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Author: Simon Whaley
Publisher: Simon Whaley
ISBN: 1838078614
Category : Language Arts & Disciplines
Languages : en
Pages : 142
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Book Description
Which would you rather be: the freelance writer paid £200 for an article or the freelance writer/photographer paid £600 for an illustrated article? Practically every magazine uses photographs, so why not become an editor's dream supplier by sending them a complete words-and-picture package? Some magazines only use writers who can supply the photos, so taking photos can open up new markets to you. Inside Photography for Writers you will learn: - How to increase your chances of selling more words by offering photos. - How to take publishable photos using your smartphone or compact camera. - How to supply photos with your submissions. - How to illustrate your articles when you don’t have a camera. - And how to use your smartphone or compact camera as a research tool. Take your freelance writing to the next level... with photos! Increase your publication opportunities and boost your writing income! Simon Whaley’s illustrated features have appeared in a variety of publications including BBC Countryfile, Country Walking, The Simple Things, Outdoor Photography, The Countryman, The People’s Friend and Writing Magazine. (This second edition now includes photographs.) Enjoy creative writing? Looking to get into freelance writing? Check out The Practical Writer Series for easy-to-implement advice.
Author: Mark Durden
Publisher: Routledge
ISBN: 0415549442
Category : Art
Languages : en
Pages : 298
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Book Description
A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include: Roland Barthes Susan Sontag Jacques Derrida Henri Cartier-Bresson Geoffrey Batchen Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.
Author: Marcy E. Schwartz
Publisher: UNM Press
ISBN: 9780826338082
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
This is the first book to document the extensive collaboration between writers and photographers in Latin America from the Mexican Revolution through the twentieth century.
Author: Geoffrey Batchen
Publisher: MIT Press
ISBN: 9780262523240
Category : Photography
Languages : en
Pages : 254
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Book Description
Essays on photography and the medium's history and evolving identity. In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs—from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at—rather than beyond—the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Author: Liz Heron
Publisher: Routledge
ISBN: 1000324680
Category : Photography
Languages : en
Pages : 521
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Book Description
This selection of women's writings on photography proposes a new and different history, demonstrating the ways in which women's perspectives have advanced photographic criticism over 150 years, focusing it more deeply and, with the advent of feminist approaches, increasingly challenging its orthodoxies. Included in the book are Rosalind Krauss, Ingrid Sischy, Vicki Goldberg and Carol Squiers.
Author: Susan Sontag
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 224
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Book Description
Author: Simon Whaley
Publisher: Simon Whaley
ISBN: 1838078614
Category : Language Arts & Disciplines
Languages : en
Pages : 142
Get Book Here
Book Description
Which would you rather be: the freelance writer paid £200 for an article or the freelance writer/photographer paid £600 for an illustrated article? Practically every magazine uses photographs, so why not become an editor's dream supplier by sending them a complete words-and-picture package? Some magazines only use writers who can supply the photos, so taking photos can open up new markets to you. Inside Photography for Writers you will learn: - How to increase your chances of selling more words by offering photos. - How to take publishable photos using your smartphone or compact camera. - How to supply photos with your submissions. - How to illustrate your articles when you don’t have a camera. - And how to use your smartphone or compact camera as a research tool. Take your freelance writing to the next level... with photos! Increase your publication opportunities and boost your writing income! Simon Whaley’s illustrated features have appeared in a variety of publications including BBC Countryfile, Country Walking, The Simple Things, Outdoor Photography, The Countryman, The People’s Friend and Writing Magazine. (This second edition now includes photographs.) Enjoy creative writing? Looking to get into freelance writing? Check out The Practical Writer Series for easy-to-implement advice.
Author: Mark Durden
Publisher: Routledge
ISBN: 1135117349
Category : Photography
Languages : en
Pages : 298
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Book Description
A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include: Roland Barthes Susan Sontag Jacques Derrida Henri Cartier-Bresson Geoffrey Batchen Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.
Author: Aine Larkin
Publisher: Routledge
ISBN: 1351552910
Category : Foreign Language Study
Languages : en
Pages : 223
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Book Description
The importance of vision and visual arts such as painting, theatre, and sculpture in Marcel Proust's A la recherche du temps perdu has long been affirmed; another significant system of visual representation in the novel is photography. Proust appropriated photography as a practice with its own distinctive characteristics which could inform his writing about the processes of perception and memory. Through close textual analysis of scenes where photography is experienced or observed as a practice, and scenes where photography is written into the body of the text, Aine Larkin offers an invigorating new study that sheds genuinely new light on the presence of photographic motifs in Proust's novel, and the subtlety of Proust's engagement with this modern imaging system in his work.
Author: Karen Beckman
Publisher: U of Minnesota Press
ISBN: 0816688850
Category : Literary Criticism
Languages : en
Pages : 457
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Book Description
From James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs into their work for as long as photographs have existed, producing rich, multilayered creations; and photographers have always made images that incorporate, respond to, or function as writing. On Writing with Photography explores what happens to texts—and images—when they are brought together. From the mid-nineteenth century to the present, this collection addresses a wide range of genres and media, including graphic novels, children’s books, photo-essays, films, diaries, newspapers, and art installations. Examining the works of Herman Melville, Don DeLillo, Claude McKay, Man Ray, Dare Wright, Guy Debord, Zhang Ailing, and Roland Barthes, among others, the essays trace the relationship between photographs and “reality” and describe the imaginary worlds constructed by both, discussing how this production can turn into testimony of personal and collective history, memory and trauma, gender and sexuality, and ethnicity. Together, these essays help explain how writers and photographers—past and present—have served as powerful creative resources for each other. Contributors: Stuart Burrows, Brown U; Roderick Coover, Temple U; Adrian Daub, Stanford U; Marcy J. Dinius, DePaul U; Marianne Hirsch, Columbia U; Daniel H. Magilow, U of Tennessee, Knoxville; Janine Mileaf; Tyrus Miller, U of California, Santa Cruz; Leah Rosenberg, U of Florida; Xiaojue Wang, U of Pennsylvania.
Author: Emily Ennis
Publisher: Bloomsbury Publishing
ISBN: 1350196207
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
At the turn of the 20th century, printing and photographic technologies evolved rapidly, leading to the birth of mass media and the rise of the amateur photographer. Demonstrating how this development happened symbiotically with great changes in the shape of British literature, Writing, Authorship and Photography in British Literary Culture, 1880-1920 explores this co-evolution, showing that as both writing and photography became tools of mass dissemination, literary writers were forced to re-evaluate their professional and personal identities. Focusing on four key authors-Thomas Hardy, Bram Stoker, Joseph Conrad and Virginia Woolf-each of which had their own private and professional connections to photographs, this book offers valuable historical contexts for contemporary cultural developments and anxieties. At first establishing the authors' response to developing technologies through their non-fiction, personal correspondences and working drafts, Ennis moves on to examine how their perceptions of photography extend into their major works of fiction: A Laodicean, Dracula, The Secret Agent, The Inheritors and The Voyage Out. Reflecting on the first 'graphic revolution' in a world where text and image are now reproduced digitally and circulated en masse and online, Ennis redirects our attention to when image and text appeared alongside each other for the first time and the crises this sparked for authors: how they would respond to increasingly photographic depictions of everyday life, and in turn, how their writing adapted to a distinctly visual mass media.
