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Author: Samuel Steinberg
Publisher: University of Texas Press
ISBN: 1477307486
Category : History
Languages : en
Pages : 266
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Book Description
In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state’s dual repression—both the massacre’s crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of “massacre” and “sacrifice” inform contemporary perceptions of the state’s blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory.
Author: Samuel Steinberg
Publisher: University of Texas Press
ISBN: 1477307486
Category : History
Languages : en
Pages : 266
Get Book Here
Book Description
In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state’s dual repression—both the massacre’s crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of “massacre” and “sacrifice” inform contemporary perceptions of the state’s blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory.
Author: Samuel Steinberg (Assistant professor of Spanish)
Publisher:
ISBN: 9781477307496
Category : HISTORY
Languages : en
Pages :
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Book Description
Author: Victoria Carpenter
Publisher: University of Wales Press
ISBN: 178683281X
Category : History
Languages : en
Pages : 254
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Book Description
In-depth understanding of the way the state and the populace told the story of the Tlatelolco massacre Close reading of media coverage of the massacre Close reading of the testimonial and academic texts about the massacre Close reading of literary works about the massacre
Author: Susana Draper
Publisher: Duke University Press
ISBN: 1478002492
Category : History
Languages : en
Pages : 265
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Book Description
Recognizing the fiftieth anniversary of the protests, strikes, and violent struggles that formed the political and cultural backdrop of 1968 across Europe, the United States, and Latin America, Susana Draper offers a nuanced perspective of the 1968 movement in Mexico. She challenges the dominant cultural narrative of the movement that has emphasized the importance of the October 2nd Tlatelolco Massacre and the responses of male student leaders. From marginal cinema collectives to women’s cooperative experiments, Draper reveals new archives of revolutionary participation that provide insight into how 1968 and its many afterlives are understood in Mexico and beyond. By giving voice to Mexican Marxist philosophers, political prisoners, and women who participated in the movement, Draper counters the canonical memorialization of 1968 by illustrating how many diverse voices inspired alternative forms of political participation. Given the current rise of social movements around the globe, in 1968 Mexico Draper provides a new framework to understand the events of 1968 in order to rethink the everyday existential, political, and philosophical problems of the present.
Author:
Publisher: BRILL
ISBN: 900468655X
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
The works and biography of Heinrich von Kleist have fascinated authors, artists, and philosophers for centuries, and his enduring relevance is evident in the emblematic role he has played for generations. Kleist’s prose works remain “utterly unique” seventy years after Thomas Mann described their singular appeal, his dramas remain “disturbingly current” four decades after E.L. Doctorow characterized their modernity, and twenty-first century readers need not read far before finding the unresolved questions of the current century in Kleist. Heinrich von Kleist: Artistic and Aesthetic Legacies explores examples of Kleist’s impact on artistic creations and aesthetic theory spanning over two centuries of seismic metaphysical crises and nightmare scenarios from Europe to Mexico to Japan to manifestations of the American Dream.
Author: Jonathan B. Monroe
Publisher: Cambridge University Press
ISBN: 110887584X
Category : Literary Criticism
Languages : en
Pages : 643
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Book Description
From his first fifteen years in Chile, to his nine years in Mexico City from 1968 to 1977, to the quarter of a century he lived and worked in the Blanes-Barcelona area on the Costa Brava in Spain through his death in 2003, Roberto Bolaño developed into an astonishingly diverse, prolific writer. He is one of the most consequential and widely read of his generation in any language. Increasingly recognized not only in Latin America, but as a major figure in World Literature, Bolaño is an essential writer for the 21st century world. This volume provides a comprehensive mapping of the pivotal contexts, events, stages, and influences shaping Bolaño's writing. As the wide-ranging investigations of this volume's 30 distinguished scholars show, Bolaño's influence and impact will shape literary cultures worldwide for years to come.
Author: Jaime M. Pensado
Publisher: University of Arizona Press
ISBN: 0816539081
Category : History
Languages : en
Pages : 361
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Book Description
México Beyond 1968 examines the revolutionary organizing and state repression that characterized Mexico during the 1960s and 1970s. The massacre of students in Mexico City in October 1968 is often considered the defining moment of this period. The authors in this volume challenge the centrality of that moment by looking at the broader story of struggle and repression across Mexico during this time. México Beyond 1968 complicates traditional narratives of youth radicalism and places urban and rural rebellions within the political context of the nation’s Dirty Wars during this period. The book illustrates how expressions of resistance developed from the ground up in different regions of Mexico, including Chihuahua, Guerrero, Jalisco, Mexico City, Puebla, and Nuevo León. Movements in these regions took on a variety of forms, including militant strikes, land invasions, cross-country marches, independent forums, popular organizing, and urban and rural guerrilla uprisings. México Beyond 1968 brings together leading scholars of Mexican studies today. They share their original research from Mexican archives partially opened after 2000 and now closed again to scholars, and they offer analysis of this rich primary source material, including interviews, political manifestos, newspapers, and human rights reports. By centering on movements throughout Mexico, México Beyond 1968 underscores the deep-rooted histories of inequality and the frustrations with a regime that monopolized power for decades. It challenges the conception of the Mexican state as “exceptional” and underscores and refocuses the centrality of the 1968 student movement. It brings to light the documents and voices of those who fought repression with revolution and asks us to rethink Mexico’s place in tumultuous times. Contributors: Alexander Aviña Adela Cedillo A. S. Dillingham Luis Herrán Avila Fernando Herrera Calderón Gladys I. McCormick Enrique C. Ochoa Verónica Oikión Solano Tanalís Padilla Wil G. Pansters Jaime M. Pensado Gema Santamaría Michael Soldatenko Carla Irina Villanueva Eric Zolov
Author: Xiomara Verenice Cervantes-Gomez
Publisher: NYU Press
ISBN: 1479829153
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
"A queer way to be in the world and with others"--
Author: David E. Johnson
Publisher: University of Texas Press
ISBN: 1477317996
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
Reclaiming the notion of literature as an institution essential for reflecting on the violence of culture, history, and politics, Violence and Naming exposes the tension between the irreducible, constitutive violence of language and the reducible, empirical violation of others. Focusing on an array of literary artifacts, from works by journalists such as Elena Poniatowska and Sergio González Rodríguez to the Zapatista communiqués to Roberto Bolaño's The Savage Detectives and 2666, this examination demonstrates that Mexican culture takes place as a struggle over naming—with severe implications for the rights and lives of women and indigenous persons. Through rereadings of the Conquest of Mexico, the northern Mexican feminicide, the Zapatista uprising in Chiapas, the disappearance of the forty-three students at Iguala in 2014, and the 1999 abortion-rights scandal centering on “Paulina,” which revealed the tenuousness of women’s constitutionally protected reproductive rights in Mexico, Violence and Naming asks how societies can respond to violence without violating the other. This essential question is relevant not only to contemporary Mexico but to all struggles for democracy that promise equality but instead perpetuate incessant cycles of repression.
Author: Juan G. Ramos
Publisher: University Press of Florida
ISBN: 1683400593
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Bringing Latin American popular art out of the margins and into the center of serious scholarship, this book rethinks the cultural canon and recovers previously undervalued cultural forms as art. Juan Ramos uses "decolonial aesthetics," a theory that frees the idea of art from Eurocentric forms of expression and philosophies of the beautiful, to examine the long decade of the 1960s in Latin America--a time of cultural production that has not been studied extensively from a decolonial perspective. Ramos looks at examples of "antipoetry," unconventional verse that challenges canonical poets and often addresses urgent social concerns. He analyzes the militant popular songs of nueva canción by musicians such as Mercedes Sosa and Violeta Parra. He discusses films that use visually shocking images and melodramatic effects to tell the stories of Latin American nations. He asserts that these different art forms should not be studied in isolation but rather brought together as a network of contributions to decolonial art. These art forms, he argues, appeal to an aesthetic that involves all the senses. Instead of being outdated byproducts of their historical moments, they continue to influence Latin American cultural production today.
