Author: Matthew C. Potter
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
British Art for Australia, 1860-1953
Author: Matthew C. Potter
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
A History of the Royal Society of Arts
Author: Henry Trueman Wood
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 662
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 662
Book Description
The Builder
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 970
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 970
Book Description
The Athenæum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1636
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1636
Book Description
A Biographical History of the Fine Arts
Author: S. Spooner
Publisher: BoD – Books on Demand
ISBN: 3385200431
Category : Fiction
Languages : en
Pages : 594
Book Description
Reprint of the original, first published in 1873.
Publisher: BoD – Books on Demand
ISBN: 3385200431
Category : Fiction
Languages : en
Pages : 594
Book Description
Reprint of the original, first published in 1873.
History Teacher's Magazine
Author:
Publisher:
ISBN:
Category : History
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 244
Book Description
The Art-union
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 534
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 534
Book Description
The Athenaeum
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 858
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 858
Book Description
A Biographical History of the Fine Arts, Being Memoirs of the Lives ... of Eminent Painters, Engravers, Sculptors ... With ... Plates of Monograms ... Fourth Edition
Author: Shearjashub Spooner
Publisher:
ISBN:
Category :
Languages : en
Pages : 662
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 662
Book Description
A Biographical History of the Five Arts being memoirs of the lives and works of eminent painters,engravers,sculptors and architects...
Author: SPOONER
Publisher:
ISBN:
Category :
Languages : en
Pages : 634
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 634
Book Description