Piano Quartets in G Minor K478 and E Flat K493 PDF Download
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Languages : en
Pages : 104
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Book Description
In 1785, Mozart received a commission from the publisher Franz Anton Hoffmeister for three quartets of the present instrumentation. The first composed, K478 in G minor, is considered the first major work for piano quartet in the chamber music repertoire. Hoffmeister, unfortunately, considered the piece too difficult for amateurs and feared the public would not buy it; and so he released Mozart from the obligation to complete the set. Happily, however, Mozart composed a second quartet the following year, that in Eb Major, K493. The publisher's misgivings regarding the G minor quartet were borne out by a 1788 article in the Weimar 'Journal des Luxus und der Moden'. [as performed by amateurs] it could not please: everybody yawned with boredom over the incomprehensible 'tintamarre' of 4 instruments which did not keep together for four bars on end, and whose senseless 'concentus' never allowed any unity of feeling; but it 'had' to please, it 'had' to be praised! ... what a difference when this much-advertised work of art is performed with the highest degree of accuracy by four skilled musicians who have studied it carefully. Amazingly to us today, this agrees with the widely held view of Mozart during his lifetime; that of a greatly gifted composer who wrote extremely difficult music.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Get Book
Book Description
In 1785, Mozart received a commission from the publisher Franz Anton Hoffmeister for three quartets of the present instrumentation. The first composed, K478 in G minor, is considered the first major work for piano quartet in the chamber music repertoire. Hoffmeister, unfortunately, considered the piece too difficult for amateurs and feared the public would not buy it; and so he released Mozart from the obligation to complete the set. Happily, however, Mozart composed a second quartet the following year, that in Eb Major, K493. The publisher's misgivings regarding the G minor quartet were borne out by a 1788 article in the Weimar 'Journal des Luxus und der Moden'. [as performed by amateurs] it could not please: everybody yawned with boredom over the incomprehensible 'tintamarre' of 4 instruments which did not keep together for four bars on end, and whose senseless 'concentus' never allowed any unity of feeling; but it 'had' to please, it 'had' to be praised! ... what a difference when this much-advertised work of art is performed with the highest degree of accuracy by four skilled musicians who have studied it carefully. Amazingly to us today, this agrees with the widely held view of Mozart during his lifetime; that of a greatly gifted composer who wrote extremely difficult music.
Author: W. A. - 2 Mozart
Publisher:
ISBN:
Category : Piano quartets
Languages : en
Pages : 2
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Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 104
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Book Description
Author: Neal Zaslaw
Publisher: W. W. Norton & Company
ISBN: 9780393028867
Category : Biography & Autobiography
Languages : en
Pages : 378
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Book Description
Collection of essays in a single volume for nonspecialists with information about each of Mozart's compositions, where, when, and why it was written, what it is like, and what special significance it may have within the composer's oeuvre.
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Piano quartets
Languages : en
Pages : 108
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Book Description
Author: Robert Spaethling
Publisher: W. W. Norton & Company
ISBN: 0393247961
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
"A wonderful collection that gives Mozart a voice as a son, husband, brother and friend." —New York Times Book Review "Mozart's honesty, his awareness of his own genius and his contempt for authority all shine out from these letters."—Sunday Times (London). " In Mozart's Letters, Mozart's Life, Robert Spaethling presents "Mozart in all the rawness of his driving energies" (Spectator), preserved in the "zany, often angry effervescence" of his writing (Observer). Where other translators have ignored Mozart's atrocious spelling and tempered his foul language, "Robert Spaethling's new translations are lively and racy, and do justice to Mozart's restlessly inventive mind" (Daily Mail). Carefully selected and meticulously annotated, this collection of letters "should be on the shelves of every music lover" (BBC Music Magazine).
Author: Basil Smallman
Publisher: Oxford University Press
ISBN: 9780198166405
Category : Language Arts & Disciplines
Languages : en
Pages : 212
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Book Description
Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments.
Author: Tully Potter
Publisher: Boydell & Brewer
ISBN: 0907689787
Category : Biography & Autobiography
Languages : en
Pages : 1444
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Book Description
Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.
Author: Melvin Berger
Publisher: Courier Corporation
ISBN: 0486316726
Category : Music
Languages : en
Pages : 502
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Book Description
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
Author: John Evans
Publisher: Faber & Faber
ISBN: 0571274641
Category : Biography & Autobiography
Languages : en
Pages : 602
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Book Description
Best remembered for his operas and his War Requiem, Benjamin Britten's radical politics and his sexuality have also ensured that he remains a controversial public figure. Journeying Boy is a selection of his diaries that offer the reader an unseen insight into this complex man. Encompassing the years 1928-1938, they explore some key periods of Britten's life - his early compositions, his education first under composer Frank Bridge and then at the Royal College of Music, an unhappy but productive period studying under John Ireland and Ralph Vaughan Williams, and his reluctant and often painful process of parting from the warm, safe environment of his family home and his beloved mother. The diaries cast light on an often misrepresented musician whose technique, originality and musical prowess have entranced audiences for generations and who continues to inspire composers and musicians around the world.
