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Author: Arthur Whiting
Publisher:
ISBN:
Category : Etudes
Languages : en
Pages : 58
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Book Description
Author: Arthur Whiting
Publisher:
ISBN:
Category : Etudes
Languages : en
Pages : 58
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Book Description
Author: Ludvig Schytte
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 32
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Book Description
Author: Trygve Torjussen
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 19
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Book Description
Author: Frank Lynes
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 56
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Book Description
Author: Arthur Whiting
Publisher: Forgotten Books
ISBN: 9781396607486
Category : Music
Languages : en
Pages : 56
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Book Description
Excerpt from Pianoforte Pedal Studies: Part I, Elementary Use of the Damper Pedal (Revised Edition); Part II, Use of the Damper Pedal in Phrasing and Tone-Color There are, at the beginning of the book, a few exercises for the quick and rhythmical moving of the foot alone. They Should not be neglected, as a loose and active ankle is as important as a free wrist. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William Smythe Babcock Mathews
Publisher: Forgotten Books
ISBN: 9780428231057
Category : Music
Languages : en
Pages : 98
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Book Description
Excerpt from School of the Piano Pedal: Containing Explanations of the Best Usage, and Fully Illustrated by Numerous Selections From the Works of Bach, Beethoven, Chopin, Franz, Heller, Liszt, Schumann, Tchaikovsky, and Many Original Studies The Pedals of the Pianoforte are a vital part of the tone-controlling mechanism, since they add to the tonal effect elements which cannot be put there from the keyboard. To pedal well requires long practice, close hearing, and constant and many-sided attention. To pedal a piece well is more difficult than to write out a really artistic fingering for an individual hand. The pedals are the more indispensable because, since Chopin, composers do not generally write the notes in all instances as they are meant to sound, but as the hands have to play them. The remainder is left to the uncertain indication of an occasional here and there in the music. Artistic pedaling, there fore, is not only a question of making the playing sound better, but often of bringing out an idea which but for the pedal would not be heard at all. Pedaling is an art requiring as careful and as systematic study as scale-work, arpeggios, or any element of the technic. Fine playing is impossible without the pedals. Pedal technic requires to be taken up very early in the course, during Grade II at latest. During this grade all the manners of using pedals explained in Chapters III, VII, VIII, IX, and X have to be carefully mastered, including the theoretical explanations appertaining to them. The pupil is to learn all of the pieces of this grade. During Grade III he begins again and reviews all the matter and the easy music in all the chapters, including Chapter XI. In Grade IV he again reviews all the theory and the pieces and adds those of Grade IV. In Grade V, the same. Thus at the end of the book he will have completely covered the usual pedal uses at least three times, and should begin to have a degree of taste and discretion in this direction, too often wanting. Every piece studied must be thoroughly memorized and by reviewing kept in memory. In Chapters VII, VIII, and IX the pedal is begun with the first study. In Chapters X and XI the notes are first learned. Every lesson is intended to sound like a piano recital even when the pieces are easy. It is not a ques tion of How much? Or How many? But How? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Diller Quaile
Publisher: G Schirmer, Incorporated
ISBN: 9780793511457
Category : Piano
Languages : en
Pages : 0
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Book Description
Score
Author: Heinrich Gebhard
Publisher: Courier Corporation
ISBN: 0486488276
Category : Music
Languages : en
Pages : 66
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Book Description
Written by a renowned musician who served as a mentor to Leonard Bernstein, this classic guide explains pedaling's most important uses and assists in the development of instincts for musical and artistic pedaling.
Author:
Publisher:
ISBN: 9781540060280
Category :
Languages : en
Pages : 80
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Book Description
(EMB). Pedal use is a fundamental part of expressive piano playing. But proper pedaling skills are not easy to acquire. Thus, it is important that piano students become acquainted with the use of the three pedals as early as possible. The stopgap Introduction to Pedaling is a collectionof pieces adapted to all levels of manual dexterity, enabling learners to improve their mastery of both the musical function and technique of pedaling. The volume contains both individual and joint studies for the three pedals of modern pianos. In addition to ten selected pieces from Samuil Maykapar's Twenty Pedal Preludes (1937), Introduction to Pedal Studies includes keyboard music from four centuries, ranging from Johann Sebastian Bach to contemporary Hungarian composers. Pupils can thus encounter varying pedal marks from different periods. Of course, not all composers featured in the collection marked pedal use; in such cases, pedal signs were added by the editor. It is a recurrent question of interpretation whether pedals should be used in the music of earlier masters. The sound of the modern piano is far less vibrant and rich in overtones than that of the period instruments - thus, it is not Bach's music that necessitates pedal use so much as the piano itself.
Author: David Rowland
Publisher: Cambridge University Press
ISBN: 0521402662
Category : Music
Languages : en
Pages : 208
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Book Description
A history of piano pedalling from its beginnings in the eighteenth century to its maturity in the nineteenth century.
