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Author: Kenneth Wayne
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The first essay addresses Picasso's abundant and varied cubist painting. The second essay treats the art of three major Cubists -- Picasso, Braque, and Leger -- in the context of the various cubist idioms that developed. The third essay, also broad in scope, examines the significant relationship between Cubism and the decorative arts in France.
Author: Kenneth Wayne
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The first essay addresses Picasso's abundant and varied cubist painting. The second essay treats the art of three major Cubists -- Picasso, Braque, and Leger -- in the context of the various cubist idioms that developed. The third essay, also broad in scope, examines the significant relationship between Cubism and the decorative arts in France.
Author: Jed Rasula
Publisher: Oxford University Press
ISBN: 0192570722
Category : Music
Languages : en
Pages : 473
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Book Description
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
Author: Heike Raphael-Hernandez
Publisher: Routledge
ISBN: 1136072020
Category : History
Languages : en
Pages : 338
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Book Description
Traditional Scholars have often looked at African American studies through the lens of European theories, resulting in the secondarization of the African American presence in Europe and its contributions to European culture. Blackening Europe reverses this pattern by using African American culture as the starting point for a discussion of its influences over traditional European structures. Evidence of Europe's blackening abound, form French ministers of Hip-hop and British incarnations of "Shaft" to slavery memorial in the Netherlands and German youth sporting dreadlocks. Collecting essays by scholars from both sides of the Atlantic and fields as diverse as history, literature, politics, social studies, art, film and music, Blackening Europe explores the implications of these cultural hybrids and extends the growing dialogues about Europe's fascination with African America.
Author: Brigitte Léal
Publisher:
ISBN: 9783777432625
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 0
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Book Description
'The Cubist Cosmos' traces the development of Cubsm between 1907 and 1917. The publciation reveals the boundless innovative power of the works of Pablo Picasso and Geoprges Braque. it also shows how the Cubist pictorial language was received and advanced by the artists of the Parisian avant-garde--such as Fernand Léger and Sonia Delaunay--and how it evolved into the colourful large-format pictures. The volume reflects not only the enormous range of this stylistic direction but also its revolutionary potential, which went on to influence the further development of twentieth-century art.
Author: Minneapolis Institute of Arts
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 88
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Book Description
"The current exhibition had its genesis in casual conversation several years ago with Ernst Beyeler of Basel, Switzerland, and his American liaison, Kurt Delbanco. The proposal was advanced that Beyeler might be willing to lend a selection of works for exhibition in the United States. Originally some two dozen paintings by Picasso were selected by the museums, but this past summer, as enthusiasm for the exhibition mounted, the number of works increased dramatically. Braque and Léger were added both to complement and contrast with the works by Picasso, and several private Swiss collectors were persuaded to lend works to help fill in certain gaps. The final result was a selection of eighty-three works that well represented the diverse careers of Picasso, Braque and Léger." -- Foreword.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 910
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Book Description
Author: Douglas Cooper
Publisher: Sterling/Main Street
ISBN:
Category : Art
Languages : en
Pages : 460
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Book Description
Author: Dorothy M. Kosinski
Publisher: Houston, Tex. : Museum of Fine Arts
ISBN:
Category : Art
Languages : en
Pages : 84
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Book Description
Author: Pablo Picasso
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 104
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Book Description
Color plates include works by: Picasso, Braque, Derain, Gris, Leger, Lhote, Marcoussis, Gleizes, Metzinger, Le Fauconnier, Herbin, Villon, Kupka, Delaunay, Duchamp, Picabia.
