Author: Katherine G. Morrissey
Publisher: University of Arizona Press
ISBN: 9780816522729
Category : Photography
Languages : en
Pages : 268
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Book Description
The more than one hundred images--by well-known photographers such as Dorothea Lange and Laura Gilpin as well as by an array of less familiar ones--places the work of local Arizonans alongside that of federal photographers both to illuminate the impact of the Depression on the state's distinctive racial and natural landscapes and to show the influence of differing cultural agendas on the photographic record. Includes essays by a variety of authors on life in 1930s Arizona and the photographers who documented it.
Author: Betsy Fahlman
Publisher: University of Arizona Press
ISBN: 0816534446
Category : History
Languages : en
Pages : 222
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Book Description
Arizona’s art history is emblematic of the story of the modern West, and few periods in that history were more significant than the era of the New Deal. From Dorothea Lange and Ansel Adams to painters and muralists including Native American Gerald Nailor, the artists working in Arizona under New Deal programs were a notable group whose art served a distinctly public purpose. Their photography, paintings, and sculptures remain significant exemplars of federal art patronage and offer telling lessons positioned at the intersection of community history and culture. Art is a powerful instrument of historical record and cultural construction, and many of the issues captured by the Farm Security Administration photographers remain significant issues today: migratory labor, the economic volatility of the mining industry, tourism, and water usage. Art tells important stories, too, including the work of Japanese American photographer Toyo Miyatake in Arizona’s internment camps, murals by Native American artist Gerald Nailor for the Navajo Nation Council Chamber in Window Rock, and African American themes at Fort Huachuca. Illustrated with 100 black-andwhite photographs and covering a wide range of both media and themes, this fascinating and accessible volume reclaims a richly textured story of Arizona history with potent lessons for today.
Author: Liza Black
Publisher: U of Nebraska Press
ISBN: 149623264X
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
Liza Black critically examines the inner workings of post–World War II American films and production studios that cast American Indian extras and actors as Native people, forcing them to come face to face with mainstream representations of “Indianness.”
Author: Jeffrey Spier
Publisher: Yale University Press
ISBN: 9780300116830
Category : Art
Languages : en
Pages : 334
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Book Description
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
Author: Pedro E. Guerrero
Publisher: The Monacelli Press, LLC
ISBN: 1580934196
Category : Photography
Languages : en
Pages : 193
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Book Description
No photographer during renowned architect Frank Lloyd Wright’s lifetime was granted as much personal and professional access as his official photographer, Pedro E. Guerrero, who spent 20 years shooting Wright’s work, his homes and many key moments in his life. Picturing Wright: An Album from Frank Lloyd Wright’s Photographer provides an illuminating portrait of Wright from the day of Guerrero’s serendipitous hiring in 1939 until his last assignment just before the architect’s 1959 death, a particularly momentous time in Wright’s career. Guerrero captured Wright at Taliesin West in Arizona, at Taliesin in Wisconsin and later at “Taliesin East”—his personally remodeled suite at New York’s Plaza Hotel. Guerrero was there as the Arizona site evolved from a makeshift camp to an internationally renowned architectural community; for the Taliesin Fellowship’s treks east to Taliesin each spring; and for life among the apprentice architects who created buildings, grew their own food, picnicked on the hillsides and thrived under the master’s watchful but benevolent eye. Guerrero photographed many of Wright’s later projects, among them his innovative Usonian houses and provocative public buildings. Throughout, he recorded Wright in candid poses that provide a unique, behind-the-scenes glimpse of the architectural genius. Picturing Wright gathers 200 of these compelling images to capture Wright in a refreshing new light. The photographs come to life through the entertaining, often humorous stories Guerrero tells to accompany them, from what Wright thought of cows to how he rearranged clients’ interiors to suit his own vision. An afterword to this updated edition by Dixie Legler Guerrero, Guerrero’s wife, traces the photographer’s life after Picturing Wright was first published. The book, a newly edited and curated edition building on the initial 1993 release (out of print for more than 20 years), has a group of new color photographs and features a foreword by noted architecture critic Martin Filler. In 1991, the American Institute of Architects named Frank Lloyd Wright (1867–1959) the greatest American architect of all time and 12 of his buildings appeared on Architectural Record’s list of the 100 most important buildings of the previous century, including Fallingwater, the Robie House, the Johnson Administration Building, the Guggenheim, Taliesin and Taliesin West.
Author: Sarah Deutsch
Publisher: U of Nebraska Press
ISBN: 149622955X
Category : History
Languages : en
Pages : 523
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Book Description
To many Americans in the nineteenth and twentieth centuries, the West was simultaneously the greatest symbol of American opportunity, the greatest story of its history, and the imagined blank slate on which the country's future would be written. From the Spanish-American War in 1898 to the Great Depression's end, from the Mississippi to the Pacific, policymakers at various levels and large-scale corporate investors, along with those living in the West and its borderlands, struggled over who would define modernity, who would participate in the modern American West, and who would be excluded. In Making a Modern U.S. West Sarah Deutsch surveys the history of the U.S. West from 1898 to 1940. Centering what is often relegated to the margins in histories of the region--the flows of people, capital, and ideas across borders--Deutsch attends to the region's role in constructing U.S. racial formations and argues that the West as a region was as important as the South in constructing the United States as a "white man's country." While this racial formation was linked to claims of modernity and progress by powerful players, Deutsch shows that visions of what constituted modernity were deeply contested by others. This expansive volume presents the most thorough examination to date of the American West from the late 1890s to the eve of World War II.
Author:
Publisher: BRILL
ISBN: 9004385479
Category : Photography
Languages : en
Pages : 281
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Book Description
Picturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photographs as prime sites of knowledge production and advocates of socio-political transformations, a transnational set of scholars reveals how images enact both our perception and conception of American environments. They investigate the power photography yields in shaping our ideas of self, nation, and empire, of private and public space, through urban, landscape, wasteland and portrait photography. The volume radically reconfigures how pictures alter the development of American places in the past, present, and future.
Author: Linda Theron
Publisher: Springer Science & Business Media
ISBN: 9460915965
Category : Education
Languages : en
Pages : 246
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Book Description
Picturing research: drawing as visual methodology offers a timely analysis of the use of drawings in qualitative research. Drawing can be a method in itself, as in the research area of Visual Studies, and also one that complements the use of photography, video, and other visual methodologies. This edited volume is divided into two sections. The first section provides critical commentary on the use of drawings in social science research, addressing such issues of methodology as the politics of working with children and drawing, ethical issues in working with both adults and children, and some of the interpretive considerations. The second section, in its presentation of nine research-based case-studies, illustrates the richness of drawings. Each case study explores participatory research involving drawings that encourages social change, or illustrates participant resilience. These case studies also highlight the various genres of drawings including cartoons and storyboarding. The book draws on community-based research from a wide variety of contexts, most in South Africa, although it also includes work from Rwanda and Lesotho. Given the high rates of HIV&AIDS in sub-Saharan Africa, it should not be surprising that many of the chapters take up concerns such as the preparation of teachers and community health workers in the age of AIDS, and the experiences of orphans and vulnerable children. Moving further afield, this book also includes work done with immigrant populations in Canada, and with tribunals in Somalia and Australia. Picturing research is an important resource for novice and experienced researchers interested in employing qualitative methodology that encourages rich (yet low-tech) visible data and that offers a participatory, enabling experience for participants and their communities.
Author: William Wyckoff
Publisher: University of New Mexico Press
ISBN: 0826361420
Category : History
Languages : en
Pages : 193
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Book Description
In Riding Shotgun with Norman Wallace, award-winning geographer William Wyckoff celebrates the photographic legacy of Norman Grant Wallace, whose work as an Arizona highway engineer during the first half of the twentieth century afforded him the opportunity to survey every corner of the Grand Canyon State. Possessing a passion for photography, Wallace documented Arizona throughout his travels. From 1906 to 1969 Wallace photographed the state’s natural and rural landscapes; its burgeoning infrastructure including roads, bridges, and dams; and its towns and cities, some of which experienced exponential growth following World War II. Nearly one hundred years later, Wyckoff retraces Wallace’s southwestern travels using the engineer’s photographs and meticulous notebooks as a guide. The author rephotographs many of Wallace’s iconic vantage points, giving us a historical tour of Arizona, a “then-and-now” viewpoint that also tells the personal story of Wyckoff’s own vicarious travels with Wallace through Arizona’s vast countryside and its urban centers and small towns.
Author: Jennifer L. Jenkins
Publisher: University of Arizona Press
ISBN: 0816534535
Category : History
Languages : en
Pages : 248
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Book Description
The five Cs of Arizona—copper, cattle, cotton, citrus, and climate—formed the basis of the state’s livelihood and a readymade roster of subjects for films. With an eye on the developing national appetite for all things western, Charles and Lucile Herbert founded Western Ways Features in 1936 to document the landscape, regional development, and diverse cultures of Arizona, the U.S. Southwest, and northern Mexico. Celluloid Pueblo tells the story of Western Ways Features and its role in the invention of the Southwest of the imagination. Active during a thirty-year period of profound growth and transformation, the Herberts created a dynamic visual record of the region, and their archival films now serve as a time capsule of the Sunbelt in the mid-twentieth century. Drawing upon a ten-year career with Fox, Western Ways owner-operator Charles Herbert brought a newshound’s sensibility and acute skill at in-camera editing to his southwestern subjects. The Western Ways films provided counternarratives to Hollywood representations of the West and established the regional identity of Tucson and the borderlands. Jennifer L. Jenkins’s broad-sweeping book examines the Herberts’ work on some of the first sound films in the Arizona borderlands and their ongoing promotion of the Southwest. The book covers the filmic representation of Native and Mexican lifeways, Anglo ranching and leisure, Mexican missions and tourism, and postwar borderlands prosperity and progressivism. The story of Western Ways closely follows the boom-and-bust arc of the midcentury Southwest and the constantly evolving representations of an exotic—but safe and domesticated—frontier.
