Author: Dawn Ades
Publisher:
ISBN: 9789999401708
Category : Montage
Languages : en
Pages : 0
Book Description
Photomontage
Author: Dawn Ades
Publisher:
ISBN: 9789999401708
Category : Montage
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9789999401708
Category : Montage
Languages : en
Pages : 0
Book Description
Photomontage
Author: Dawn Ades
Publisher:
ISBN: 9780500270806
Category : Photomontage
Languages : en
Pages : 112
Book Description
Publisher:
ISBN: 9780500270806
Category : Photomontage
Languages : en
Pages : 112
Book Description
Photomontage (Second) (World of Art)
Author: Dawn Ades
Publisher: Thames & Hudson
ISBN: 0500776229
Category : Art
Languages : en
Pages : 363
Book Description
A fully updated new edition of this classic in-depth study of the pioneering art form of photomontage by renowned art historian Dawn Ades. Manipulation of the photograph is as old as photography itself. It has embodied and enlivened political propaganda, satire, and commercial art and helped visualize the “brave new world” of the future through surreal and fantastic images. Photomontage has been embraced by artists from the late nineteenth century to today, including the Dadaists, John Heartfield, El Lissitzky, Hannah Höch, and Alexander Rodchenko. In this updated classic, art historian Dawn Ades addresses the aesthetic, social, and historical implications of the varied manifestations and uses of manipulated photographs. Revered by artists, critics, and readers alike, this new edition is brought up-to-date to reflect technological developments and changes in visual culture, discussing the work of contemporary artists Kathy Bruce, Linder, Cold War Steve, and others. Photomontage also includes refreshed image reproductions as well as new full-color illustrations.
Publisher: Thames & Hudson
ISBN: 0500776229
Category : Art
Languages : en
Pages : 363
Book Description
A fully updated new edition of this classic in-depth study of the pioneering art form of photomontage by renowned art historian Dawn Ades. Manipulation of the photograph is as old as photography itself. It has embodied and enlivened political propaganda, satire, and commercial art and helped visualize the “brave new world” of the future through surreal and fantastic images. Photomontage has been embraced by artists from the late nineteenth century to today, including the Dadaists, John Heartfield, El Lissitzky, Hannah Höch, and Alexander Rodchenko. In this updated classic, art historian Dawn Ades addresses the aesthetic, social, and historical implications of the varied manifestations and uses of manipulated photographs. Revered by artists, critics, and readers alike, this new edition is brought up-to-date to reflect technological developments and changes in visual culture, discussing the work of contemporary artists Kathy Bruce, Linder, Cold War Steve, and others. Photomontage also includes refreshed image reproductions as well as new full-color illustrations.
Creating Photomontages with Photoshop: A Designer's Notebook
Author: Patrick Collandre
Publisher: "O'Reilly Media, Inc."
ISBN: 9780596008581
Category : Computers
Languages : en
Pages : 104
Book Description
A guide to using Photoshop to create photomontages, featuring the work and commentary of digital imaging professionals, graphic artists, illustrators, and photographers such as Didier Cr?et?e, Lamia Dhib, and Odile Pascal.
Publisher: "O'Reilly Media, Inc."
ISBN: 9780596008581
Category : Computers
Languages : en
Pages : 104
Book Description
A guide to using Photoshop to create photomontages, featuring the work and commentary of digital imaging professionals, graphic artists, illustrators, and photographers such as Didier Cr?et?e, Lamia Dhib, and Odile Pascal.
The Photomontages of Hannah Höch
Author: Hannah Höch
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 238
Book Description
Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 238
Book Description
Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.
Photomontage
Author: David Evans
Publisher: Barrie Publishing
ISBN:
Category : Photography
Languages : en
Pages : 140
Book Description
Publisher: Barrie Publishing
ISBN:
Category : Photography
Languages : en
Pages : 140
Book Description
Highway Photomontage Manual
Author: John Penzien
Publisher:
ISBN:
Category : Photography in highway engineering
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Photography in highway engineering
Languages : en
Pages : 204
Book Description
Barbara Morgan
Author: Barbara Brooks Morgan
Publisher: Ullmann
ISBN: 9783829028875
Category : Biography & Autobiography
Languages : en
Pages : 100
Book Description
Debra P. Patnaik provides an overview of the development of Morgan's career.
Publisher: Ullmann
ISBN: 9783829028875
Category : Biography & Autobiography
Languages : en
Pages : 100
Book Description
Debra P. Patnaik provides an overview of the development of Morgan's career.
John Heartfield and the Agitated Image
Author: Andrés Mario Zervigón
Publisher: University of Chicago Press
ISBN: 0226981789
Category : Art
Languages : en
Pages : 330
Book Description
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
Publisher: University of Chicago Press
ISBN: 0226981789
Category : Art
Languages : en
Pages : 330
Book Description
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
Foto/montáž tiskem
Author: Jindřich Toman
Publisher: Modern Czech Book
ISBN:
Category : Design
Languages : en
Pages : 384
Book Description
Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Höch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the Austro-Hungarian Empire collapsed. For these artists, namely Polish and Czech, photomontage manifested itself in a Surrealist approach to cut-and-paste imagery that emphasized its potential for visual poetry. Photo/Montage in Print traces the explosion of photomontage art in book cover design and illustrated magazines in the interwar period. Documenting the remarkable contributions of Czech artists in the creation of the visual language of modern print media, the publication includes some of the leading artists of the Czech avant garde such as Karel Teige, Jindrich Styrsky, Toyen, Ladislav Sutnar and Frantisek Muzika.
Publisher: Modern Czech Book
ISBN:
Category : Design
Languages : en
Pages : 384
Book Description
Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Höch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the Austro-Hungarian Empire collapsed. For these artists, namely Polish and Czech, photomontage manifested itself in a Surrealist approach to cut-and-paste imagery that emphasized its potential for visual poetry. Photo/Montage in Print traces the explosion of photomontage art in book cover design and illustrated magazines in the interwar period. Documenting the remarkable contributions of Czech artists in the creation of the visual language of modern print media, the publication includes some of the leading artists of the Czech avant garde such as Karel Teige, Jindrich Styrsky, Toyen, Ladislav Sutnar and Frantisek Muzika.