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Author: Joseph Haydn
Publisher: Alfred Music Publishing
ISBN: 9780769267678
Category : Music
Languages : en
Pages : 0
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Book Description
Expertly arranged Chamber Trios by Franz Joseph Haydn from the Kalmus Edition series. These Trios are from the Classical era.
Author: Joseph Haydn
Publisher: Alfred Music Publishing
ISBN: 9780769267678
Category : Music
Languages : en
Pages : 0
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Book Description
Expertly arranged Chamber Trios by Franz Joseph Haydn from the Kalmus Edition series. These Trios are from the Classical era.
Author: Franz Joseph Haydn
Publisher: Alfred Music
ISBN: 9781457487378
Category : Music
Languages : en
Pages : 184
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Book Description
Expertly arranged Chamber Trios by Franz Joseph Haydn from the Kalmus Edition series. These Trios are from the Classical era.
Author: Joseph Haydn
Publisher: Courier Corporation
ISBN: 0486287289
Category : Music
Languages : en
Pages : 259
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Book Description
New selection of 12 of the composer’s finest trios for piano, violin and cello. Each work reflects Haydn’s wonderful musical vitality, elegant sense of form and seemingly limitless capacity for invention and thematic development. Reprinted from the definitive C. F. Peters Complete Works edition.
Author: Robert Marshall
Publisher: Routledge
ISBN: 1135887764
Category : Music
Languages : en
Pages : 460
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Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Bryan Proksch
Publisher: Boydell & Brewer
ISBN: 1580465129
Category : Music
Languages : en
Pages : 302
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Book Description
By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged Papa Haydn, a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University.
Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 0393285782
Category : Music
Languages : en
Pages : 876
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Book Description
A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence. Completing the trilogy begun with Haydn, Mozart and the Viennese School, 1740-1780 and continued in Music in European Capitals: The Galant Style, 1720-1780, Daniel Heartz concludes his extensive chronicle of the Classical Era with this much-anticipated third volume. By the early years of the nineteenth century, "Haydn, Mozart and Beethoven" had become a catchphrase—a commonplace expression signifying musical excellence. Indeed, even in his early career, Beethoven was hailed as the only musician worthy to stand beside Haydn and Mozart. In this volume, Heartz winds up the careers of Haydn and Mozart (who during the 1780s produced their most famous and greatest works) and describes Beethoven's first decade in Vienna, during which he began composing by patterning his works on the two masters. The tumult and instability of the French Revolution serves as a vivid historical backdrop for the tale.
Author: Franz Joseph Haydn
Publisher: Alfred Music
ISBN: 9781457487385
Category : Music
Languages : en
Pages : 164
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Book Description
Composed by Franz Joseph Haydn, this collection of trios are written for Violin, Cello, and Piano.
Author: Richard Wigmore
Publisher: Faber & Faber
ISBN: 0571268730
Category : Music
Languages : en
Pages : 402
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Book Description
Joseph Haydn is one of the greatest and most innovative of all composers, yet in some ways he is still curiously misunderstood. This engaging new Pocket Guide assesses what Haydn's music means to us today, and challenges some of the myths that have grown up around the composer. With suggestions for further reading and recommended CD recordings, Richard Wigmore's crisp and concise guide presents you with all you need to listen to and enjoy Haydn's music. It explores each of his key works, from his symphonies to his quartets, from his choral works to his sonatas, and invites a new generation of listeners to discover the depth and dazzling ingenuity of this most humane and life-affirming of composers.
Author:
Publisher:
ISBN:
Category : Cello music
Languages : en
Pages : 488
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Book Description
Author: Elaine R. Sisman
Publisher: Princeton University Press
ISBN: 1400831822
Category : Music
Languages : en
Pages : 489
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Book Description
Joseph Haydn's symphonies and string quartets are staples of the concert repertory, yet many aspects of this founding genius of the Viennese Classical style are only beginning to be explored. From local Kapellmeister to international icon, Haydn achieved success by developing a musical language aimed at both the connoisseurs and amateurs of the emerging musical public. In this volume, the first collection of essays in English devoted to this composer, a group of leading musicologists examines Haydn's works in relation to the aesthetic and cultural crosscurrents of his time. Haydn and His World opens with an examination of the contexts of the composer's late oratorios: James Webster connects the Creation with the sublime--the eighteenth-century term for artistic experience of overwhelming power--and Leon Botstein explores the reception of Haydn's Seasons in terms of the changing views of programmatic music in the nineteenth century. Essays on Haydn's instrumental music include Mary Hunter on London chamber music as models of private and public performance, fortepianist Tom Beghin on rhetorical aspects of the Piano Sonata in D Major, XVI:42, Mark Evan Bonds on the real meaning behind contemporary comparisons of symphonies to the Pindaric ode, and Elaine R. Sisman on Haydn's Shakespeare, Haydn as Shakespeare, and "originality." Finally, Rebecca Green draws on primary sources to place one of Haydn's Goldoni operas at the center of the Eszterháza operatic culture of the 1770s. The book also includes two extensive late-eighteenth-century discussions, translated into English for the first time, of music and musicians in Haydn's milieu, as well as a fascinating reconstruction of the contents of Haydn's library, which shows him fully conversant with the intellectual and artistic trends of the era.
