description
A landmark exploration of the engaging network of relationships among genre painters of the Dutch Golden Age The genre painting of the Dutch Golden Age between 1650 and 1675 ranks among the highest pinnacles of Western European art. The virtuosity of these works, as this book demonstrates, was achieved in part thanks to a vibrant artistic rivalry among numerous first-rate genre painters working in different cities across the Dutch Republic. They drew inspiration from each other's painting, and then tried to surpass each other in technical prowess and aesthetic appeal. The Delft master Johannes Vermeer (1632-1675) is now the most renowned of these painters of everyday life. Though he is frequently portrayed as an enigmatic figure who worked largely in isolation, the essays here reveal that Vermeer's subjects, compositions, and figure types in fact owe much to works by artists from other Dutch cities. Enlivened with 180 superb illustrations, Vermeer and the Masters of Genre Painting highlights the relationships - comparative and competitive - among Vermeer and his contemporaries, including Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, and Frans van Mieris. Published in association with the National Gallery of Ireland Exhibition Schedule: Musee du Louvre 02/20/17--05/22/17 National Gallery of Ireland 06/17/17--09/17/17 National Gallery of Art, Washington D.C. (10/22/17--01/21/18)
Publisher: Yale University Press
ISBN: 9780300222937
Category : ART
Languages : en
Pages : 0
Book Description
A landmark exploration of the engaging network of relationships among genre painters of the Dutch Golden Age The genre painting of the Dutch Golden Age between 1650 and 1675 ranks among the highest pinnacles of Western European art. The virtuosity of these works, as this book demonstrates, was achieved in part thanks to a vibrant artistic rivalry among numerous first-rate genre painters working in different cities across the Dutch Republic. They drew inspiration from each other's painting, and then tried to surpass each other in technical prowess and aesthetic appeal. The Delft master Johannes Vermeer (1632-1675) is now the most renowned of these painters of everyday life. Though he is frequently portrayed as an enigmatic figure who worked largely in isolation, the essays here reveal that Vermeer's subjects, compositions, and figure types in fact owe much to works by artists from other Dutch cities. Enlivened with 180 superb illustrations, Vermeer and the Masters of Genre Painting highlights the relationships - comparative and competitive - among Vermeer and his contemporaries, including Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, and Frans van Mieris. Published in association with the National Gallery of Ireland Exhibition Schedule: Musee du Louvre 02/20/17--05/22/17 National Gallery of Ireland 06/17/17--09/17/17 National Gallery of Art, Washington D.C. (10/22/17--01/21/18)
Jan Steen
Author: John Walsh
Publisher: Getty Publications
ISBN: 0892363924
Category : Artists' studios
Languages : en
Pages : 96
Book Description
In The Drawing Lesson, Jan Steen celebrates the art of the painter as teacher, placing his subjects in a familiar Dutch interior. This fascinating study of the painting - a masterpiece of the Museum's collection - examines the individual parts and larger patterns of the work and also recounts Steen's career and a history of the picture itself.
Publisher: Getty Publications
ISBN: 0892363924
Category : Artists' studios
Languages : en
Pages : 96
Book Description
In The Drawing Lesson, Jan Steen celebrates the art of the painter as teacher, placing his subjects in a familiar Dutch interior. This fascinating study of the painting - a masterpiece of the Museum's collection - examines the individual parts and larger patterns of the work and also recounts Steen's career and a history of the picture itself.
Through the Canvas
Author: Ricardo Flores
Publisher: Actar D
ISBN:
Category : Architecture
Languages : en
Pages : 132
Book Description
"Through the Canvas celebrates the Design Studio conceived and directed in 2004 by Ricardo Flores and Eva Prats for students of architecture at the University of New South Wales in Sydney. The three parts of the book - 'De Hooch's Rooms': an introduction of the theme to the students, 'The Exercises': the work in progress of the studio itself, and 'Epilogue': a final conclusion through a series of articles by the members of the Jury - follow the sequence in which the theme was introduced, developed and debated during the week-long studio." "Based on the Dutch painter Pieter de Hooch's work, Flores Prats propose an exercise of architectural design through observation, strongly linked to the act of the making of things by hand. This studio, the big room where the workshop took place, contained people and work for five days. The accumulation - of drawings, models, photographs, dust, and tiredness - allowed the overlapping of different materials, producing new ideas which at the time sparked new work." "The effort of this publication has been in trying to reflect and reproduce this intensity, and to give continuity to a mass of material by putting together most of the drawings and photographs taken in situ. The idea of the book is not to favour the finished objects - the photographs - but to underline the process by which the projects came about, taking the intermediate material as the valuable product from where the final proposal can be seen. Correspondingly, the book contains not only drawings of completed projects, but more about the material produced during the evolution of the workshop."--BOOK JACKET.
Publisher: Actar D
ISBN:
Category : Architecture
Languages : en
Pages : 132
Book Description
"Through the Canvas celebrates the Design Studio conceived and directed in 2004 by Ricardo Flores and Eva Prats for students of architecture at the University of New South Wales in Sydney. The three parts of the book - 'De Hooch's Rooms': an introduction of the theme to the students, 'The Exercises': the work in progress of the studio itself, and 'Epilogue': a final conclusion through a series of articles by the members of the Jury - follow the sequence in which the theme was introduced, developed and debated during the week-long studio." "Based on the Dutch painter Pieter de Hooch's work, Flores Prats propose an exercise of architectural design through observation, strongly linked to the act of the making of things by hand. This studio, the big room where the workshop took place, contained people and work for five days. The accumulation - of drawings, models, photographs, dust, and tiredness - allowed the overlapping of different materials, producing new ideas which at the time sparked new work." "The effort of this publication has been in trying to reflect and reproduce this intensity, and to give continuity to a mass of material by putting together most of the drawings and photographs taken in situ. The idea of the book is not to favour the finished objects - the photographs - but to underline the process by which the projects came about, taking the intermediate material as the valuable product from where the final proposal can be seen. Correspondingly, the book contains not only drawings of completed projects, but more about the material produced during the evolution of the workshop."--BOOK JACKET.
Visions of Savage Paradise
Author: Rebecca Parker Brienen
Publisher: Amsterdam University Press
ISBN: 9053569472
Category : Art
Languages : en
Pages : 289
Book Description
Visions of Savage Paradise is the first major book-length study of seventeenth-century Dutch artist Albert Eckhout to be published in nearly seventy years. Eckhout, who was court painter to the colonial governor of Dutch Brazil, created life-size paintings of Amerindians, Africans, and Brazilians of mixed race in support of the governor’s project to document the people and natural history of the colony. In this study, Rebecca Parker Brienen provides a detailed analysis of Eckhout’s works, framing them with discussions of both their colonial context and contemporary artistic practices in the Dutch republic.
Publisher: Amsterdam University Press
ISBN: 9053569472
Category : Art
Languages : en
Pages : 289
Book Description
Visions of Savage Paradise is the first major book-length study of seventeenth-century Dutch artist Albert Eckhout to be published in nearly seventy years. Eckhout, who was court painter to the colonial governor of Dutch Brazil, created life-size paintings of Amerindians, Africans, and Brazilians of mixed race in support of the governor’s project to document the people and natural history of the colony. In this study, Rebecca Parker Brienen provides a detailed analysis of Eckhout’s works, framing them with discussions of both their colonial context and contemporary artistic practices in the Dutch republic.