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Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 14
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Book Description
Piano part: Sonata in F major (TWV41:F2) by Georg Philipp Telemann, rev. Angelo Piazzini for Bassoon and Piano. Bassoon part available in series. E-book published by Glissato Edizioni Musicali - www.glissato.it
Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 14
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Book Description
Piano part: Sonata in F major (TWV41:F2) by Georg Philipp Telemann, rev. Angelo Piazzini for Bassoon and Piano. Bassoon part available in series. E-book published by Glissato Edizioni Musicali - www.glissato.it
Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 6
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Book Description
Bassoon part: Sonata in F major (TWV41:F2) by Georg Philipp Telemann, rev. Angelo Piazzini for Bassoon and Piano. Piano part available in series. E-book published by Glissato Edizioni Musicali - www.glissato.it
Author: Alexandre (COP) Tansman
Publisher:
ISBN: 9781458423771
Category :
Languages : en
Pages : 12
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Book Description
Editions Durand
Author: Julius Weissenborn
Publisher: Carl Fischer Music Dist
ISBN: 9780825803505
Category : Music
Languages : en
Pages : 121
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Book Description
Author: James B. Kopp
Publisher: Yale University Press
ISBN: 030018364X
Category : Music
Languages : en
Pages : 360
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Book Description
This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume [Publisher description].
Author: Wolfgang Amadeus Mozart
Publisher: Alma Books
ISBN: 0714545295
Category : Music
Languages : en
Pages : 113
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Book Description
These Opera Guides are ideal com-panions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original.This famous opera ends, after the hero is dragged down to hell, with a warning that evil shall not go unpunished. 'Hardly', as Michael F. Robinson notes, 'one's usual idea of a "e;comic"e; subject!' So this guide opens with a brief look at what is actually comic about it. David Wyn Jones gives an overall view of the score: he shows how the musical keys are arranged so that the dramatic momentum over two long acts is maintained and discusses orchestration and dramatic pacing in the most important scenes. Christopher Raeburn contributes a lively portrait of the 'libertine librettist' who, after his Vienna triumphs, was hounded out of London for his debts and eventually died in New York - 'revered as the father of Italian studies in America'. The full original text is given, with a pointed modern translation.
Author: William Spencer
Publisher: Alfred Music
ISBN: 9781457400360
Category : Music
Languages : en
Pages : 76
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Book Description
Fine bassoon teachers are a rarity in all but cities with major symphony orchestras and/or a university with a distinguished music department faculty. William Spencer took up the challenge of providing material for the serious bassoonist with The Art of Bassoon Playing, published in 1958. With William Spencer's approval, Frederick Mueller took on the task of bringing to notice recent changes in bassoon playing, pedagogy, and manufacture, resulting in revised edition of The Art of Bassoon Playing.
Author: Chester Music
Publisher: Chester Music
ISBN: 1783239387
Category : Music
Languages : en
Pages : 90
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Book Description
The Chester Bassoon Anthology presents 12 popular works for Bassoon with Piano accompaniment. The selected works are taken from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. As well as the joint piano and bassoon score, a dedicated bassoon score is included along with performance notes by Amy Harman. The tracks included are: - Fantasio [Robert Bariller] - Sonata For Bassoon And Piano [Richard Rodney Bennett] - Notturno for Bassoon and Piano [Robert Clérisse] - Sonata No. 1 in C Major, Op. 24 [François Devienne] - Romance, Op. 62 [Edward Elgar] - Piece for Bassoon and Piano [Gabriel Fauré] - 12 Danzas Espanolas [Enrique Granados] - Bassoon Concerto [Joseph Horovitz] - Sonata in Bb Major, K. 292 [W. A. Mozart] - Pièce En Forme De Habañera [Maurice Ravel] - Sonatine Sportive, Op. 63 [Alexander Tcherepnin] - Scherzo-Kolomyjka [Hynek Vokáček]
Author: Rudolf Steiner
Publisher: SteinerBooks
ISBN: 1621511383
Category : Music
Languages : en
Pages : 282
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Book Description
The art of movement called eurythmy began about eighty years ago, based on Rudolf Steiner's knowledge of spiritual beings and meanings behind various human movements, as well as knowledge of the inner spiritual qualities of human beings when we move. Eurythmy performance is choreographed according to "forms" drawn to reflect the inner nature of spoken language (speech eurythmy) or a musical piece (tone eurythmy), which is the subject of Eurythmy Forms for Tone Eurythmy. Steiner produced about 1500 forms for speech and tone eurythmy to be performed in Dornach and other locations. Many of his forms for tone eurythmy arose spontaneously in response to requests for forms from eurythmists. Steiner's spontaneity is readily apparent in the sketches themselves, with some drawn at rehearsals as he listened to the music. Steiner sketched others in the evening after hearing the music once, making them available for rehearsal the next day. When he was confined to bed during his final illness, he drew forms simply by looking at the sheet music. Eurythmy Forms for Tone Eurythmy contains facsimiles of the Rudolf Steiner's original drawings and, in many cases, instructions for performing them. Included are forms for compositions by Bach, Beethoven, Brahms, Chopin, Franck, Grieg, Handel, Lewerenz, Liszt, Mozart, Reger, Schubert, Schumann, Scriabin, van Stuten, Tartini, and many more. This is a valuable resource for all eurythmists, as well as for those who wish to gain a better understanding of eurythmy forms. This book is intended primarily for eurythmy students, performers, and teachers, and is also useful to anyone who would like to study eurythmy movements and better appreciate eurythmy performances.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1156
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Book Description
