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Author: E. A. Carmean
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 106
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Book Description
41 paintings, drawings, prints, sculpture, and documents, relating to Picasso's Family of Saltimbanques in the Chester Dale collection and to the theme of vagabond performers, marked the centennial of Pablo Picasso's birth.
Author: E. A. Carmean
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 106
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Book Description
41 paintings, drawings, prints, sculpture, and documents, relating to Picasso's Family of Saltimbanques in the Chester Dale collection and to the theme of vagabond performers, marked the centennial of Pablo Picasso's birth.
Author: Pablo Picasso
Publisher: Trout Gallery
ISBN: 9780982615621
Category : Art
Languages : en
Pages : 0
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Book Description
Focusing on prints (etchings, drypoints, color lithographs), Picasso and the Circus presents a pivotal moment in Picasso's early career, between his Blue and Rose Periods, when he was increasingly drawn to the subject of the circus in Paris. The book analyzes the circus and related spectacles in fin-de-siecle Paris, and how they were interpreted by print arts of the era, including Jules Cheret, Henri-Gabriel Ibels, Henri Gray, Edgar Chahine, and Richard Ranft. It then considers Pablo Picasso's Suite de Saltimbanques (1904-6), an early and highly important series of etchings and drypoints related primarily to acrobats (saltimbanques). The popularity of the circus in late 19th-and early 20th-century Paris certainly resonates in the works of many artists. From sensational--and sensationalized--feats of strength and prowess to moving depictions of poverty and the life of the outcast, these prints not only expand our understanding of the period, they also represent some of Picasso's finest work.
Author: Claire Bernardi
Publisher: Hatje Cantz Verlag
ISBN: 3775755799
Category : Art
Languages : en
Pages : 301
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Book Description
Anlässlich des großen Picasso-Jubiläumsjahres rund um den 50. Todestag des Künstlers, wird der spektakuläre Band zu den frühen Gemälden und Skulpturen Pablo Picassos neu aufgelegt. Die Bilder aus der sogenannten Blauen und Rosa Periode bis hin zum frühen Kubismus, die zwischen 1901 und 1907 entstanden, sind allesamt Meilensteine auf Picassos Weg zum berühmtesten Künstler des 20. Jahrhunderts. 2019 zeigte die Fondation Beyeler in ihrer bis dato hochkarätigsten Ausstellung rund 80 Meisterwerke aus renommierten Museen und Privatsammlungen. Sie zählen nicht nur zu den kostbarsten Kunstwerken überhaupt, sondern auch zu den schönsten und emotionalsten der Moderne. Der Band macht damit das Frühwerk des Ausnahmekünstlers auf einmalige Art und Weise erlebbar.
Author: T. J. Clark
Publisher: Princeton University Press
ISBN: 0691209529
Category : Art
Languages : en
Pages : 342
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Book Description
A groundbreaking reassessment of Picasso by one of today's preeminent art historians Picasso and Truth offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early The Blue Room to the later Guernica, eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined—too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works—the large-scale Guitar and Mandolin on a Table (1924), The Three Dancers (1925), and The Painter and His Model (1927)—and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, Picasso and Truth rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art—humane and appalling, naïve and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author: Olivier Berggruen
Publisher: Rizzoli Publications
ISBN: 0847871800
Category : Art
Languages : en
Pages : 0
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Book Description
A rare look at the exceptional works on paper from private collections by the master of modern art. “There’s nothing more difficult than a line.” –Pablo Picasso Picasso: Seven Decades of Drawing surveys Pablo Picasso’s prodigious career as a draftsman, including over 40 examples on loan from private collections spanning nearly 70 years of the artist’s long and celebrated career. The book showcases drawings in a wide range of media, from works in charcoal and crayon to colored pencil, collage or papiers collés, graphite, gouache, ink, pastel, and watercolor. Some of the drawings on loan are rarely on view and they provide insight into the evolution of his iconic paintings, such as Les Demoiselles d’Avignon and Guernica, while others stand alone as virtuoso, independent works, highlighting Picasso’s mastery of line, form, and medium. The book ultimately examines how drawing serves as the vital thread connecting all of Picasso’s art.
Author: Jean Cassou
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
Author: Tavis Leaf Glover
Publisher: Tavis Leaf Glover
ISBN: 1320107699
Category : Art
Languages : en
Pages : 127
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Book Description
There’s nothing more important to the future of your artwork than to educate and nurture the unique talent you were born to share with the world. The Canon of Design represents artistic integrity, and enables you to leave your mark on this earth as one of the most talented visual communicators ever known. Learn the language of design to stand with the great masters and reflect the beauty prominently found in nature. This field manual is written to you, for you, and will help shorten your journey to achieving artistic excellence!
Author: Minneapolis Institute of Arts
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 88
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Book Description
"The current exhibition had its genesis in casual conversation several years ago with Ernst Beyeler of Basel, Switzerland, and his American liaison, Kurt Delbanco. The proposal was advanced that Beyeler might be willing to lend a selection of works for exhibition in the United States. Originally some two dozen paintings by Picasso were selected by the museums, but this past summer, as enthusiasm for the exhibition mounted, the number of works increased dramatically. Braque and Léger were added both to complement and contrast with the works by Picasso, and several private Swiss collectors were persuaded to lend works to help fill in certain gaps. The final result was a selection of eighty-three works that well represented the diverse careers of Picasso, Braque and Léger." -- Foreword.
Author: Jeffrey S. Weiss
Publisher: Princeton University Press
ISBN: 9780691117416
Category : Architecture
Languages : en
Pages : 228
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Book Description
Between spring and winter 1909, Picasso executed more than sixty portraits of his companion, Fernande Olivier. These works--produced in a variety of formats and mediums--exhibit a range of artistic approaches dedicated to a single subject that stands out in the history of portraiture. Even more significant, this series of works coincided with the invention of Cubism. Published to accompany a major exhibition originating at the National Gallery of Art, Washington, this richly illustrated volume illuminates Picasso's radical reformulation of human physiognomy. Containing eighty-two color illustrations and sixty-eight duotones, the catalogue explores the Fernande portraits and related works as a single oeuvre culminating in the magnificent Head of a Woman (Fernande)--one of Picasso's rare pre-1912 excursions into sculpture. By so doing, it allows us to examine Picasso's process in an unprecedented fashion. What emerges is a new picture of the artist pursuing his subject with obsessive repetition and struggling to resolve artistic problems during a time of crisis in his work. Also included are previously unpublished studio photographs that offer further insight into the conceptual nature of the artist's process. The text narrates the internal development of the Fernande portrait series, situates it within the broader history of representation, and considers the powerful impact of Cézanne on Picasso's work during this period. Seizing a single extended moment in the early history of Cubism, this catalogue reveals Cubism's great achievement--its startling invention, its remarkable expressive power, and its profound formal and psychological implications for modern art. EXHIBITION SCHEDULE: National Gallery of Art, Washington October 1, 2003 - January 18, 2004 Nasher Sculpture Garden, Dallas February 15 - May 9, 2004
Author: Naomi Ritter
Publisher: University of Missouri Press
ISBN: 9780826207197
Category : Arts, Modern
Languages : en
Pages : 374
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Book Description
Why do images of entertainers abound in European literature and art since Romanticism? From Baudelaire to Picasso, from Daumier to Fellini, mimes, clowns, aerialists, and jesters recur in major works by continental artists. In Art as Spectacle, Naomi Ritter investigates this phenomenon and offers explanations that transcend the array of works discussed. Her analysis implies much about the triangle of creator, work, and audience that inevitably controls art. Although a broadly comparative study underlies Art as Spectacle, the book focuses mainly on examples from Germany and France. Three areas of argument-identification, primitivism, and transcendence-account for the performer's ubiquity in the arts of the last two centuries. Ritter shows that writers, painters, choreographers, and filmmakers have persistently identified with the entertainer, whose roots lie in primitive ritual: a source of all art. Accordingly, the artist also sees the player as morally or spiritually elevated. With three chapters on literature, a chapter comparing poetry to painting, and a chapter each on dance, the visual arts, and film, Art as Spectacle offers unprecedented scope on a compelling topic in comparative studies. By integrating such varied material into an original commentary on the image of the entertainers, this book provides an invaluable resource for all the disciplines it touches.
